The Great Movie Comedians
The Great Movie Comedians

Author: Leonard Maltin

Publisher: CreateSpace

Published: 2015-10-17

Total Pages: 378

ISBN-13: 9781514324943

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THE GREAT MOVIE COMEDIANS: FROM CHARLIE CHAPLIN TO WOODY ALLEN - Revised Edition by Leonard Maltin Leonard Maltin surveys the 20th century's greatest comedy performers to see what made each one unique. Drawing on his own observations as well as interviews with directors who worked with these stars, he presents entertaining profiles of everyone from Charlie Chaplin, the genius who "did it all" to his modern-day counterpart Woody Allen, whose nebbish persona became as identifiable as Chaplin's Little Tramp. Along the way you'll learn about pioneering comedienne Mabel Normand, sexual provocateur Mae West (who wrote her own saucy material), "iron man" Buster Keaton, the madcap Marx Brothers, the relentlessly rowdy Three Stooges, and many, many more. Maltin has revised his chapters (and filmographies) on Bob Hope, Jerry Lewis, and Woody Allen to bring this acclaimed 1978 book up to date. What's more, he's added some rare, new photos to the already-impressive gallery of images. If you love comedy, you'll enjoy this celebratory volume.

The 100 Greatest Silent Film Comedians
The 100 Greatest Silent Film Comedians

Author: James Roots

Publisher: Rowman & Littlefield

Published: 2014-10-23

Total Pages: 465

ISBN-13: 1442236507

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The silent film era featured some of the most revered names of on-screen comic performance, from Charlie Chaplin and Buster Keaton to Harold Lloyd, Douglas Fairbanks, and Laurel & Hardy. Besides these giants of cinema, however, there are other silent era performers—both leading actors and supporting players—who left an enduring legacy of laughter. In The 100 Greatest Silent Film Comedians, James Roots ranks the greatest performers based on a scorecard that measures each comic’s humor, timelessness, originality, and teamwork. Far more than just a listing, this is an idiosyncratic and entertaining review of the men and women who created the golden age of comedy. As a critic and deaf viewer, Roots brings a truly unique perspective to the evaluation of these performers and their work. He has viewed thousands of silent comedies and offers some assessments that run contrary to the standard list of performers. While many obvious names are placed in the top echelon, the author also champions performers who have been neglected, in part because their work has not been as visible. Each entry includes a filmography a scorecard an evaluation of the artist’s overall work an assessment of representative films DVD availability With the increased availability of films on DVD, as well as Internet access, more and more silent performers are being discovered by film fans. Supplemented by an appendix of comedians who missed the cut, as well as an annotated bibliography, The 100 Greatest Silent Film Comedians will be an invaluable resource to anyone wanting to know more about the brilliant entertainers of the silent era.

Hollywood Comedians, the Film Reader
Hollywood Comedians, the Film Reader

Author: Frank Krutnik

Publisher: Psychology Press

Published: 2003

Total Pages: 222

ISBN-13: 9780415235518

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Hollywood Comedians, The Film Reader brings together key writings on one of the most consistently popular genres of Hollywood cinema. Despite the cult reputations enjoyed by star performers such as Charlie Chaplin, Buster Keaton, the Marx Brothers and Woody Allen, comedians and the contexts within which they worked have not always received their due in scholarly discussions of cinema culture. Hollywood Comedians, The Film Reader seeks to fill this gap, combining distinguished work on comedian comedy produced since the early 1980s together with more recent material that explores the genre's contemporary revival. This reader provides a comprehensive guide to a range of comedians, contexts and issues: from the silent films of Chaplin and Keaton to the early sound comedy of Mae West and the Marx Brothers, and from the gender dynamics of Hope and Crosby, Lucille Ball and Jerry Lewis to contemporary comedians such as Jim Carrey and Chris Rock. In addition to exploring issues of genre, narrative, stardom and performance, the reader also traces how comedian films manage representations of otherness that are defined through ethnicity, race, class, gender and the body. Articles are grouped in thematic sections, each exploring a central issue to the study of comedian comedy, and featuring an editor's introduction outlining the context of issues and debates. Sections include: *Genre, narrative and performance *Approaches to silent comedy *Sound comedy, the vaudeville aesthetic and ethnicity *Comedian comedy and gender *Post-classical comedian comedy

The Funny Parts
The Funny Parts

Author: Anthony Balducci

Publisher: McFarland

Published: 2014-01-10

Total Pages: 317

ISBN-13: 078648893X

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Classic comedy routines and individual gags have been around for many hundreds of years, probably thousands; the best of these ribticklers make their merry way through theater, circus, film and television. The challenge to comedians has always been to adapt familiar material in a way that emphasizes their personal style and outlook. The many routines and gags cited in this illustrated history are lovingly deconstructed to show how they have been shaped to suit different eras and performers. These tried and true laugh-provokers are indestructible. Through all the remakes, revivals, recycles and revamps, they have survived robustly to the present day. As these timeless comedy gems are traced to their beginnings and followed through the years, readers are taken on a mirthful journey from Keystone to Zombieland.

Movie Comedians of the 1950s
Movie Comedians of the 1950s

Author: Wes D. Gehring

Publisher: McFarland

Published: 2016-11-03

Total Pages: 210

ISBN-13: 0786499966

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The 1950s were a transitional period for film comedians. The artistic suppression of the McCarthy era and the advent of television often resulted in a dumbing down of motion pictures. Cartoonist-turned-director Frank Tashlin contributed a funny but cartoonish effect through his work with comedians like Jerry Lewis and Bob Hope. A new vanguard of comedians appeared without stock comic garb or make-up--fresh faces not easily pigeonholed as merely comedians, such as Tony Randall, Jack Lemmon and Tony Curtis. Some traditional comedians, like Charlie Chaplin, Red Skelton and Danny Kaye, continued their shtick, though with some evident tweaking. This book provides insight into a misunderstood decade of film history with an examination of the "personality comedians." The talents of Dean Martin and Bob Hope are reappraised and the "dumb blonde" stereotype, as applied to Judy Holliday and Marilyn Monroe, is deconstructed.

Forties Film Funnymen
Forties Film Funnymen

Author: Wes D. Gehring

Publisher: McFarland

Published: 2014-01-10

Total Pages: 235

ISBN-13: 0786456655

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The twelve classic comedy films examined within these pages are distinguished by an equal number of defining comic performances. Ranging from The Great Dictator (1940) to A Southern Yankee (1948), each film focuses on the most central theme of "clown comedy": Resilience, the encouragement or hope that one can survive the most daunting of life's dilemmas--even during the war-torn 1940s. And each film can be regarded as a microcosm of the antiheroic world of its central clown (or clowns). Among the performers represented are Charlie Chaplin, W.C. Fields, Abbott and Costello, Jack Benny, Eddie Bracken, Bob Hope, Bing Crosby, Danny Kaye, the Marx Brothers, Harold Lloyd and Red Skelton. This lavishly illustrated work includes an introduction by noted film critic and historian Anthony Slide.