Mirrors of Memory

Mirrors of Memory

Author: Mary Bergstein

Publisher: Cornell University Press

Published: 2010

Total Pages: 352

ISBN-13: 9780801448195

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A significant contribution to our understanding of early twentieth century visual culture and an exploration of how photography shaped the ways in which the great archaeologist of the human mind saw and thought about the world.


Gradiva - A Pompeiian Fancy

Gradiva - A Pompeiian Fancy

Author: Wilhelm Jensen

Publisher: Read Books Ltd

Published: 2013-03-05

Total Pages: 72

ISBN-13: 1447488857

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This antiquarian volume comprises Wilhelm Jensen's 1902 novel, Grandiva. First published in the "Neue Freie Presse", this text was inspired by an eponymous Roman bas-relief and would become the foundation for Sigmund Freud's seminal 1907 work 'Delusion and Dream'. Freud’s copy of this book can be found on the wall of his study in the Freud Museum at 20 Maresfield Gardens, London. A seminal book in the development of psychoanalysis, this text is a must-have for those with a keen interest in Freudian psychology, and would make for a worthy addition to collections of allied literature. Wilhelm Hermann Jensen (1837 – 1911) was a German writer and poet. We are republishing this vintage work now in an affordable, modern edition complete with a new prefatory biography of the author.


Rewriting the Journey in Contemporary Italian Literature

Rewriting the Journey in Contemporary Italian Literature

Author: Cinzia Sartini Blum

Publisher: University of Toronto Press

Published: 2008-09-06

Total Pages: 393

ISBN-13: 144269260X

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The mobility of women is a central issue in feminist analysis of literary works and historical periods. Rewriting the Journey in Contemporary Italian Literature explores the concept of the journey from feminist, psychoanalytic, and postcolonial perspectives, in order to offer an alternative understanding of "moving." Cinzia Sartini Blum examines the new literature of migration in Italian and journeys in the works of Biancamaria Frabotta, Dacia Maraini, Toni Maraini, and Maria Pace Ottieri, to demonstrate that women writers and migrant authors in contemporary Italy present journeys as events that are beyond heroic modern exploration and postmodern fragmentation. Using the mythical figure of Gradiva, Blum shows how contemporary Italian women writers have reinvented Gradiva to reveal subjectivities that challenge and overcome the postmodern melancholia and nihilism prevalent in contemporary male writers and thinkers. She also considers the connection between metaphorical and literal mobility, the role of the intellectual as cultural intermediary, the roles of women in cultural encounters within mass migrations, and how migrancy is a way of being in the postcolonial world. An impeccable piece of original scholarship, Rewriting the Journey in Contemporary Italian Literature will be of interest to feminist, literary, and postcolonial scholars.


Mirror of the Marvelous

Mirror of the Marvelous

Author: Pierre Mabille

Publisher: Simon and Schuster

Published: 2018-04-10

Total Pages: 487

ISBN-13: 1620557347

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A surrealist exploration of the marvelous in ancient, classic, and modern works from around the world • Long considered one of the most significant and original books to have come out of the surrealist movement • Reveals the “marvelous” in works from William Blake, Edgar Allen Poe, William Shakespeare, Chrétien de Troyes, and Arthur Rimbaud; legends and folktales from around the world; classics from Ovid, Plato, and Apuleius; Masonic ritual texts, Mesopotamia’s Epic of Gilgamesh, the Popol-Vuh, Lewis Caroll’s Alice through the Looking Glass, Solomon’s Song of Songs, and Goethe’s Faust First published in French as Miroir du merveilleux in 1940, Mirror of the Marvelous has long been considered one of the most significant and original books to have come out of the surrealist movement and Anaïs Nin suggested it as a source of inspiration, far ahead of its time. Drawing on sacred and modern texts that share a quality of the marvelous, Pierre Mabille defines “the marvelous” as the point at which inner and outer realities are joined and the individual is simultaneously one with himself and with the world, thus recovering the true sense of the sacred. He shows how “the marvelous” goes beyond simply being a synonym for “the fantastic” to engage the entire emotional realm. Mabille cites a far-reaching range of texts, from the classic to the obscure, from Egyptian myth to Voodoo initiation ceremonies, from the ancient epic to the modern poem, from the creation myth to more contemporary visions of apocalypse. He includes surrealist analyses of works from William Blake, Edgar Allen Poe, William Shakespeare, Chrétien de Troyes, and Arthur Rimbaud; legends and folktales from Egypt, Iceland, Mexico, Africa, India, and other cultures; classics from Ovid, Plato, and Apuleius; Masonic ritual texts, Mesopotamia’s Epic of Gilgamesh, the Popol-Vuh, Lewis Caroll’s Alice through the Looking Glass, Solomon’s Song of Songs, and selections from Goethe’s Faust. Mirror of the Marvelous actively defines the flame of the marvelous by showing its presence in those works where it burns the brightest.


Twilight Visions

Twilight Visions

Author: Therese Lichtenstein

Publisher: Univ of California Press

Published: 2009-09-30

Total Pages: 224

ISBN-13: 0520420799

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Through an examination of surrealist photographs, objects, exhibitions, activities, and writings, the essays in Twilight Visions, the beautifully illustrated companion volume to the exhibition of the same name, portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research, the major Surrealist exhibitions, and the photographs of Paris by Brassai, Andre Kertesz, Ilse Bing, Germaine Krull, and Man Ray, among others, all reflect the tumultuous social and cultural transformations occurring in Paris in the 1920s and 30s. Juxtaposing the strange with the familiar, they seek to break down repressive hierarchies. At the same time, they represent a desire to change the world through experimental activities. Introduced by Therese Lichtenstein, with essays by Therese Lichtenstein, Julia Kelly, Colin Jones, and Whitney Chadwick, this absorbing volume considers the social, aesthetic, and political stances of the Surrealists as they probed hidden aspects of the commonplace and blurred the boundaries between dreams and reality, subjectivity and objectivity. Copub: Frist Center for the Visual Arts


Photography Theory in Historical Perspective

Photography Theory in Historical Perspective

Author: Hilde Van Gelder

Publisher: John Wiley & Sons

Published: 2011-04-25

Total Pages: 295

ISBN-13: 140519197X

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Photography Theory in Historical Perspective: Case Studies from Contemporary Art aims to contribute to the understanding of the multifaceted and complex character of the photographic medium by dealing with various case studies selected from photographic practices in contemporary art, discussed in the context of views and theories of photography from its inception. uses case studies to explain photographic practices in contemporary art and place them in the context of theory presents current debates on theory of photography through comparisons to research of other visual media applicable to vernacular and documentary photography as well as art photography


Part-Architecture

Part-Architecture

Author: Emma Cheatle

Publisher: Routledge

Published: 2017-07-20

Total Pages: 294

ISBN-13: 1317084039

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Part-Architecture presents a detailed and original study of Pierre Chareau’s Maison de Verre through another seminal modernist artwork, Marcel Duchamp’s Large Glass. Aligning the two works materially, historically and conceptually, the book challenges the accepted architectural descriptions of the Maison de Verre, makes original spatial and social accounts of its inhabitation in 1930s Paris, and presents new architectural readings of the Large Glass. Through a rich analysis, which incorporates creative projects into history and theory research, the book establishes new ways of writing about architecture. Designed for politically progressive gynaecologist Dr Jean Dalsace and his avant-garde wife, Annie Dalsace, the Maison de Verre combines a family home with a gynaecology clinic into a ‘free-plan’ layout. Screened only by glass walls, the presence of the clinic in the home suggests an untold dialogue on 1930s sexuality. The text explores the Maison de Verre through another radical glass construction, the Large Glass, where Duchamp’s complex depiction of unconsummated sexual relations across the glass planes reveals his resistance to the marital conventions of 1920s Paris. This and other analyses of the Large Glass are used as a framework to examine the Maison de Verre as a register of the changing history of women’s domestic and maternal choices, reclaiming the building as a piece of female social architectural history. The process used to uncover and write the accounts in the book is termed ‘part-architecture’. Derived from psychoanalytic theory, part-architecture fuses analytical, descriptive and creative processes, to produce a unique social and architectural critique. Identifying three essential materials to the Large Glass, the book has three main chapters: ‘Glass’, ‘Dust’ and ‘Air’. Combining theory text, creative writing and drawing, each traces the history and meaning of the material and its contribution to the spaces and sexuality of the Large Glass and the Maison de Verre. As a whole, the book contributes important and unique spatial readings to existing scholarship and expands definitions of architectural design and history.


Dressed

Dressed

Author: Shahidha Bari

Publisher: Basic Books

Published: 2020-03-17

Total Pages: 301

ISBN-13: 1541645995

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Perfect for readers of Women in Clothes, this beautifully designed philosophical guide to fashion explores art, literature, and film to uncover the hidden meaning of a well-chosen wardrobe. We all get dressed. But how often do we pause to think about what our clothes say? When we dress ourselves, we are presenting to the world an essence of who we are, who we want to be. Dressed ranges freely from suits to suitcases, from Marx's coat to Madame X's gown. Through art and literature, film and philosophy, philosopher Shahidha Bari unveils the surprising personal implications of what we choose to wear. The impeccable cut of Cary Grant's suit projects masculine confidence, just as Madonna's oversized denim jacket and her armful of orange bangles loudly announces big ambition. How others dress tells us something fundamental about them -- we can better understand how people live and what they think through their garments. Clothes tell our stories. Dressed is the thinking person's fashion book. In baring the hidden power of clothes in our culture and our daily lives, Bari reveals how our outfits not only cover our bodies but also reflect our minds.