Guru Dutt, 1925-1965

Guru Dutt, 1925-1965

Author: Firoze Rangoonwalla

Publisher:

Published: 1973

Total Pages: 164

ISBN-13:

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On the writings and works of Guru Dutt, 1925-1965, Hindi motion picture producer, director, and actor.


Guru Dutt: An Unfinished Story

Guru Dutt: An Unfinished Story

Author: Yasser Usman

Publisher: Simon and Schuster

Published: 2021-01-07

Total Pages: 336

ISBN-13: 9386797895

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Guru Dutt’s filmography has some names which have long been considered as some of the best films to have ever been made in India. His masterpiece Pyaasa (1957) was featured in TIME magazine's All-Time 100 Movies list in 2005. His films are still celebrated and revered by viewers, critics and students of cinema the world over, not only for their technical brilliance but also for the eternal romanticism and their profound take on the emptiness of life and the shallowness of material success. He was Indian cinema’s Don Juan and Nietzsche rolled into one. But while much has been said and written on the film-maker and his art, little is known about his life behind the screens. This richly layered account takes a deep dive into the journey of a lonesome, troubled genius who was endlessly being pulled in contrary directions throughout his life. A child prodigy, who actually began as a dancer learning from the great Uday Shankar, an unconventional film-maker who desired commercial success without ever compromising on artistic satisfaction, a self-made entrepreneur who hated numbers yet single-handedly ran a film studio juggling the roles of a producer, director, actor, financier — all this while struggling silently with a deeply troubled personal life, at the centre of which was his tumultuous marriage with Geeta Dutt. Guru had it all — love, family, money, fame and validation from his audience. His untimely death by suicide, that too after multiple failed attempts, had shocked the entire film industry. But what led to that fateful night when he tipped his hat and said his final goodbye? Best-selling Bollywood biographer Yasser Usman explores the man and the myth Guru Dutt in this definitive biography of a nonconformist star, uncovering the extraordinary lives of the rich and the famous as well the incredible toll it takes on the emotional and mental health of a human being. With cameos from close friends and colleagues Dev Anand, Waheeda Rehman, Johnny Walker, S.D. Burman and most significantly Dutt’s sister, noted painter Lalitha Lajmi, a short but compassionate, ambitious and ultimately tragic life reveals itself in the pages of this book. This is a gripping, meticulously researched and moving portrait of an unfinished life — a tale of unrequited love, unresolved relationships and unmatched cinematic talent.


Guru Dutt

Guru Dutt

Author: Nasreen Munni Kabir

Publisher: Oxford University Press, USA

Published: 1996

Total Pages: 200

ISBN-13:

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On life and works of Guru Dutt


Conscience of The Race

Conscience of The Race

Author: BIBEKANANDA RAY

Publisher: Publications Division Ministry of Information & Broadcasting

Published:

Total Pages: 631

ISBN-13: 8123026617

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The book is a detailed and wonderful study on the Offbeat cinema in India. The author through the title says that the offbeat genre, more than the mainstream, truly reflects the conscience of the Indian people.


Film – An International Bibliography

Film – An International Bibliography

Author: Malte Hagener

Publisher: Springer

Published: 2016-12-16

Total Pages: 489

ISBN-13: 3476036863

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Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.


Understanding Indian Movies

Understanding Indian Movies

Author: Patrick Colm Hogan

Publisher: University of Texas Press

Published: 2009-06-03

Total Pages: 308

ISBN-13: 0292779550

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Indian movies are among the most popular in the world. However, despite increased availability and study, these films remain misunderstood and underappreciated in much of the English-speaking world, in part for cultural reasons. In this book, Patrick Colm Hogan sets out through close analysis and explication of culturally particular information about Indian history, Hindu metaphysics, Islamic spirituality, Sanskrit aesthetics, and other Indian traditions to provide necessary cultural contexts for understanding Indian films. Hogan analyzes eleven important films, using them as the focus to explore the topics of plot, theme, emotion, sound, and visual style in Indian cinema. These films draw on a wide range of South Asian cultural traditions and are representative of the greater whole of Indian cinema. By learning to interpret these examples with the tools Hogan provides, the reader will be able to take these skills and apply them to other Indian films. But this study is not simply culturalist. Hogan also takes up key principles from cognitive neuroscience to illustrate that all cultures share perceptual, cognitive, and emotional elements that, when properly interpreted, can help to bridge gaps between seemingly disparate societies. Hogan locates the specificity of Indian culture in relation to human universals, and illustrates this cultural-cognitive synthesis through his detailed interpretations of these films. This book will help both scholars and general readers to better understand and appreciate Indian cinema.


Bollywood Cinema

Bollywood Cinema

Author: Vijay Mishra

Publisher: Routledge

Published: 2013-08-21

Total Pages: 321

ISBN-13: 1135310920

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India is home to Bollywood - the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay producing nearly 800 films per year that are viewed by roughly 11 million people per day. In Bollywood Cinema, Vijay Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian popular culture. Seeking to understand Bollywood according to its own narrative and aesthetic principles and in relation to a global film industry, he views Indian cinema through the dual methodologies of postcolonial studies and film theory. Mishra discusses classics such as Mother India (1957) and Devdas (1935) and recent films including Ram Lakhan (1989) and Khalnayak (1993), linking their form and content to broader issues of national identity, epic tradition, popular culture, history, and the implications of diaspora.