Grays the Mountain Sends by Bryan Schutmaat documents the rugged landscapes and people of the great American West. The images describe a series of mining sites and small mountain towns and the people who have worked in them, built them, and a few younger people who might, or might not, be looking for a way out of them.
"These photographs depict various places in the American West. They were taken over a one hundred year period, from the 1870s through the 1970s. The photographers presented here range from the completely unknown to some of America's most distinguished practitioners of the medium. All images were sourced from digital public archives and remain readily available to download."--page after plate 43.
Ambition will fuel him. Competition will drive him. But power has its price. It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He's been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined - every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute . . . and must weigh his need to follow the rules against his desire to survive no matter what it takes.
A kaleidoscopic tribute to San Francisco by a life-long Bay Area resident and co-founder of Salon explores specific city sites including the Golden Gate Bridge and the Land's End sea cliffs while tying his visits to key historical events. By the author of Shadow Knights. 30,000 first printing.
This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.
Drawing from the vast photography collection at the San Francisco Museum of Modern Art, American Geography charts a visual history of land use in the United States From the earliest photographic records of human habitation to the latest aerial and digital pictures, from almost uninhabited desert and isolated mountainous territories to suburban sprawl and densely populated cities, this compilation offers an increasingly nuanced perspective on the American landscape. Divided by region, these photographs address ways in which different histories and traditions of land use have given rise to different cultural transitions: from the Midwestern prairies and agricultural traditions of the South, to the riverine systems in the Northeast, and the environmental challenges and riches of the far West. American Geography also looks at the evidence of older habitation from the adobe dwellings and ancient cultures of the Southwest to the Midwestern mounds, many of them prehistoric. SFMOMA's last photography exhibition to consider land use, Crossing the Frontier (1996), examined only the American West. At the time, this focus offered a different way to think about landscape, and a useful way to reconsider pictures of the region. American Geography expands upon the groundwork laid by Crossing the Frontier, providing a complex, thought-provoking survey. Photographers include: Carleton E. Watkins, Barbara Bosworth, Lee Friedlander, Stephen Shore, Debbie Fleming Caffery, Mitch Epstein, An-My Lê, William Eggleston, Alec Soth, Mishka Henner, Trevor Paglen, Victoria Sambunaris, Emmet Gowin, Robert Adams, Terry Evans, Dorothea Lange and Mark Ruwedel, among others.
A haunting story of magic and myth, of one boy caught between worlds, and of the lengths he will travel to save those he loves. "Dark, magical, and mysterious, Bone Jack captured me and carried me away." —Rebecca Stead, Newbery Medal-winning author of When You Reach Me and Goodbye Stranger Times have been tough for Ash lately, and all he wants is for everything to go back to the way it used to be. Back before drought ruined the land and disease killed off the livestock. Before Ash’s father went off to war and returned carrying psychological scars. Before his best friend, Mark, started acting strangely. As Ash trains for his town’s annual Stag Chase—a race rooted in violent, ancient lore—he’s certain that if he can win and make his father proud, life will return to normal. But the line between reality and illusion is rapidly blurring, and the past has a way of threatening the present. When a run in the mountains brings Ash face-to-face with Bone Jack—a figure that guards the boundary between the living world and the dead—everything changes once more. As dark energies take root and the world as he knows it is upended, it’s up to Ash to restore things to their proper order and literally run for his life. Praise for Bone Jack: A 2015 Carnegie Medal nominee A 2015 Branford Boase Award nominee "Though this might seem like justanother ghost story, there’s subtle depth here, too, and teen fans of both horror and literary fiction will findlots to like." —Booklist "Crowe is a masterly storyteller whose lyrical prose will enthrall young readers. A page-turning and atmospheric offering for middle graders who crave dark fantasy." —School Library Journal "Crowe is particularly effective in evoking the sensory elements of the natural world...eminiscent of David Almond’s work in its sensuality and mysticism." —Horn Book "British author Crowe crafts a tense, atmospheric tale steeped in folklore, where the setting itself comes alive. It’s a quick but memorable read, and a fascinating take on the power of belief and healing." —Publishers Weekly "The action scenes around the chase itself are gripping, with lots of high drama and no guaranteed happy outcome. What’s even more memorable, however, is the lingering feeling of loss that shapes so many lives in this British import; plenty of real-life monsters like war, depression, and isolation haunt people as much as ghostly hound boys." —BCCB "[P]owerful and beguiling." —Telegraph "A lovely, eerie adventure, balancing the ancient magic with Ash's very real character growth." —Kirkus Reviews
Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In Alan Huck?s image-text book, '?I walk toward the sun which is always going down?', an unnamed narrator wanders a city in the American Southwest, where their observations and encounters become catalysts for rumination on a wide range of subjects. Shifting between photographs of the city?s peripheries and an interior monologue written in first-person, fragmentary prose, this hybrid essay draws on the ambulatory works of writers such as W.G. Sebald and Annie Dillard, both of whom are incorporated into the network of literary and cultural references interwoven throughout the book?s text. Part metafiction about the working process of a photographer and part cross-disciplinary exploration of one?s relationship to a particular place, the author utilizes the essential indeterminacy of both photography and written language to craft an exercise in attention that moves seamlessly between the two mediums.
"This book combines text and image to reveal the real-life origins of the place where "the women are strong, the men are good-looking and the children above average." Keillor meditates on the enduring culture of the county and on the years he spent there as a young writer and an outsider. And a short story of Lake Wobegon, "October," appears here for the first time in print."--BOOK JACKET.