Mirour de L'Omme

Mirour de L'Omme

Author: John Gower

Publisher: Michigan State University Press

Published: 1992

Total Pages: 456

ISBN-13:

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The Mirour de l'Omme (The Mirror of Mankind) is an encyclopedia of moral topics, including a vivid allegory of the Seven Deadly Sins. Author John Gower (1330-1408) was a poet, personal friend of Chaucer, and the most prominent member of his literary circle.


The Poetic Voices of John Gower

The Poetic Voices of John Gower

Author: Matthew W. Irvin

Publisher: Boydell & Brewer Ltd

Published: 2014

Total Pages: 330

ISBN-13: 1843843390

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Gower's use of the persona, the figure of the writer implicated in the text, is the main theme of this book. While it traces the development of Gower's voice through his major works, it concentrates on the dialogue of Amans and Genius in the Confessio Amantis. It argues that Gower negotiates problems of politics and problems of love by means of an analogy between political ethics and the rules of fin amour; Amans and Genius are both drawn from and occupied with amatory and ethical traditions, and their discourse produces a series of attempts to find a coherent and rational union of lover and ruler. The volume also argues that Gower's goal is poetic as well as political: through the personae, Gower's readers experience the pains and pleasures of erotic and social love. Gower's personae voice potential responses to exemplary experience, prompting readers to feel and to judge, and moving them to become better lovers and better rulers. Gower's analogy between fin amour and politics brings the affects of the lover to the action of government, and suggests for both love and rule the moderation that brings peace and joy. Matthew W. Irvin is Assistant Professor in the Department of English and Chair of the Medieval Studies Program at Sewanee.


Kingship & Common Profit in Gower's Confessio Amantis

Kingship & Common Profit in Gower's Confessio Amantis

Author: Russell A. Peck

Publisher:

Published: 1978

Total Pages: 240

ISBN-13:

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Confessio Amantis, the principal work in English by John Gower, friend of Chaucer, by whom he was influenced, has always been read as a conventional poem about the seven deadly sins. Here, paying particular attention to the poem's language and style, Peck gives a brilliant new reinterpretation which not only illuminates the poem's elegant beauty but provides a profound moral purpose as well. Gower's Confessio, according to Peck, is a restatement of late fourteenth-cen­tury ideas of good and bad behavior, and is designed to illuminate and re­shape the minds and hearts of men. Peck sees the concepts of "kingship"--the governance of souls as well as king­doms--and "common profit"--the mutual enhancement of such king­doms--as the poem's unifying ideas. Peck's discussion further shows how the various tales hold together and support the poem's loose plot and the poet's strongly moral intention.


Amoral Gower

Amoral Gower

Author: Diane Watt

Publisher: U of Minnesota Press

Published: 2003

Total Pages: 248

ISBN-13: 9781452905914

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A Handbook to the Reception of Ovid

A Handbook to the Reception of Ovid

Author: John F. Miller

Publisher: John Wiley & Sons

Published: 2014-10-31

Total Pages: 556

ISBN-13: 1118876180

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A Handbook to the Reception of Ovid presents more than 30 original essays written by leading scholars revealing the rich diversity of critical engagement with Ovid’s poetry that spans the Western tradition from antiquity to the present day. Offers innovative perspectives on Ovid’s poetry and its reception from antiquity to the present day Features contributions from more than 30 leading scholars in the Humanities. Introduces familiar and unfamiliar figures in the history of Ovidian reception. Demonstrates the enduring and transformative power of Ovid’s poetry into modern times.


Sciences and the Self in Medieval Poetry

Sciences and the Self in Medieval Poetry

Author: James Simpson

Publisher: Cambridge University Press

Published: 2005-10-13

Total Pages: 336

ISBN-13: 9780521021111

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This study examines two great poems of the later medieval period, the Latin philosophical epic, Alan of Lille's Anticlaudianus (1181-3), and John Gower's English poem, the Confessio Amantis (1390-3). James Simpson locates these works in a cultural context dominated by two kinds of literary humanism, in which the concept of self is centered in the intellect and the imagination respectively, and shows the very different modes of thought that lie behind their conceptions of selfhood and education.


The Book of Apollonius

The Book of Apollonius

Author:

Publisher: Minnesota Archive Editions

Published: 1936

Total Pages: 133

ISBN-13: 9780816659203

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The Book of Apollonius was first published in 1936. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. No other English translation of this famous thirteenth-century Spanish narrative poem is available, in either poetry or prose. The present translators have put it into a form that reproduces most faithfully the quaint and naïve quality of the original Libro de Apolonio, the story of which appears in Book Eight of John Gower's Confessio Amantis and in Shakespeare's Pericles. The reader who is not a specialist in medieval or Spanish literature will find here a lush uncensored tale of mad adventure. If he will give himself up to the spell of its child-like spirit, he will find himself led on through such "faery lands forlorn" as the untrammeled imagination has immemorially loved to create. The story parades before him storms, shipwrecks, kidnappings, pirates, supposed deaths, miraculous escapes and survivals. Beginning in a theme that runs through dramatic literature from Oedipus Rex through The Cenci to The Barretts of Wimpole Street, the plot reveals the misfortunes that furiously pursue Apollonius, king of Tyre, after he tries to woo the daughter of King Antiochus away from her father. Forced to flee for his life, Apollonius plunges from adventure to adventure, until incredible reunions and transports of joy bring the tale to a conventional happy ending. The translators' Introduction gives an account of the use of the Apollonius material in Old French, Provençal, Anglo-Saxon, German, and other literatures, as well as tracing the history of the poem from its source in a lost Greek romance.


Feminized Counsel and the Literature of Advice in England, 1380-1500

Feminized Counsel and the Literature of Advice in England, 1380-1500

Author: Misty Schieberle

Publisher: Brepols Publishers

Published: 2014

Total Pages: 0

ISBN-13: 9782503550121

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The term 'feminized counsel' denotes the advice associated with and spoken by women characters. This book demonstrates that rather than classify women's voices as an opposite against which to define masculine authority, late medieval vernacular poets embraced the feminine as a representation of their subordination to kings, patrons, and authorities. The works studied include Gower's Confessio Amantis, Chaucer's Legend of Good Women and Melibee, and English translations of Christine de Pizan's Epistre Othea. To advise readers, these texts draw on the politicized genre of mirrors for princes. Whereas Latin mirrors such as the Secretum secretorum and Giles of Rome's De regimine principum represented women as inferior, weak, and detrimental to masculine authority, these vernacular texts break traditional expectations and portray women as essential and authoritative political counsellors. By considering Latin and French sources, historical models of queens' intercessions, and literary models of authoritative female personifications, this study explores the woman counsellor as a literary topos that enabled poets to criticize, advise, and influence powerful readers. Feminized Counsel elucidates the manner in which vernacular poets concerned with issues of counsel, mercy, and power identified with fictional women's struggles to develop authority in the political sphere. These women counsellors become enabling models that paradoxically generate authority for poets who also lack access to traditionally recognized forms of intellectual or literary authority.