Stories of crime and corruption set in this Caribbean country by Edwidge Danticat, Roxane Gay, Dany Laferrière, and more. These darkly suspenseful stories offer a deeper and more nuanced look at a nation that has been plagued by poverty, political upheaval, and natural disaster, yet endures even through the bleakest times. Filled with tough characters and twisting plots, they reveal the multitude of human stories that comprise the heart of Haiti. Classic stories by Danielle Legros Georges, Jacques Roumain, Ida Faubert, Jacques-Stephen Alexis, Jan J. Dominique, Paulette Poujol Oriol, Lyonel Trouillot, Emmelie Prophète, Ben Fountain, Dany Laferrière, Georges Anglade, Edwidge Danticat, Michèle Voltaire Marcelin, Èzili Dantò, Marie-Hélène Laforest, Nick Stone, Marilène Phipps-Kettlewell, Myriam J.A. Chancey, and Roxane Gay. “Skillfully uses a popular genre to help us better understand an often frustratingly complex and indecipherable society.” —The Miami Herald “Presents an excellent array of writers, primarily Haitian, whose graphic descriptions portray a country ravaged by corruption, crime, and mystery. . . . A must read for everyone.” —The Caribbean Writer
Legendary Haitian author Depestre combines magic, fantasy, eroticism, and delirious humor to explore universal questions of race and sexuality. “One-of-a-kind . . . [A] ribald, free-wheeling magical-realist novel, first published in 1988 and newly, engagingly translated by Glover . . . An icon of Haitian literature serves up a hotblooded, rib-ticking, warmhearted mélange of ghost story, cultural inquiry, folk art, and véritable l’amour.” —Kirkus Reviews, Starred Review “An exceptional novel . . . Depestre’s masterpiece and one of the greatest examples of Haitian literature.” —New York Journal of Books Hadriana in All My Dreams, winner of the prestigious Prix Renaudot, takes place primarily during Carnival in 1938 in the Haitian village of Jacmel. A beautiful young French woman, Hadriana, is about to marry a Haitian boy from a prominent family. But on the morning of the wedding, Hadriana drinks a mysterious potion and collapses at the altar. Transformed into a zombie, her wedding becomes her funeral. She is buried by the town, revived by an evil sorcerer, then disappears into popular legend. Set against a backdrop of magic and eroticism, and recounted with delirious humor, the novel raises universal questions about race and sexuality. The reader comes away enchanted by the marvelous reality of Haiti’s Vodou culture and convinced of Depestre’s lusty claim that all beings—even the undead ones—have a right to happiness and true love.
A New York Times–bestselling collection of Longmire adventures Craig Johnson's The Highwayman and An Obvious Fact are now available from Viking. Ten years ago, Craig Johnson wrote his first short story, the Hillerman Award–winning “Old Indian Trick.” This was one of the earliest appearances of the sheriff who would go on to star in Johnson’s bestselling, award-winning novels and the hit television series Longmire, now streaming on Netflix. Each Christmas Eve thereafter, fans rejoiced when Johnson sent out a new short story featuring an episode in Walt’s life that doesn’t appear in the novels; over the years, many have asked why they can’t buy the stories in book form. Wait for Signs gives Longmire fans a chance to own these beloved stories—and one that was published for the first time in the Viking edition—in a single volume. With glimpses of Walt’s past from the incident in “Ministerial Aide,” when the sheriff is mistaken for a deity, to the hilarious “Messenger,” where the majority of the action takes place in a Porta-Potty, Wait for Signs is a necessary addition to any Longmire fan’s shelf and a wonderful way to introduce new readers to the fictional world of Absaroka County, Wyoming.
On the heels of the stunning success of bestseller Brooklyn Noir, this second volume digs deeper into the criminal history of New York's punchiest and most alluring borough. Brooklyn Noir 2 offers short stories by the classic authors who blazed the path for the success of the first volume. Each story is set in a distinct Brooklyn neighbourhood and mixes masters of genre with some of the best literary fiction writers to ever set foot in the borough.
Boston Noir & Boston Noir 2: The Complete Set combines all twenty-five stories from best seller Boston Noir. "Dennis Lehane advises us not to judge the genre by its Hollywood images of sharp men in fedoras lighting cigarettes for femmes fatales standing in the dark alleys. [Lehane] writes persuasively of the gentrification that has left people feeling crushed." --New York Times, on Boston Noir "The contributor list is delightfully quirky...The collection's unifying element is a deep understanding of Boston's Byzantine worlds of race and class--as seen terrifyingly in Andre Dubus's tale of Milltown resentment and pampered preppies." --Boston Globe, on Boston Noir 2: The Classics Boston Noir & Boston Noir 2: The Complete Set combines all twenty-five stories from best seller Boston Noir, edited by Dennis Lehane, and its sequel, Boston Noir 2: The Classics, edited by Lehane, Mary Cotton & Jaime Clarke; featuring Lehane's own "Animal Rescue," the basis for the motion picture The Drop, and twenty-four classic noir stories set throughout Boston.
“Subverts the simplistic sunshine/reggae/spliff-smoking image of Jamaica at almost every turn . . . with a rich interplay of geographies and themes.” —Los Angeles Times From Trench Town to Half Way Tree to Norbrook to Portmore and beyond, the stories of Kingston Noir shine light into the darkest corners of this fabled city. Joining award-winning Jamaican authors such as Marlon James, Leone Ross, and Thomas Glave are two “special guest” writers with no Jamaican lineage: Nigerian-born Chris Abani and British writer Ian Thomson. The menacing tone that runs through some of these stories is counterbalanced by the clever humor in others, such as Kei Miller’s “White Gyal with a Camera,” who softens even the hardest of August Town’s gangsters; and Mr. Brown, the private investigator in Kwame Dawes’s story, who explains why his girth works to his advantage: “In Jamaica a woman like a big man. She can see he is prosperous, and that he can be in charge.” Together—with more contributions from Patricia Powell, Colin Channer, Marcia Douglas, and Christopher John Farley—the outstanding tales in Kingston Noir comprise the best volume of short fiction ever to arise from the literary wellspring that is Jamaica. “Thoroughly well-written stories . . . fans of noir will enjoy this batch of sordid tales set in the sweltering heat of the tropics.” —Publishers Weekly “An eclectic and gritty mélange of tales that sears the imagination . . . Kingston Noir proves its worth as a quintessential piece of West Indian literature—rich, artistic, timeless, and above all, draped in unmistakable realism.” —The Gleaner (Jamaica)
In The Black Republic, Brandon R. Byrd explores the ambivalent attitudes that African American leaders in the post-Civil War era held toward Haiti, the first and only black republic in the Western Hemisphere. Following emancipation, African American leaders of all kinds—politicians, journalists, ministers, writers, educators, artists, and diplomats—identified new and urgent connections with Haiti, a nation long understood as an example of black self-determination. They celebrated not only its diplomatic recognition by the United States but also the renewed relevance of the Haitian Revolution. While a number of African American leaders defended the sovereignty of a black republic whose fate they saw as intertwined with their own, others expressed concern over Haiti's fitness as a model black republic, scrutinizing whether the nation truly reflected the "civilized" progress of the black race. Influenced by the imperialist rhetoric of their day, many African Americans across the political spectrum espoused a politics of racial uplift, taking responsibility for the "improvement" of Haitian education, politics, culture, and society. They considered Haiti an uncertain experiment in black self-governance: it might succeed and vindicate the capabilities of African Americans demanding their own right to self-determination or it might fail and condemn the black diasporic population to second-class status for the foreseeable future. When the United States military occupied Haiti in 1915, it created a crisis for W. E. B. Du Bois and other black activists and intellectuals who had long grappled with the meaning of Haitian independence. The resulting demand for and idea of a liberated Haiti became a cornerstone of the anticapitalist, anticolonial, and antiracist radical black internationalism that flourished between World War I and World War II. Spanning the Reconstruction, post-Reconstruction, and Jim Crow eras, The Black Republic recovers a crucial and overlooked chapter of African American internationalism and political thought.
A Mosaic of Ninety Miniatures in French and English, translated from the French by Anne Pease McConnell. Haitian Laughter is constructed around the lodyans, a narrative genre that has blossomed in Haiti as an art of miniatures. The substantial reduction in scale that presides over their creation allows only the significant features to remain, like a medieval illumination, a Japanese bonsai, or simply a small sized map of an immense territory. This makes each miniature a "dwarf sized saga," which lets us glimpse the larger dimension of the original of which it is a reduced model. Bilingual, French and English.
Boston Noir 2: The Classics is now a Boston Globe best seller! "The contributor list is delightfully quirky...The collection's unifying element is a deep understanding of Boston's Byzantine worlds of race and class--as seen terrifyingly in Andre Dubus's tale of milltown resentment and pampered preppies." --Boston Globe "14 superior selections in this 'classics' volume in Akashic's series of regional dark crime short stories, the works of established writers that have stood the test of time." --Publishers Weekly "This collection features crime stories that have already been published. But that's OK when you have the likes of Chuck Hogan, Joyce Carol Oates, Robert B. Parker, Linda Barnes, George V. Higgins, Dennis Lehane, and David Foster Wallace all under the same roof...Followers of Akashic's long-running Noir series--not to mention, of course, fans of Boston-set crime fiction--should eagerly devour this one." --Booklist "These stories take place in neighborhoods you know well, and that can drive a reader crazy as well as entice him or her, but the read is worth it." --Boston Column, Summer Reading pick “Boston Noir 2: The Classics is a thorough representation of what noir has been, is, and continues to become . . . The shadows over Boston are those of Bogart, leaning into the spotlight with that complexity of soul, that derisive navigation of morality and deviance. . . The shadows on this cover prepare the tone, that these thin darknesses can be willed into corruption with little effort, and the reader will learn the ease of giving into it.” --HTML Giant "There are few gifts I enjoy more than a box of chocolates. The very best surprise me, each candy layered with unexpected delights that leave me hungry for more. The same may be said of Boston Noir 2. It's a collection of dark short stories by names you know, set in places familiar to Bostonians. Edited by Dorchester's crime fiction king and Hollywood darling, Dennis Lehane...Boston Noir 2 overflows with stories from some of the best writers of our time...This is the perfect book to open after a long day...The danger, of course, is that at the end of each story, you'll go for just one more and stay up well past your bedtime. My advice? Indulge." --Patriot Ledger Classic reprints from: Classic short fiction reprints from: George Harrar, George V. Higgins, Dennis Lehane, Joyce Carol Oates, Robert B. Parker, Hannah Tinti, Abraham Verghese, David Foster Wallace, and others. Dennis Lehane is the author of the Patrick Kenzie and Angela Gennaro mystery series (A Drink Before the War; Darkness, Take My Hand; Sacred; Gone, Baby, Gone; Prayers for Rain; and Moonlight Mile), as well as Coronado (five stories and a play) and the award-winning novels Mystic River, Shutter Island, and The Given Day. Mystic River, Shutter Island, and Gone, Baby, Gone have been made into award-winning films. In 2009 he edited the best-selling anthology Boston Noir for Akashic Books. Mary Cotton is the pseudonymous author of nine novels for young adults, six of them New York Times bestsellers. She is also a fiction editor for the literary magazine Post Road, and is co-editor of No Near Exit: Writers Select Their Favorite Work from Post Road. She is co-owner of Newtonville Books in Boston, Massachusetts. Jaime Clarke is the author of the novel We're So Famous, editor of Don't You Forget About Me: Contemporary Writers on the Films of John Hughes, and Conversations with Jonathan Lethem, and co-editor of No Near Exit: Writers Select Their Favorite Work from Post Road. He is a founding editor of Post Road and has taught creative writing at University of Massachusetts, Boston, and Emerson College. He is co-owner of Newtonville Books in Boston, Massachusetts.
