Greek Mythology in Byzantine Art
Greek Mythology in Byzantine Art

Author: Kurt Weitzmann

Publisher: Princeton University Press

Published: 2014-07-14

Total Pages: 299

ISBN-13: 1400857422

DOWNLOAD EBOOK

Kurt Weitzmann demonstrates that the postulated miniatures of the handbook that goes under the name of Apollodorus migrated into other texts, of which the commentary of Pseudo-Nonnus--attached to several homilies of Gregory of Nazianzus--and the Cynegetka of Pseudo-Oppian are the most important. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

How Philosophers Saved Myths
How Philosophers Saved Myths

Author: Luc Brisson

Publisher: University of Chicago Press

Published: 2008-11-15

Total Pages: 222

ISBN-13: 0226075389

DOWNLOAD EBOOK

This study explains how the myths of Greece and Rome were transmitted from antiquity to the Renaissance. Luc Brisson argues that philosophy was ironically responsible for saving myth from historical annihilation. Although philosophy was initially critical of myth because it could not be declared true or false and because it was inferior to argumentation, mythology was progressively reincorporated into philosophy through allegorical exegesis. Brisson shows to what degree allegory was employed among philosophers and how it enabled myth to take on a number of different interpretive systems throughout the centuries: moral, physical, psychological, political, and even metaphysical. How Philosophers Saved Myths also describes how, during the first years of the modern era, allegory followed a more religious path, which was to assume a larger role in Neoplatonism. Ultimately, Brisson explains how this embrace of myth was carried forward by Byzantine thinkers and artists throughout the Middle Ages and Renaissance; after the triumph of Chistianity, Brisson argues, myths no longer had to agree with just history and philosophy but the dogmas of the Church as well.

Art and Myth in Ancient Greece
Art and Myth in Ancient Greece

Author: Thomas H Carpenter

Publisher: National Geographic Books

Published: 2021-04-20

Total Pages: 0

ISBN-13: 0500204543

DOWNLOAD EBOOK

An essential visual handbook for anyone interested in Greek myth written by T. H. Carpenter, one of the world’s leading experts on myth in ancient art. The ancient Greeks recorded their mythology on vase paintings, engraved gems, and bronze and stone sculptures, offering depictions that often predate any references to the myths in literature or recount alternative, unfamiliar versions of these tales. In some cases, visual art provides our only evidence of these myths, as there are no surviving accounts in ancient Greek literature of stories such as the Fall of Troy or Theseus and the Minotaur. Art and Myth in Ancient Greece is a comprehensive survey of myth as it appears in Greek art. This classic volume has been updated with text and full-color images of more than three hundred scenes from Greek sculptures, vases, and gems. Aiding in the identification of mythological scenes and explaining chronological developments in style and subject matter, this book is an essential reference for anyone interested in the art, drama, poetry, or religion of ancient Greece.

The Oxford Handbook of Byzantine Art and Architecture
The Oxford Handbook of Byzantine Art and Architecture

Author: Ellen C. Schwartz

Publisher: Oxford University Press

Published: 2021-11-19

Total Pages: 665

ISBN-13: 0197572200

DOWNLOAD EBOOK

Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspects of this artistic creation, across a wide swath of geography and a long span of time. The volume marries older, object-based considerations of themes and monuments which form the backbone of art history, to considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, and so on-in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a particularly rich field of study, offering a window into the world of this fascinating and beautiful period of art.

Reading in the Byzantine Empire and Beyond
Reading in the Byzantine Empire and Beyond

Author: Clare Teresa M. Shawcross

Publisher: Cambridge University Press

Published: 2018-10-04

Total Pages: 745

ISBN-13: 1108418414

DOWNLOAD EBOOK

The first comprehensive introduction in English to books, readers and reading in Byzantium and the wider medieval world surrounding it.

Power and Subversion in Byzantium
Power and Subversion in Byzantium

Author: Michael Saxby

Publisher: Routledge

Published: 2016-04-08

Total Pages: 316

ISBN-13: 1317076931

DOWNLOAD EBOOK

This volume addresses a theme of special significance for Byzantine studies. Byzantium has traditionally been deemed a civilisation which deferred to authority and set special store by orthodoxy, canon and proper order. Since 1982 when the distinguished Russian Byzantinist Alexander Kazhdan wrote that 'the history of Byzantine intellectual opposition has yet to be written', scholars have increasingly highlighted cases of subversion of 'correct practice' and 'correct belief' in Byzantium. This innovative scholarly effort has produced important results, although it has been hampered by the lack of dialogue across the disciplines of Byzantine studies. The 43rd Spring Symposium of Byzantine Studies in 2010 drew together historians, art historians, and scholars of literature, religion and philosophy, who discussed shared and discipline-specific approaches to the theme of subversion. The present volume presents a selection of the papers delivered at the symposium enriched with specially commissioned contributions. Most papers deal with the period after the eleventh century, although early Byzantium is not ignored. Theoretical questions about the nature, articulation and limits of subversion are addressed within the frameworks of individual disciplines and in a larger context. The volume comes at a timely junction in the development of Byzantine studies, as interest in subversion and nonconformity in general has been rising steadily in the field.

Agenorid Myth in the ›Bibliotheca‹ of Pseudo-Apollodorus
Agenorid Myth in the ›Bibliotheca‹ of Pseudo-Apollodorus

Author: Johanna Astrid Michels

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2022-11-21

Total Pages: 1130

ISBN-13: 3110610221

DOWNLOAD EBOOK

The Bibliotheca of Pseudo-Apollodorus, perhaps the best-known mythographic text, stands out for its comprehensive aim and state of preservation. The handbook has regularly been disregarded as a repository of 'standard' myths or as a primary witness to archaic stories, a reductive view at once underestimating and romanticizing the merits of the Bibliotheca. This monograph unlocks the Bibliotheca as a literary work in its own right by offering the first systematic commentary on an essential selection, the Cretan and Theban myths in Bibl. III.1-56, and by presenting an in-depth analysis of the text. In so doing, this volume closes a gap in current research, from which a philological commentary is entirely missing. The main part of the study focuses on various aspects of composition and organization by addressing structuring principles, narratorial interventions, and the author's method and sources. It lays to rest persistent misconceptions about the representative character of the Bibliotheca's myths, the author's merits, and his source use, all of which have divided the scholarship to this date. In addition, it provides an update on the author, date, purpose and readership, text history, and book division of the Bibliotheca.

The Culture of Latin Greece
The Culture of Latin Greece

Author: Vladimir Agrigoroaei

Publisher: BRILL

Published: 2022-12-30

Total Pages: 763

ISBN-13: 9004524223

DOWNLOAD EBOOK

The author and six historical characters of his own choosing tell tales and guide you through the artistic and literary maze of Latin-occupied Greece. They show you patterns, influences, and dissimilar evolutions in what appears to be a 13th-14th century cultural conundrum.

In Laudem Iustini Augusti Minoris
In Laudem Iustini Augusti Minoris

Author: Flavius Cresconius Corippus

Publisher: A&C Black

Published: 2000-12-01

Total Pages: 243

ISBN-13: 0567589838

DOWNLOAD EBOOK

The few scraps of information which we have about Flavius Cresconius Corippus come almost exclusively from his two poems, the lohannis and the In laudem lustini Augusti minoris. Despite this he was still the last important Latin author of Late Antiquity. Corippus's poem on the accession of Justin II is considered a most unusual work. Unlike the lohannis, so far as we know the only other product by the same author, it tells of no epic battles against barbarian peoples. Instead we have a narrative poem, covering in great detail the accession of an emperor, the first week of his reign and (in part, for the poem breaks off before the end) his inauguration as consul. This is the first book to utilize or interpret this immensely valuable body of evidence as a whole. Cameron has contributed to one of the most urgent tasks of modern scholars of late antiquity and (still more) of the Byzantine period-the provision of a readable text with translation and commentary of this important work which until now was only available in plain and inadequate editions.