Goya, the Origins of the Modern Temper in Art

Goya, the Origins of the Modern Temper in Art

Author: Fred Licht

Publisher: Westview Press

Published: 1983-03-15

Total Pages: 300

ISBN-13:

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This book is not a monograph but a series of investigations of those aspects of Goya's art that make him specially pertinent to the development of modern art in general and to our times in particular. -- From preface.


Francisco de Goya and the Art of Critique

Francisco de Goya and the Art of Critique

Author: Anthony J. Cascardi

Publisher: Princeton University Press

Published: 2023-01-10

Total Pages: 290

ISBN-13: 1942130708

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An innovative study of Goya's unprecedented elaboration of the critical function of the work of art Francisco de Goya and the Art of Critique probes the relationship between the enormous, extraordinary, and sometimes baffling body of Goya’s work and the interconnected issues of modernity, Enlightenment, and critique. Taking exception to conventional views that rely mainly on Goya’s darkest images to establish his relevance for modernity, Cascardi argues that the entirety of Goya’s work is engaged in a thoroughgoing critique of the modern social and historical worlds, of which it nonetheless remains an integral part. The book reckons with the apparent gulf assumed to divide the Disasters of War and the so-called Black Paintings from Goya’s scenes of bourgeois life or from the well-mannered portraits of aristocrats, military men, and intellectuals. It shows how these apparent contradictions offer us a gateway into Goya’s critical practice vis-à-vis a European modernity typically associated with the Enlightenment values dominant in France, England, and Germany. In demonstrating Goya’s commitment to the project of critique, Cascardi provides an alternative to established readings of Goya’s work, which generally acknowledge the explicit social criticism evident in works such as the Caprichos but which have little to say about those works that do not openly take up social or political themes. In Francisco de Goya and the Art of Critique, Cascardi shows how Goya was consistently engaged in a critical response to—and not just a representation of—the many different factors that are often invoked to explain his work, including history, politics, popular culture, religion, and the history of art itself.


Goya

Goya

Author: Francisco Goya

Publisher: Museum of Fine Arts Boston

Published: 2014

Total Pages: 403

ISBN-13: 9780878468089

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Francisco Goya has been widely celebrated as the most important Spanish artist of the late eighteenth and early nineteenth centuries, the last of the Old Masters and the first of the Moderns, and an astute observer of the human condition in all its complexity. The many-layered and shifting meanings of his imagery have made him one of the most studied artists in the world. Few, however, have made the ambitious attempt to explore his work as a painter, printmaker, and draftsman across media and the timeline of his life. This book does just that, presenting a comprehensive and integrated view of Goya through the themes that continually challenged or preoccupied him, and revealing how he strove relentlessly to understand and describe human behavior and emotions even at their most orderly or disorderly extremes. Derived from the research for the largest Goya art exhibition in North America in a quarter century, this book takes a fresh look at one of the greatest artists in history by examining the fertile territory between the two poles that defined the range of his boundlessly creative personality.


Goya

Goya

Author: Janis Tomlinson

Publisher: Princeton University Press

Published: 2022-06-14

Total Pages: 424

ISBN-13: 0691234124

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The first major English-language biography of Francisco Goya y Lucientes, who ushered in the modern era The life of Francisco Goya (1746–1828) coincided with an age of transformation in Spanish history that brought upheavals in the country's politics and at the court which Goya served, changes in society, the devastation of the Iberian Peninsula in the war against Napoleon, and an ensuing period of political instability. In this revelatory biography, Janis Tomlinson draws on a wide range of documents—including letters, court papers, and a sketchbook used by Goya in the early years of his career—to provide a nuanced portrait of a complex and multifaceted painter and printmaker, whose art is synonymous with compelling images of the people, events, and social revolution that defined his life and era. Tomlinson challenges the popular image of the artist as an isolated figure obsessed with darkness and death, showing how Goya's likeability and ambition contributed to his success at court, and offering new perspectives on his youth, rich family life, extensive travels, and lifelong friendships. She explores the full breadth of his imagery—from scenes inspired by life in Madrid to visions of worlds without reason, from royal portraits to the atrocities of war. She sheds light on the artist's personal trials, including the deaths of six children and the onset of deafness in middle age, but also reconsiders the conventional interpretation of Goya's late years as a period of disillusion, viewing them instead as years of liberated artistic invention, most famously in the murals on the walls of his country house, popularly known as the "black" paintings. A monumental achievement, Goya: A Portrait of the Artist is the definitive biography of an artist whose faith in his art and his genius inspired paintings, drawings, prints, and frescoes that continue to captivate, challenge, and surprise us two centuries later.


Francisco Goya

Francisco Goya

Author: Tim McNeese

Publisher: Infobase Learning

Published: 2013

Total Pages: 186

ISBN-13: 1438146159

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An introduction to the life and career of the Spanish artist.


Goya

Goya

Author: Robert Hughes

Publisher: Knopf

Published: 2012-05-23

Total Pages: 747

ISBN-13: 0307809625

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Robert Hughes, who has stunned us with comprehensive works on subjects as sweeping and complex as the history of Australia (The Fatal Shore), the modern art movement (The Shock of the New), the nature of American art (American Visions), and the nature of America itself as seen through its art (The Culture of Complaint), now turns his renowned critical eye to one of art history’s most compelling, enigmatic, and important figures, Francisco José de Goya y Lucientes. With characteristic critical fervor and sure-eyed insight, Hughes brings us the story of an artist whose life and work bridged the transition from the eighteenth-century reign of the old masters to the early days of the nineteenth-century moderns. With his salient passion for the artist and the art, Hughes brings Goya vividly to life through dazzling analysis of a vast breadth of his work. Building upon the historical evidence that exists, Hughes tracks Goya’s development, as man and artist, without missing a beat, from the early works commissioned by the Church, through his long, productive, and tempestuous career at court, to the darkly sinister and cryptic work he did at the end of his life. In a work that is at once interpretive biography and cultural epic, Hughes grounds Goya firmly in the context of his time, taking us on a wild romp through Spanish history; from the brutality and easy violence of street life to the fiery terrors of the Holy Inquisition to the grave realities of war, Hughes shows us in vibrant detail the cultural forces that shaped Goya’s work. Underlying the exhaustive, critical analysis and the rich historical background is Hughes’s own intimately personal relationship to his subject. This is a book informed not only by lifelong love and study, but by his own recent experiences of mortality and death. As such this is a uniquely moving and human book; with the same relentless and fearless intelligence he has brought to every subject he has ever tackled, Hughes here transcends biography to bring us a rich and fiercely brave book about art and life, love and rage, impotence and death. This is one genius writing at full capacity about another—and the result is truly spectacular.


The Age of Minerva, Volume 1

The Age of Minerva, Volume 1

Author: Paul Ilie

Publisher: University of Pennsylvania Press

Published: 2016-11-11

Total Pages: 428

ISBN-13: 1512803324

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This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.


Baudelaire's Prose Poems

Baudelaire's Prose Poems

Author: Sonya Stephens

Publisher: OUP Oxford

Published: 1999

Total Pages: 208

ISBN-13: 9780198158776

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The aim of this book is to offer a new reading of Baudelaire's Petits Poemes en prose which demonstrates the significance of ironic otherness for the theory and functioning of the work and for the genre of the prose poem itself. The book considers Baudelaire's choice of this genre and the wayin which he seeks to define it, both paratextually and textually. It examines the ways in which the prose poem depends on dualities and deboublements as forms of lyrical and narrative difference which, in their turn, reveal ideological otherness and declare the oppositionality of the prose poem.Finally, the book demonstrates a relationship between these forms of otherness and Baudelaire's theory of the popular comic arts and, in doing so, proposes that the prose poems should be read as literary caricature.


Phenomenology of Anxiety

Phenomenology of Anxiety

Author: Stefano Micali

Publisher: Springer Nature

Published: 2022-03-30

Total Pages: 228

ISBN-13: 303089018X

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This volume offers a thorough description of anxiety from a phenomenological perspective. Building on Bakhtin’s insights, the author develops the method of “phenomenological polyphony,” which can do justice to the essential ambiguity of anxiety. In this polyphony, the voices of Kierkegaard, Husserl, Freud, Blumenberg, Heidegger, Sartre, Adorno, Derrida and Levinas are particularly recognizable. The book explores new perspectives on the complex relation between anxiety, fear, and trauma with reference to different disciplines, from art history to cultural anthropology, from psychopathology to theology, from literature to political philosophy. When is anxiety justified? When does anxiety cease to function as an effective and reasonable signal preventing imminent threats, and when does it become an invasive projection of our own ghosts? This volume presents a deep philosophical inquiry into the affective phenomenon that can both protect us from danger and be a danger in itself. Moreover, the author explores the relevance of anxiety in the context of philosophical anthropology. In various theoretical frameworks, the difference between anxiety and fear serves as a criterion for distinguishing human beings from animals in particular. Accordingly, research on anxiety is crucial for defining human nature as such. The analysis presented in this volume shows how an alteration of the dimensions of embodiment, time-consciousness, and phantasy takes place in anxiety. Furthermore, the author elaborates on new categories for understanding of anxiety, such as quasi-intentional imaginative anticipation, which eludes the traditional differentiation between perception and imagination. The work culminates in a phenomenological analysis of five essential traits of anxiety: 1. its quasi-intentional imaginative anticipation; 2. its negative inspiration; 3. the recurrence of bodily manifestations; 4. the interlocution with an alien power; 5. its negative teleology.