“This is a book about what it would mean to be a bit moody in the midst of being theological and political. Its framing assumption is that neoliberal economics relies on narratives in which not being in the right mood means a cursed existence.” So begins Grave Attending: A Political Theology for the Unredeemed, which mounts a challenge to neoliberal narratives of redemption. Mapping the contemporary state of political theology, Karen Bray brings it to bear upon secularism, Marxist thought, affect theory, queer temporality, and other critical modes as a way to refuse separating one’s personal mood from the political or philosophical. Introducing the concept of bipolar time, she offers a critique of neoliberal temporality by countering capitalist priorities of efficiency through the experiences of mania and depression. And it is here Bray makes her crucial critical turn, one that values the power of those who are unredeemed in the eyes of liberal democracy—those too slow, too mad, too depressed to be of productive worth—suggesting forms of utopia in the poetics of crip theory and ordinary habit. Through performances of what she calls grave attending—being brought down by the gravity of what is and listening to the ghosts of what might have been—Bray asks readers to choose collective care over individual overcoming. Grave Attending brings critical questions of embodiment, history, and power to the fields of political theology, radical theology, secular theology, and the continental philosophy of religion. Scholars interested in addressing the lack of intersectional engagement within these fields will find this work invaluable. As the forces of neoliberalism demand we be productive, efficient, happy, and flexible in order to be deemed worthy subjects, Grave Attending offers another model for living politically, emotionally, and theologically. Instead of submitting to such a market-driven concept of salvation, this book insists that we remain mad, moody, and unredeemed. Drawing on theories of affect, temporality, disability, queerness, work, and race, Bray persuades us that embodying more just forms of sociality comes not in spite of irredeemable moods, but through them.
Independent Publisher Books Awards (IPPY) Gold Medalist in Mid-Atlantic-Best Regional Fiction From the author of the New York Times #1 bestseller, The Rapture of Canaan, and steeped in the rich tradition of Southern writers like Carson McCullers and Sue Monk Kidd, The Tender Grave is the gripping story of two estranged sisters who find their unlikely way toward forgiveness—and each other—through a disturbing set of circumstances. Dori, at age 17, participates in a hate crime against a gay boy from her school and runs away to escape prosecution—and her own harrowing childhood. In her pocket, she carries the address of an older, half-sister she’s never met. She has no idea that her sister Teresa is married to another woman. When Dori and Teresa finally meet, they’re forced to confront that, while they don’t like or really even understand one another, they are inextricably bound together in ways that transcend their differences. Together, the sisters discover that shifting currents of family and connection can sometimes run deeper than the prevailing tides of abandonment and estrangement. In The Tender Grave, Sheri Reynolds weaves complex themes of parenting, forgiveness, guilt, and accountability into a lyrical and lushly-woven tapestry that chronicles our enduring search for heart, home, and healing.