Gotz von Berlichingen's autobiography is the first autobiography of a German knight. It was originally published between 1556 and 1562. Gotz was known for the fact that he lost his right hand in battle and had it replaced by an iron prosthesis which was so cleverly crafted that he could still use his sword with it. He is also well-known for his famous quote made to one of his enemies, "Lick (kiss) my ass." This work discusses his many feuds and battles, his participation in the peasant's war, and an invasion of France. This is the only English translation of this work.
-When his sword hand was struck off, his legend began- Based on the true life of the Baron Goetz von Berlichingen the Iron Hand, the most infamous Imperial knight of the Holy Roman Empire, who marauded through 16th-century Reformation Germany with a prosthetic iron hand. Schoental Abbey, Franconia, 1562. At the end of his long life, a dying Baron Goetz von Berlichingen the Iron Hand travels to his ancestral tomb to seek absolution for his sins. Before he can be buried in his family crypt, the sins of his life must be confessed. Enlisting the services of a Cistercian monk in order to record a narrative of his life as a robber-knight, and hopeful that his confession will not only prove his piety, but will lead to his soul's redemption- what follows is an epic that spans the entire life of the outlaw knight. The confessional journey they take together may lead to redemption- or condemnation- for both of their souls. ,,Tom Krupp bietet mit seinem Roman eine zeitgemäße literarische Verarbeitung der schon seit Jahrhunderten die Gemüter bewegenden Biographie Götz von Berlichingens, wenn ich recht sehe, die allererste überhaupt, die jenseits des Atlantiks entstanden ist." -Dr. Prof. Kurt Andermann, Albert-Ludwigs-Universität Freiburg im Breisgau
Gottfried "Götz" von Berlichingen, the Knight of the Iron Hand, was one of the last great medieval knights of history. Born in the year 1480, Götz came of age in an era of great change, both in his native German lands and the wider world. The Reformation would fundamentally change the landscape of political power in Europe, and the ensuing wars would tear the continent apart. Yet, for a time, Götz' world remained true to its feudal history, and Götz himself participated in many feuds and conflicts. A good friend and a terrible enemy, Götz recalls how he fought and struggled in the internal politics of Germany, which pitted princes and lords against one another over land, titles, and wealth. He crosses paths (and sometimes swords) with other famous knights, esteemed princes, and, on more than one occasion, with the Holy Roman Emperor himself. Campaigning with the Imperial army abroad in France, Switzerland, and Hungary, he often survived on nothing more than his wits and his prowess in battle. His legacy as a folk hero lived on long after his death, inspiring Johann Wolfgang von Goethe to write a play based on his life, and becoming the namesake of the 17th SS-Panzergrenadier-Division "Götz von Berlichingen" in the Second World War. Before his death Götz von Berlichingen wrote down his unique story in an autobiographical account of one of Europe's most notable medieval knights. Translated from the original 1567 manuscript, Antelope Hill is proud to present The Autobiography of Sir Götz von Berlichingen, available for the first time ever to the English reader. Although politics and military technology may have changed since the time of this famous knight, one thing remains the same, that honor, bravery, and loyalty count for much, even for a man of humble beginnings.
The 17th Waffen-SS Panzergrenadier Division "G�tz von Berlichingen" was one of the few SS formations to be employed exclusively on the western front during World War II. From the time of its formation in France in 1943, "G�tz von Berlichingen" saw bitter and bloody fighting in Normandy, the Seine front, Metz, the Saar, the Palatinate, and later the defense of the west wall until the final battles in Germany. Despite the overwhelming superiority of Allied forces, the units that comprised the division always managed to offer dogged resistance, counterattacking ferociously, and defending every foot of ground with great courage and determination. The units of "G�tz von Berlichingen" received praise, not only from the German high command, but also earned the respect of its Allied adversaries. In addition, the "G�tz von Berlichingen" division was never involved in any war crimes, or in crimes against civilians. Detailed operational history, rare combat images, maps, and personality profiles make this book the definitive history of "G�tz von Berlichingen."
WHEN YOU LEAST EXPECT IT, BIRNAM WOOD COMES TO DUNSINANE HILL The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events. In this book, classicist Edwin Wong shows how tragedy imitates reality: heroes, by taking inordinate risks, trigger devastating low-probability, high-consequence outcomes. Such a theatre forces audiences to ask themselves a most timely question---what happens when the perfect bet goes wrong? Not only does Wong reinterpret classic tragedies from Aeschylus to O’Neill through the risk theatre lens, he also invites dramatists to create tomorrow’s theatre. As the world becomes increasingly unpredictable, the most compelling dramas will be high-stakes tragedies that dramatize the unintended consequences of today's risk takers who are taking us past the point of no return.
A successful 1773 drama by Johann Wolfgang von Goethe, based on the memoirs of the historical adventurer-poet Gottfried or Götz von Berlichingen (c. 1480-1562). It first appeared in English in 1799 as Goetz of Berlichingen of the Iron Hand in a rather free version by Walter Scott. Goethe's plot treats events freely: while the historical Götz died an octogenarian, Goethe's hero is a free spirit, a maverick, intended to be a pillar of national integrity against a deceitful and over-refined society, and the way in which he tragically succumbs to the abstract concepts of law and justice shows the submission of the individual in that society.
The creator of the hit podcast series Tides of History and Fall of Rome explores the four explosive decades between 1490 and 1530, bringing to life the dramatic and deeply human story of how the West was reborn. In the bestselling tradition of The Swerve and A Distant Mirror, The Verge tells the story of a period that marked a decisive turning point for both European and world history. Here, author Patrick Wyman examines two complementary and contradictory sides of the same historical coin: the world-altering implications of the developments of printed mass media, extreme taxation, exploitative globalization, humanistic learning, gunpowder warfare, and mass religious conflict in the long term, and their intensely disruptive consequences in the short-term. As told through the lives of ten real people—from famous figures like Christopher Columbus and wealthy banker Jakob Fugger to a ruthless small-time merchant and a one-armed mercenary captain—The Verge illustrates how their lives, and the times in which they lived, set the stage for an unprecedented globalized future. Over an intense forty-year period, the seeds for the so-called "Great Divergence" between Western Europe and the rest of the globe would be planted. From Columbus's voyage across the Atlantic to Martin Luther's sparking the Protestant Reformation, the foundations of our own, recognizably modern world came into being. For the past 500 years, historians, economists, and the policy-oriented have argued which of these individual developments best explains the West's rise from backwater periphery to global dominance. As The Verge presents it, however, the answer is far more nuanced.
When Goethe christened the 1700's "the Century of Winckelmann" and Kant dubbed it "the Century of Frederick the Great," they invoked two notorious figures in gay history. This collection of twelve essays reclaims "the Age of Goethe"To call upon a literary designation of roughly the same period - as a time when same-sex erotic attraction suffused artistic production from Winckelmann's art treatises and Goethe's plays to Friedrich Schlegel's self-reflexive novel Lucinde and Kleist's letters. This volume employs historical, biographical, and textual evidence to paint a cohesive picture of the incontrovertibly sexual nature of male-male and female-female relationships in late-eighteenth- and early-nineteenth-century Germany. The literature of this era bequeathed to us the cultural inventions of Romantic love, classical femininity, the marriage partnership, and the aesthetics of beauty - all, as this volume demonstrates, via and despite the ever-resurgent erotic desire for one's own sex. In the process, it offers radically new readings of canonical authors - including Wieland, Lenz, Goethe, Friedrich Schlegel, and Kleist in light of the eroticized same-sex relations in their works.
