This book brings together the great majority of Barthes’s interviews that originally appeared in French in Le Figaro Littéraire, Cahiers du Cinéma, France-Observateur, L'Express, and elsewhere. Barthes replied to questions—on the cinema, on his own works, on fashion, writing, and criticism—in his unique voice; here we have Barthes in conversation, speaking directly, with all his individuality. These interviews provide an insight into the rich, probing intelligence of one of the great and influential minds of our time.
New Critical gathers Roland Barthes's essays on classic texts of French literature, works by La Rochefoucauld, Chateaubriand, Proust, Flaubert, Fromentin, and Lori. Like an artist sketching, Barthes in these essays is working out the more fascinating details of his larger theories. In the innocuously names "Proust and Names" and "Flaubert and Sentences," Barthes explores the relation of the author to writing that begins his transition to his later thought. In his studies of La Rochefoucauld's maxims and the illustrative plates of the Encyclopedia, Barthes reveals new vistas on common cultural artifacts, while "Where to Begin?" offers a glimpse into his own analytical processes. The concluding essays on Fromentin and Loti show the breadth of Barthes's inquiry. As a whole, the essays demonstrate both the acuity and freshness of Barthes's critical mind and the gracefulness of his own use of language.
The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject. Examinations of music signification have been an essential component in thinking about music for millennia, but it is only in the last few decades that music signification has been established as an independent area of study. During this time, the field has grown exponentially, incorporating a vast array of methodologies that seek to ground how music means and to explore what it may mean. Research in music signification typically embraces concepts and practices imported from semiotics, literary criticism, linguistics, the visual arts, philosophy, sociology, history, and psychology, among others. By bringing together such approaches in transparent groupings that reflect the various contexts in which music is created and experienced, and by encouraging critical dialogues, this volume provides an authoritative survey of the discipline and a significant advance in inquiries into music signification. This book addresses a wide array of readers, from scholars who specialize in this and related areas, to the general reader who is curious to learn more about the ways in which music makes sense.
“Translated with grace and precision . . . gives us a rare glimpse of how Asian religion and life appeared from the perspective of the Tibetan plateau.” —Janet Gyatso, Harvard University In 1941, philosopher and poet Gendun Chopel sent a manuscript by ship, train, and yak across mountains and deserts to his homeland in Tibet. He would follow it five years later, returning to his native land after twelve years in India and Sri Lanka. But he did not receive the welcome he imagined: he was arrested by the government of the regent of the young Dalai Lama on trumped-up charges of treason. He emerged from prison three years later a broken man and died soon after. Gendun Chopel was a prolific writer, yet he considered that manuscript, to be his life’s work, one to delight his compatriots with tales of an ancient Indian and Tibetan past, Now available for the first time in English, Grains of Gold is a unique compendium of South Asian and Tibetan culture that combines travelogue, drawings, history, and ethnography. Chopel describes the world he discovered in South Asia, from the ruins of the sacred sites of Buddhism to the Sanskrit classics he learned to read in the original. He is also sharply, often humorously critical of the Tibetan love of the fantastic, bursting one myth after another and finding fault with the accounts of earlier Tibetan pilgrims. The work of an extraordinary scholar, Grains of Gold is a compelling work animated by a sense of discovery of both a distant past and a strange present. “The magnum opus of arguably the single most brilliant Tibetan scholar of the twentieth century.” —Lauran Hartley, Columbia University
Mark Silverman has seen light perform many wonders. From the marvel of seeing inside cloudy liquids as a result of his own cutting-edge research to reproducing and examining an unusual diffraction pattern first witnessed by Isaac Newton 300 years ago, he has studied aspects of light that have inspired and puzzled humans for hundreds of years. In this book, he draws on his many experiences as an optical and atomic physicist--and on his consummate skills as a teacher and writer about the mysteries of physics--to present a remarkable tour of the world of light. He explores theoretical, experimental, and historical themes, showing a keen eye for curious and neglected corners of the study of light and a fascination with the human side of scientific discovery. In the course of the book, he covers such questions as how it is possible to achieve magnifications of a millionfold without a single lens or mirror. He asks what all living things have in common that might one day allow the development of a "life-form scanner" like the one in Star Trek. He considers whether more light can reflect from a surface than strikes it, and explores the origin of the strange hyperpolic diffraction pattern Newton originally produced with sunlight and knives. Silverman also discusses his new and ground-breaking experiments to see into murky substances such as fog or blood--a finding with potential applications as diverse as noninvasive medical testing and remote sensing of the environment. His wide-ranging reflections cover virtually all elements of physical optics, including propagation, reflection, refraction, diffraction, interference, polarization, and scattering. Throughout, Silverman makes extensive reference to both modern research and the original works of giants such as Newton, Fresnel, and Maxwell. In a more personal section about physics and learning, Silverman argues for self-directed learning and discusses the central importance of stimulating scientific curiosity in students. Waves and Grains will encourage a spirit of wonder and inquiry in anyone with scientific interests.
A master craftsman details the practical and spiritual processes he uses to create objects out of wood, while unraveling the intricacies of creativity and how it applies to every day life.
The James Beard Foundation Award-winning cookbook “that explores the landscape of whole-grain flours, with deliciousness as its guiding principle” (The Oregonian). Baking with whole-grain flours used to be about making food that was good for you, not food that necessarily tasted good, too. But Kim Boyce truly has reinvented the wheel with this collection of seventy-five recipes that feature twelve different kinds of whole-grain flours, from amaranth to teff, proving that whole-grain baking is more about incredible flavors and textures than anything else. When Boyce, a former pastry chef at Spago and Campanile, left the kitchen to raise a family, she was determined to create delicious cakes, muffins, breads, tarts, and cookies that her kids (and everybody else) would love. She began experimenting with whole-grain flours, and Good to the Grain is the happy result. The cookbook proves that whole-grain baking can be easily done with a pastry chef’s flair. Plus, there’s a chapter on making jams, compotes, and fruit butters with seasonal fruits that help bring out the wonderfully complex flavors of whole-grain flours. “This is the book we’ve been waiting for. A cookbook that takes all those incredible flours with names like amaranth and kamut that have started appearing in stores, and tells us what to do with them.” —Kitchn “Thanks to Kim Boyce’s Good to the Grain, we’ve got a whole new range of flavors to play with—she’s inspired us to put a little whole wheat into our cookies, a little spelt in our cake, and to always remember to make our food taste, above all, more of itself.” —Food52
What would you be willing to give up to discover the world beyond your front door? Three Grains of Wheat chronicles Greek island native Emmanuel Papasavas' journey of self-exploration. It is a journey of more than a few steps as he strips away the chaff of his former life as a wheat farmer's son in pursuit of a dream that leads him away from his family and everything he once knew. Picturesque Agios Isidoros - the small Greek village where plumbing was unheard of and money was a rare commodity - is where author Mike Papasavas began his life (and his memoir) more than sixty-five years ago. As a boy, Papasavas knew little except the ways of a wheat farmer's son. Even so, ingrained in him was a desire to discover something beyond his village, beyond his life as young, naive Emmanuel. This yearning led him into the expansive world beyond where he would discover art, poetry, romance, friendships, and much more - though the quest would cost him his name. When he was twenty years old, Emmanuel - now known as Mike - barely saved enough money to buy a one-way ticket to Germany for the purpose of getting a visa...and a new life. But his journey to freedom is a rocky one, finding him up against several nearly insurmountable complications, homelessness and poverty, Mike learns to tackle each obstacle with humor and hope. For him, often times not knowing where he will sleep tonight, faith is his ultimate compass. Mike's determination paves the road toward adventures and misadventures that will forever change him in this culturally diverse travelogue peppered with entertaining stories, personal reflections, and heart-wrenching memories."
