Guy Mannering, Or, the Gipsy's Prophecy
Author: Daniel Terry
Publisher:
Published: 1986
Total Pages: 0
ISBN-13:
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Author: Daniel Terry
Publisher:
Published: 1986
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Daniel Terry
Publisher:
Published: 1839
Total Pages: 62
ISBN-13:
DOWNLOAD EBOOKAuthor: Daniel Terry
Publisher:
Published: 1816
Total Pages: 72
ISBN-13:
DOWNLOAD EBOOKAuthor: New York Public Library. Research Libraries
Publisher:
Published: 1967
Total Pages: 820
ISBN-13:
DOWNLOAD EBOOKAuthor: Daniel Terry
Publisher:
Published: 1837
Total Pages: 430
ISBN-13:
DOWNLOAD EBOOKAuthor: Chris Price
Publisher: Cambridge Scholars Publishing
Published: 2018-11-30
Total Pages: 498
ISBN-13: 1527522660
DOWNLOAD EBOOKIn 1825, an enterprising Canterbury newsagent by the name of Henry Ward raised a subscription to commission a lasting tribute to his beloved musical society. The result was a fine lithograph showing 100 gentlemen in assured poses, carefully placed in surroundings eloquently freighted with classical allusion, cultural literacy, deep-rooted patriotism, and strictly masculine politics. That image is the subject of this book. With insights gleaned from a unique collection of music, papers, and artefacts in the archives of the city and the cathedral, this study considers not only the accomplished performance of bourgeois status which is clearly visible in the print, but other characteristics of the Club which are either less pictorially privileged or entirely omitted. Deploying iconographical, cultural, and musicological analysis, the book discusses this curiously contradictory slice of British social history in which the respectable apparently coexisted happily with the libertine. What emerges is an unusually clear view of the production, performance and consumption of music in a provincial city at a fascinating time: a period when cultural activity was a strategic assertion of socio-political identity.
Author: Daniel Terry
Publisher:
Published: 1849
Total Pages: 59
ISBN-13:
DOWNLOAD EBOOKAuthor: Margaret Ross Griffel
Publisher: Scarecrow Press
Published: 2012-12-21
Total Pages: 1015
ISBN-13: 0810883252
DOWNLOAD EBOOKAlthough many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Author: H. Philip Bolton
Publisher: Burns & Oates
Published: 1992
Total Pages: 616
ISBN-13:
DOWNLOAD EBOOKToday little is known about the important theatrical process of popularising a literary product. The works of Sir Walter Scott, like Charles Dickens, form a very large body of staged novels. Some 5000 dramatic performances - plays, operas, films, radio and television dramas - derived from the novels and narrative poems of Sir Walter Scott are listed here. Dramatizations are arranged chronologically and each entry gives title of drama, author, date of production/broadcast, publication/manuscript details and comment.
Author: Brooklyn Public Library
Publisher:
Published: 1880
Total Pages: 330
ISBN-13:
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