The mysterious war in Heaven; the Principle of Desire; the Awe-Inspiring Creative Power, its Function; the Secret Teachings on Procreation; False Prophets - The Sensations of the Body; the Edenic Fall; Degeneration; Why Woman is Higher Than Man.
John, Jack, and Charles (who met nine years ago when they became Caretakers of the Imaginarium Geographica, an atlas of all the lands we think of as imaginary) have come together again. Someone is kidnapping the children of the Archipelago of Dreams - and the legendary Dragonships, which can cross between the two worlds, have disappeared. Their search takes them from Sir James Barrie and Peter Pan, to Jason and the Argonauts, Medea, the Pied Piper of Hamelin, and much more! An inventive, magical adventure that will keep readers riveted.
This work examines the allusions to Blake throughout Harris's four Hannibal Lecter novels and provides a Blakean reading of the works as a whole, particularly in regard to the character of Lecter and the nature of evil in the world--and to what extent humanity should accept evil. The novels and their film versions reveal that Harris uses Blake to suggest that good and evil are intertwined and coexist, and that it is foolish to try to see them simply as opposing binaries. Refusing to recognize their intertwined relationship leads to imbalance and a negative outcome, as revealed in the fate of Graham in Red Dragon.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
Maxfield Parrish was one of the most popular American artists of the 20th century. His engaging covers for Scribners and Life, murals such as Old King Cole and the Pied Piper, and posters, calendars, and paintings have delighted viewers for over 100 years. This is the first critical examination of Parrish's place in the history of American art and culture.
An American scientist is on the run in the jungles of Vietnam as world powers prep for war in this thriller by two New York Times–bestselling authors. “An adrenaline-fueled, multilayered thriller that cuts right to the chase. . . . Constant action makes this a must read for military adventure fans.” —Publishers Weekly In the not-too-distant future, massive climate change has wracked the globe. China’s rice-growing regions have been devastated by typhoons, whiles its western breadbasket is suffering from three years of drought. Riots threaten to tear the country apart. With the old-guard Chinese government paralyzed by the crisis, a young, charismatic party leader steps to the fore. His solution to the unrest is a time-tested one—conquest of China’s neighbors. And after that, the world. Josh MacArthur, a mild-mannered American scientist studying climate change in northern Vietnam, is the only witness to a clever attempt by the Chinese to make it appear that Vietnam started the war. Escaping a massacre, he manages to gather critical evidence that could turn world opinion against China. Unfortunately, the Chinese learn of MacArthur’s survival, and of the information he carries. A former Ch’an fighting monk turned commando is sent to capture him. Mara Duncan, a CIA agent, is also on MacArthur’s trail. The American scientist has become the subject of a deadly race in the jungles of northern Vietnam, with that fate of the world in his hands. “The authors have done their homework, using clips from newspaper reports to heighten the realistic feel and producing a thriller that reads like an account of true events. Fans of military thrillers, especially Clancy’s, are the built-in audience for this one.” —Booklist
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Demons want to kill him. Dragons need to save him. Secret passages. Amulets and Talismans. Magic and Swords of Light. Can Thomas Arach, heir to Red Dragon's Keep, bring everything together to save his family and his home?
From the fire-breathing beasts of North European myth and legend to the Book of Revelation’s Great Red Dragon of Hell, from those supernatural agencies of imperial authority in ancient China to the so-called dragon-women who threaten male authority, dragons are a global phenomenon, one that has troubled humanity for thousands of years. These often scaly beasts take a wide variety of forms and meanings, but there is one thing they all have in common: our fear of their formidable power and, as a consequence, our need either to overcome, appease, or in some way assume that power as our own. In this fiery cultural history, Martin Arnold asks how these unifying impulses can be explained. Are they owed to our need to impose order on chaos in the form of a dragon-slaying hero? Is it our terror of nature, writ large, unleashed in its most destructive form? Or is the dragon nothing less than an expression of that greatest and most disturbing mystery of all: our mortality? Tracing the history of ideas about dragons from the earliest of times to Game of Thrones, Arnold explores exactly what it might be that calls forth such creatures from the darkest corners of our collective imagination.