Gustav Mahler
Author: Donald Mitchell
Publisher: Boydell Press
Published: 2002
Total Pages: 668
ISBN-13: 9780851159089
DOWNLOAD EBOOKOm Gustav Mahlers sange, Das Lied von der Erde og Symfoni nr. 8
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Gustav Mahler, Songs and Symphonies of Life and Death
Author: Donald Mitchell
Publisher: Univ of California Press
Published: 1986-01-01
Total Pages: 668
ISBN-13: 9780520055780
DOWNLOAD EBOOKThe third volume of Mitchell's epic account of the composer and his works concentrates on the vocal music and, in particular, on some of his most famous, original, and best loved compositions.
Gustav Mahler
Author: Donald Mitchell
Publisher: Univ of California Press
Published: 1980-01-01
Total Pages: 378
ISBN-13: 9780520041417
DOWNLOAD EBOOKAvailable again for a new generation of Mahlerians, Donald Mitchell's famous study of the composer's early life and music, revised and updated in 1980, includes a new introduction by the author, and supplementary addenda, which bring this classic work once again to the forefront of Mahler studies. Tracing Mahler's life from his birth in Bohemia, then part of the mighty Austro-Hungarian empire, to his early works (many now lost) Gustav Mabler: The Early Years forms an indispensable prelude to the period during which the cycle of great symphonies was to evolve. The conflicts which came to mark Mahler's music and personality had their beginnings in his childhood and youth. Without understanding the territorial, social and familial conflicts of this time one cannot truly appreciate the impulses behind the major symphonies and song cycles of his later years. Book jacket.
Why Mahler?
Author: Norman Lebrecht
Publisher: Anchor
Published: 2010-10-12
Total Pages: 338
ISBN-13: 0307379507
DOWNLOAD EBOOKAlthough Gustav Mahler was a famous conductor in Vienna and New York, the music that he wrote was condemned during his lifetime and for many years after his death in 1911. “Pages of dreary emptiness,” sniffed a leading American conductor. Yet today, almost one hundred years later, Mahler has displaced Beethoven as a box-office draw and exerts a unique influence on both popular music and film scores. Mahler’s coming-of-age began with such 1960s phenomena as Leonard Bernstein’s boxed set of his symphonies and Luchino Visconti’s film Death in Venice, which used Mahler’s music in its sound track. But that was just the first in a series of waves that established Mahler not just as a great composer but also as an oracle with a personal message for every listener. There are now almost two thousand recordings of his music, which has become an irresistible launchpad for young maestros such as Gustavo Dudamel. Why Mahler? Why does his music affect us in the way it does? Norman Lebrecht, one of the world’s most widely read cultural commentators, has been wrestling obsessively with Mahler for half his life. Pacing out his every footstep from birthplace to grave, scrutinizing his manuscripts, talking to those who knew him, Lebrecht constructs a compelling new portrait of Mahler as a man who lived determinedly outside his own times. Mahler was—along with Picasso, Einstein, Freud, Kafka, and Joyce—a maker of our modern world. “Mahler dealt with issues I could recognize,” writes Lebrecht, “with racism, workplace chaos, social conflict, relationship breakdown, alienation, depression, and the limitations of medical knowledge.” Why Mahler? is a book that shows how music can change our lives.
Forbidden Music
Author: Michael Haas
Publisher: Yale University Press
Published: 2013-04-15
Total Pages: 505
ISBN-13: 0300154313
DOWNLOAD EBOOKDIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
The Cambridge Companion to the Lied
Author: James Parsons
Publisher: Cambridge University Press
Published: 2004-07
Total Pages: 446
ISBN-13: 9780521804714
DOWNLOAD EBOOKBeginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
Gustav Mahler
Author: Jens Malte Fischer
Publisher: Yale University Press
Published: 2011-08-09
Total Pages: 778
ISBN-13: 0300134444
DOWNLOAD EBOOKTranslation of: Gustav Mahler: Der fremde Vertraute.
Music in the Early Twentieth Century
Author: Richard Taruskin
Publisher: Oxford University Press
Published: 2006-08-14
Total Pages: 881
ISBN-13: 0199796017
DOWNLOAD EBOOKThe universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Early Twentieth Century , the fourth volume in Richard Taruskin's history, looks at the first half of the twentieth century, from the beginnings of Modernism in the last decade of the nineteenth century right up to the end of World War II. Taruskin discusses modernism in Germany and France as reflected in the work of Mahler, Strauss, Satie, and Debussy, the modern ballets of Stravinsky, the use of twelve-tone technique in the years following World War I, the music of Charles Ives, the influence of peasant songs on Bela Bartok, Stravinsky's neo-classical phase and the real beginnings of 20th-century music, the vision of America as seen in the works of such composers as W.C. Handy, George Gershwin, and Virgil Thomson, and the impact of totalitarianism on the works of a range of musicians from Toscanini to Shostakovich
On Mahler and Britten
Author: Philip Reed
Publisher: Boydell & Brewer
Published: 1995
Total Pages: 380
ISBN-13: 9780851156149
DOWNLOAD EBOOKIn February 1995 Donald Mitchell, the foremost authority on the life and works of Gustav Mahler and Benjamin Britten, celebrated his seventieth birthday. To mark this event, the present Festschrift has been compiled under the editorship of Philip Reed. Distinguished composers, scholars, colleagues and friends from around the world have written on aspects of the two composers closest to Mitchell's heart - Mahler and Britten - to produce a volume which not only reflects some of the latest thinking on this pair of remarkable figures in the music of our century, but which also pays full tribute to the impact of Mitchell's own work on these composers over the last fifty years. The volume includes the fullest bibliography of Mitchell's writings yet compiled.
Mahler and His World
Author: Karen Painter
Publisher: Princeton University Press
Published: 2020-09-01
Total Pages: 412
ISBN-13: 0691218358
DOWNLOAD EBOOKFrom the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona and yet an impassioned artist who withdrew to his lakeside hut where he composed his vast symphonies and intimate song cycles. His advocates have produced countless studies of the composer's life and work. But they have focused on analysis internal to the compositions, along with their programmatic contexts. In this volume, musicologists and historians turn outward to examine the broader political, social, and literary changes reflected in Mahler's music. Peter Franklin takes up questions of gender, Talia Pecker Berio examines the composer's Jewish identity, and Thomas Peattie, Charles S. Maier, and Karen Painter consider, respectively, contemporary theories of memory, the theatricality of Mahler's art and fin-de-siècle politics, and the impinging confrontation with mass society. The private world of Gustav Mahler, in his songs and late works, is explored by leading Austrian musicologist Peter Revers and a German counterpart, Camilla Bork, and by the American Mahler expert Stephen Hefling. Mahler's symphonies challenged Europeans and Americans to experience music in new ways. Before his decision to move to the United States, the composer knew of the enthusiastic response from America's urban musical audiences. Mahler and His World reproduces reviews of these early performances for the first time, edited by Zoë Lang. The Mahler controversy that polarized Austrians and Germans also unfolds through a series of documents heretofore unavailable in English, edited by Painter and Bettina Varwig, and the terms of the debate are examined by Leon Botstein in the context of the late-twentieth-century Mahler revival.
