Guide to Non-English-language Broadcasting
Author: Joshua A. Fishman
Publisher:
Published: 1982
Total Pages: 148
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Joshua A. Fishman
Publisher:
Published: 1982
Total Pages: 148
ISBN-13:
DOWNLOAD EBOOKAuthor: Joshua A. Fishman
Publisher:
Published: 1981
Total Pages: 88
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1982
Total Pages: 148
ISBN-13:
DOWNLOAD EBOOKAuthor: Diane Foxhill Carothers
Publisher: Routledge
Published: 2016-11-10
Total Pages: 586
ISBN-13: 1351983881
DOWNLOAD EBOOKFirst published in 1991, this book presents a comprehensive annotated bibliography of radio broadcasting. Its eleven chapter-categories cover almost the entire range of radio broadcasting — with the exception of radio engineering due to its technical complexity although some of the historical volumes do encompass aspects, thus providing background material. Entries are primarily restricted to published books although a number of trade journals and periodicals are also included. Each entry includes full bibliographic information, including the ISBN or ISSN where available, and an annotation written by the author with the original text in hand.
Author: Gilbert A. Jarvis
Publisher:
Published: 1984
Total Pages: 166
ISBN-13: 9780915432844
DOWNLOAD EBOOKAuthor: Jerome S. Berg
Publisher: McFarland
Published: 2008-10-01
Total Pages: 425
ISBN-13: 0786451998
DOWNLOAD EBOOK"This book presents the histories of the major North American shortwave clubs and reviews the professional and listener-generated shortwave literature of the era. It also covers the DX programs and other listening fare to which shortwave listeners were most attracted and the QSL-cards they sought as confirmation of their reception."--Provided by publisher.
Author: Jeremy Braddock
Publisher: Univ of California Press
Published: 2024-10-29
Total Pages: 320
ISBN-13: 0520398548
DOWNLOAD EBOOKA cultural clearinghouse of the American 1960s and '70s told through the story of the period's most important forgotten comedy group. This expansive book reclaims the Firesign Theatre (hazily remembered as a comedy act for stoners) as critically engaged artists working in the heart of the culture industry at a time of massive social and technological change. At the intersection of popular music, sound and media studies, cultural history, and avant-garde literature, Jeremy Braddock explores how this inventive group made the lowbrow comedy album a medium for registering the contradictions and collapse of the counterculture, and traces their legacies in hip-hop turntablism, computer hacking, and participatory fan culture. He deploys a vast range of material sources, drawing on numerous interviews and writing in tune with the group's obsessive and ludic reflections—on multitrack recording, radio, television, cinema, early artificial intelligence, and more—to focus on Firesign's work in Los Angeles from 1967 to 1975. This ebullient act of media archaeology reveals Firesign Theatre as authors of a comic utopian pessimism that will inspire twenty-first-century recording arts and urge us to engage the massive technological changes of our own era.