Short story. In the citadel, it's hard to tell who's your enemy and who's your friend - or it is for the Executioners. No wonder they need human guard dogs to protect them while they sleep. When Griselda's human is compromised, will one of her fellows take advantage of the situation, or will they hesitate long enough for her to find a solution? Who knew vampires had so many problems? Can be read as a standalone.
Fifteen short stories of love, death, heartbreak, and blood. Meet the Executioners, elite enforcers of the vampires’ laws. Walk with them through origin stories, follow them across the sea to the colonies, and run with them through the wilds, as they try to bring civilization to a land ruled by “day sleeper” clans. Fifteen interwoven stories tell the beginning of The Guild, set under the watchful - and sometimes malevolent - gaze of the ancient Malick, whose heavy shadow stretches even across the sea. Meet his favorite son, his willful daughter, his child-like pet, and many more whose jealousies, hatreds, and loves twist together to create consequences they can’t foresee. Look for Tales of the Executioners Volume Two, where the story continues.
For more than ten years artist Gary Pullin has been taking art galleries, movie theater walls, and social media by storm with his fresh, inventive takes on film, music, and television properties. Equal parts nightmare and nostalgia, his instantly recognizable style always strikes a chord with fans, and his coveted and acclaimed pieces sell out in lightning speed. A go-to artist for official film artwork, concert merchandise, LP packaging, and endless other pieces of pop culture ephemera, Pullin has put pencil to paper for film posters such as Friday the 13th, A Nightmare on Elm Street, Halloween, The Big Lebowski, Vertigo, and The Babadook, soundtracks including Creepshow, Scream, Christine, and Tales from the Crypt, and concert merch for the likes of Jack White, Alice Cooper, and Misfits. Featuring hundreds of full-color illustrations, lavish cover galleries, and never-before-seen concept and process shots, Ghoulish: The Art of Gary Pullin is both a celebration of one artist's remarkable career and an indispensable snapshot of the thriving world of genre art. Go behind the scenes with Gary, let your jaw drop at his brilliant, long out of print artwork, and get ghoulishly inspired by an unforgettable pop artist.
Barron’s SAT with Online Tests is completely revised and reflects all question types that appear on the current SAT. Step-by-step subject review helps students master the content, and full-length practice tests help students prepare to face the actual SAT. This edition includes: Six full-length practice tests: Four in the book and two online, with all questions answered and explained A diagnostic test in the book to help pinpoint strengths and weaknesses Detailed subject review for all sections of the test, plus instructions on writing the essay An overview of the test, including explanation of the scoring method Test-taking tactics for the SAT as a whole, along with section-specific tips Online practice tests and vocabulary: In addition to online practice tests, students get access to Barron's online SAT Vocabulary Master Word List flashcards for on-the-go review.
INTRODUCED BY SARAH WATERS 'Every one of her books is a treat and this is my favourite, because of its wonderful cast of characters, and because of the deftness with which Taylor's narrative moves between them ... A wonderful writer' SARAH WATERS In the faded coastal village of Newby, everyone looks out for - and in on - each other, and beneath the deceptively sleepy exterior, passions run high. Beautiful divorcee Tory is secretly involved with her neighbour, Robert, while his wife Beth, Tory's best friend, is consumed by the worlds she creates in her novels, oblivious to the relationship developing next door. Their daughter Prudence is aware, however, and is appalled by the treachery she observes. Mrs Bracey, an invalid whose grasp on life is slipping, forever peers from her window, constantly prodding her daughters for news of the outside world. And Lily Wilson, a lonely young widow, is frightened of her own home. Into their lives steps Bertram, a retired naval officer with the unfortunate capacity to inflict lasting damage while trying to do good. 'Her stories remain with one, indelibly, as though they had been some turning-point in one's own experience' - ELIZABETH BOWEN 'Always intelligent, often subversive and never dull, Elizabeth Taylor is the thinking person's dangerous housewife. Her sophisticated prose combines elegance, icy wit and freshness in a stimulating cocktail' - VALERIE MARTIN 'A magnificent and underrated mid-20th-century writer, the missing link between Jane Austen and John Updike' - DAVID BADDIEL
THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix, starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Cate Blanchett, and many more! A dark and enchanting fantasy adventure for those who prefer fairytales with a twist. The first in the bestselling series.
The Canterbury Tales by Geoffrey Chaucer from Coterie Classics All Coterie Classics have been formatted for ereaders and devices and include a bonus link to the free audio book. “Then you compared a woman's love to Hell, To barren land where water will not dwell, And you compared it to a quenchless fire, The more it burns the more is its desire To burn up everything that burnt can be. You say that just as worms destroy a tree A wife destroys her husband and contrives, As husbands know, the ruin of their lives. ” ― Geoffrey Chaucer, The Canterbury Tales The Canterbury Tales are collection of stories by Chaucer, each attributed to a fictional medieval pilgrim.
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
