Routledge Revivals: Radio Broadcasting from 1920 to 1990 (1991)

Routledge Revivals: Radio Broadcasting from 1920 to 1990 (1991)

Author: Diane Foxhill Carothers

Publisher: Routledge

Published: 2016-11-10

Total Pages: 586

ISBN-13: 1351983881

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First published in 1991, this book presents a comprehensive annotated bibliography of radio broadcasting. Its eleven chapter-categories cover almost the entire range of radio broadcasting — with the exception of radio engineering due to its technical complexity although some of the historical volumes do encompass aspects, thus providing background material. Entries are primarily restricted to published books although a number of trade journals and periodicals are also included. Each entry includes full bibliographic information, including the ISBN or ISSN where available, and an annotation written by the author with the original text in hand.


Listening on the Short Waves, 1945 to Today

Listening on the Short Waves, 1945 to Today

Author: Jerome S. Berg

Publisher: McFarland

Published: 2008-10-01

Total Pages: 425

ISBN-13: 0786451998

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"This book presents the histories of the major North American shortwave clubs and reviews the professional and listener-generated shortwave literature of the era. It also covers the DX programs and other listening fare to which shortwave listeners were most attracted and the QSL-cards they sought as confirmation of their reception."--Provided by publisher.


Firesign

Firesign

Author: Jeremy Braddock

Publisher: Univ of California Press

Published: 2024-10-29

Total Pages: 320

ISBN-13: 0520398548

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A cultural clearinghouse of the American 1960s and '70s told through the story of the period's most important forgotten comedy group. This expansive book reclaims the Firesign Theatre (hazily remembered as a comedy act for stoners) as critically engaged artists working in the heart of the culture industry at a time of massive social and technological change. At the intersection of popular music, sound and media studies, cultural history, and avant-garde literature, Jeremy Braddock explores how this inventive group made the lowbrow comedy album a medium for registering the contradictions and collapse of the counterculture, and traces their legacies in hip-hop turntablism, computer hacking, and participatory fan culture. He deploys a vast range of material sources, drawing on numerous interviews and writing in tune with the group's obsessive and ludic reflections—on multitrack recording, radio, television, cinema, early artificial intelligence, and more—to focus on Firesign's work in Los Angeles from 1967 to 1975. This ebullient act of media archaeology reveals Firesign Theatre as authors of a comic utopian pessimism that will inspire twenty-first-century recording arts and urge us to engage the massive technological changes of our own era.