Gothic Sculpture, 1140-1300

Gothic Sculpture, 1140-1300

Author: Paul Williamson

Publisher: Yale University Press

Published: 1995-01-01

Total Pages: 324

ISBN-13: 9780300074529

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This study examines the development of Gothic sculpture throughout Europe. It discusses the most famous monuments, such as the cathedrals of Chartres, Amiens and Reims, Westminster Abbey and the Siena Duomo, and less familiar buildings in France, England, Italy, Germany, Spain and Scandinavia.


Gothic Art

Gothic Art

Author: Victoria Charles

Publisher: Parkstone International

Published: 2014-05-10

Total Pages: 200

ISBN-13: 1783103248

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Gothic art finds its roots in the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe over more than 200 years. Leaving curved Roman forms behind, the architects started using flying buttresses and pointed arches to open up cathedrals to daylight. A period of great economic and social change, the Gothic era also saw the development of a new iconography celebrating the Holy Mary – in drastic contrast to the fearful themes of dark Roman times. Full of rich changes in all of the various art forms (architecture, sculpture, painting, etc.), Gothic art paved the way for the Italian Renaissance and International Gothic movement.


Gothic Sculpture

Gothic Sculpture

Author: Paul Binski

Publisher: Association of Human Rights Institutes series

Published: 2019

Total Pages: 0

ISBN-13: 9780300241433

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In this beautifully illustrated study, Paul Binski offers a new account of sculpture in England and northwestern Europe between c. 1000 and 1500, examining Romanesque and Gothic art as a form of persuasion. Binski applies rhetorical analysis to a wide variety of stone and wood sculpture from such places as Wells, Westminster, Compostela, Reims, Chartres, and Naumberg. He argues that medieval sculpture not only conveyed information but also created experiences for the subjects who formed its audience. Without rejecting the intellectual ambitions of Gothic art, Binski suggests that surface effects, ornament, color, variety, and discord served a variety of purposes. In a critique of recent affective and materialist accounts of sculpture and allied arts, he proposes that all materials are shaped by human intentionality and artifice, and have a "poetic." Exploring the imagery of growth, change, and decay, as well as the powers of fear and pleasure, Binski allows us to use the language and ideas of the Middle Ages in the close reading of artifacts. Published in association with the Paul Mellon Centre for Studies in British Art


High Gothic Sculpture at Chartres Cathedral, the Tomb of the Count of Joigny, and the Master of the Warrior Saints

High Gothic Sculpture at Chartres Cathedral, the Tomb of the Count of Joigny, and the Master of the Warrior Saints

Author: Anne McGee Morganstern

Publisher: Penn State Press

Published: 2011

Total Pages: 215

ISBN-13: 0271048654

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"Re-examines the sculpture on the transept porches of Chartres Cathedral and revises their chronology, based on information from the previously unstudied tomb of the count of Joigny. Documents the production of the monument within the context of French High Gothic sculpture"--Provided by publisher.


Italian Gothic Sculpture

Italian Gothic Sculpture

Author: Anita Fiderer Moskowitz

Publisher:

Published: 2001

Total Pages: 401

ISBN-13: 9780521444835

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Italian Gothic Sculpture examines the sculpture produced in a variety of genres and media throughout the Italic peninsula, from the late medieval period until the beginning of the early modern era. Arguing that Italian Gothic sculpture is neither a provincial offshoot of northern Gothic art, nor a mere preparation for the Early Renaissance, Anita Moskowitz demonstrates that these art works are distinguished by a unique visual language and syntax. Incorporating the most recent archaeological discoveries, this study also addresses questions of politics, patronage, and piety to offer new ways of thinking about these art works.


A Companion to Medieval Art

A Companion to Medieval Art

Author: Conrad Rudolph

Publisher: John Wiley & Sons

Published: 2019-05-07

Total Pages: 1040

ISBN-13: 1119077729

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A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.


Gothic Art Now

Gothic Art Now

Author: Jasmine Becket-Griffith

Publisher: Ilex Press

Published: 2008

Total Pages: 200

ISBN-13:

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Gathering artists from across the globe, this work showcases the Gothic world in its many and varied forms - from the conventional media of paint and pencil, to digital nightmares, abstract sculptures and provocative toys.