On October 18, 2011 Joel and his family's life changed forever when his older brother and best friend Mathieu was hit and killed by the driver of a 28 ton crane truck. Mathieu, an artist, was riding his bike home from his art studio in Brooklyn, NY. The tragedy made headlines on CNN, the New York Times, the Wall Street Journal, Maclean's Magazine, the CBC, and many other news agencies in Canada and the US. Through his eyes Joel gives first-hand knowledge of what it's been like to go up against one of the world's largest police forces, the NYPD. It took Joel and his family six years to discover the truth about how his brother was killed. In his own straight forward and heartfelt way, Joel speaks of the grief, sadness, anger and frustration he felt during his family's long fight for justice. Joel was inspired to write this story to raise awareness about traffic safety and to show others who are victims of injustice that they have a voice and that they can make a difference. He hopes his story will inspire others who are struggling against injustice.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Right Hand Riley Trident is lithe and fast, her tongue every bit as sharp as her sword. Her and her partner, the massive brute William Teller, are new-age knights sworn to defend the kingdom of New Perth. But dark days are on the horizon Rumors swirl of a dark mage to the North. A man who's harvesting magic from people, using it to strengthen himself. He's amassing an army, and his sights are set on New Perth. With the fate of the kingdom at stake, Riley and William embark on a journey putting them on a collision course with this mage... and with their own mortality. Will their fighting prowess prove enough to vanquish the dark mage and his legion of followers, or are they doomed to a fate amongst the harvested?
International justice has become a crucial part of the ongoing political debates about the future of shattered societies like Bosnia, Kosovo, Rwanda, Cambodia, and Chile. Why do our governments sometimes display such striking idealism in the face of war crimes and atrocities abroad, and at other times cynically abandon the pursuit of international justice altogether? Why today does justice seem so slow to come for war crimes victims in the Balkans? In this book, Gary Bass offers an unprecedented look at the politics behind international war crimes tribunals, combining analysis with investigative reporting and a broad historical perspective. The Nuremberg trials powerfully demonstrated how effective war crimes tribunals can be. But there have been many other important tribunals that have not been as successful, and which have been largely left out of today's debates about international justice. This timely book brings them in, using primary documents to examine the aftermath of the Napoleonic Wars, World War I, the Armenian genocide, World War II, and the recent wars in the former Yugoslavia. Bass explains that bringing war criminals to justice can be a military ordeal, a source of endless legal frustration, as well as a diplomatic nightmare. The book takes readers behind the scenes to see vividly how leaders like David Lloyd George, Winston Churchill, Franklin Roosevelt, and Bill Clinton have wrestled with these agonizing moral dilemmas. The book asks how law and international politics interact, and how power can be made to serve the cause of justice. Bass brings new archival research to bear on such events as the prosecution of the Armenian genocide, presenting surprising episodes that add to the historical record. His sections on the former Yugoslavia tell--with important new discoveries--the secret story of the politicking behind the prosecution of war crimes in Bosnia, drawing on interviews with senior White House officials, key diplomats, and chief prosecutors at the war crimes tribunal for the former Yugoslavia. Bass concludes that despite the obstacles, legalistic justice for war criminals is nonetheless worth pursuing. His arguments will interest anyone concerned about human rights and the pursuit of idealism in international politics.
Robert Ehi Odigie is a chartered engineer and has contributed to the development of the engineering profession in the manufacturing, oil and gas, nuclear, and the services industry. He has always been close to God as servant of Christ in the Catholic church. In answer to his call, he served the Lord and the church as president of Saint Jude Society, president of the Sacred Heart of Jesus, vice chairman of the parish council; president and coordinator of Jesus Christ family society, Our Lady Starr of the Sea Catholic Church, Naval Barrack, Ojo, Lagos; member of the parish council, St. Michael, Raphael, and Gabriel, Satellite Town; deputy chairman of the building committee, church project manager, and designed and supervised the church-building project. He was elected by the parish council as chairman of the fund-raising committee. At St. Augustine Catholic Church, Iba, Ojo, he was elected as president of the Divine Mercy Society and president of the Christian Fathers. Robert is a member of St. Paul missionary, Nigeria. I am the happiest man on planet earth. I had the grace to see Jesus Christ, angels, and a glimpse of heaven, heard the voice of the Lord our God, saw his powerful and mighty right hand in the sky burning fiercely with flames of fire. I saw the Lord changed the present earth to a future earth.
Presents an analysis of what justice is, the transcendental theory of justice and its drawbacks, and a persuasive argument for a comparative perspective on justice that can guide us in the choice between alternatives.
An exploration of how design might be led by marginalized communities, dismantle structural inequality, and advance collective liberation and ecological survival. What is the relationship between design, power, and social justice? “Design justice” is an approach to design that is led by marginalized communities and that aims expilcitly to challenge, rather than reproduce, structural inequalities. It has emerged from a growing community of designers in various fields who work closely with social movements and community-based organizations around the world. This book explores the theory and practice of design justice, demonstrates how universalist design principles and practices erase certain groups of people—specifically, those who are intersectionally disadvantaged or multiply burdened under the matrix of domination (white supremacist heteropatriarchy, ableism, capitalism, and settler colonialism)—and invites readers to “build a better world, a world where many worlds fit; linked worlds of collective liberation and ecological sustainability.” Along the way, the book documents a multitude of real-world community-led design practices, each grounded in a particular social movement. Design Justice goes beyond recent calls for design for good, user-centered design, and employment diversity in the technology and design professions; it connects design to larger struggles for collective liberation and ecological survival.
The Triple Threat women go undercover for an intricate and deadly cat-and-mouse game where nothing can be taken at face value in this riveting mystery that is sure to leave readers both shocked and satisfied.
