Graphic Japan
Graphic Japan

Author: Natalie Avella

Publisher: Rotovision

Published: 2004

Total Pages: 236

ISBN-13: 9782880467715

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From the kitsch cuteness of Hello Kitty to the cult of manga and anime, Japanese design has long paved the way for the West to follow. Graphic Japan goes beyond this well-known territory to reveal the myriad styles of design produced in Japan today, from packaging to posters, and typography to new media. Contemporary Japanese graphic design is a unique collision of traditional cultural influences and a focused thrust toward modernization on global terms, and the book reflects this marriage of tradition and hypermodernity. Essays on today's innovators are beautifully printed in a simple, elegant manner that is typical of traditional Japanese work, and are combined with bold and colorful visual material which reflects the brash, global commerciality of much new material. This book is an inspirational "must" for designers in the West.

Made in Japan
Made in Japan

Author: Victionary

Publisher: Viction:ary

Published: 2018

Total Pages: 296

ISBN-13: 9789887774730

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For many, Made in Japan is synonymous with quality the perfect marriage of aesthetic appeal and functionality. The intentions of the designer can be found in the slightest detail, but none are overworked, preferring spare elegance to busy excess. Mixing traditional art and philosophy with contemporary design to create a material and visual culture that blends seamlessly into their lives at home. With this strong national identity and focus on design, it is no wonder their creative output is admired and imitated throughout the world. Made in Japan highlights more than 40 creatives from different fields who exemplify this design character through their work in graphic design and branding, illustration, packaging, fashion, product and spatial design.

Japanese Graphics
Japanese Graphics

Author: Shijian Lin

Publisher: Gingko Press Editions

Published: 2016

Total Pages: 223

ISBN-13: 9789887757214

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Japanese graphic design enjoys a unique reputation in the design world, with a distinct aesthetic that makes it instantly recognizable to experts and amateur designers alike. This book explores this unmistakable discipline from all angles, from historical and cultural backgrounds of the form to contemporary work. It features interviews with contemporary designers, discussions on cultural influences such as yamato-e, ukiyo-e, and manga, historical information on the movement's development, and numerous examples of exceptional projects by Japanese designers organized in four categories: logos, posters and books, branding, and packaging. Articles by graphic designers like Masaaki Hiromura, Daigo Daikoku, Eriko Kawakami and more round out the contents, making Japanese Graphics a comprehensive guide to this fascinating field of design.

Hokusai
Hokusai

Author: Giuseppe Lantazi

Publisher: Laurence King Publishing

Published: 2021-06

Total Pages: 128

ISBN-13: 9781786278937

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Latest title in the "Graphic Lives" series

Japan and The Graphic
Japan and The Graphic

Author: Terry Bennett

Publisher: Global Oriental

Published: 2011-11-02

Total Pages: 402

ISBN-13: 9004212639

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Launched in December 1869 in direct competition to The Illustrated London News, (ILN) which first appeared in 1842, The Graphic set out to upstage its competitor through the quality and amount of its illustrations (including colour) and the paper it was printed on. Together, however, the two periodicals dominated nineteenth-century British journalism. With circulations far in excess of The Times, the extent of the news – including considerable foreign reporting – opinion and miscellaneous data of these two publications provides an invaluable resource for researchers and historians. As with the ILN, this complementary one-stop reference volume brings together the complete archive of all reports, features, illustrations and incidental commentaries relating to Japan from the first report of 5 February1870 discussing Japan’s recent civil war, the overthrow of the ‘Shiogoon or Tyocoon’, the restoration of the Emperor (Mikado) and a vindication of Britain’s ‘policy of firmness’ vis à vis Japan. Its concluding report on 16 December 1899 (the year of the ratification of the ending of the Unequal Treaties was concluded) notes: ‘No power in the world stands in a more delicate and difficult position than Japan does just now.’ This volume of 400 pages includes an 8-page plate section featuring a selection of The Graphic’s colour printing relating to Japan, a full cross-referenced Index by J.E. Hoare, together with an historical perspective by former British Ambassador to Japan Sir Hugh Cortazzi and an introduction to The Graphic in the context of nineteenth-century media history by Terry Bennett.