A collection of short fiction selected by members of New York's acclaimed creative writing school presents works that range from F. Scott Fitzgerald's "The Curious Case of Benjamin Button," to "A Romantic Weekend by Mary Gaitskill, to Tobias Wolff's "Bullet in the Brain," reflecting a rich variety of themes, perspectives, and plot and character development. Original. 15,000 first printing.
To break into the screenwriting game, you need a screenplay that is not just good, but great. Superlative. Stellar. In Writing Movies you'll find everything you need to know to reach this level. And, like the very best teachers, Writing Movies is always practical, accessible, and entertaining. The book provides a comprehensive look at screenwriting, covering all the fundamentals (plot, character, scenes, dialogue, etc.) and such crucial-but seldom discussed-topics as description, voice, tone, and theme. These concepts are illustrated through analysis of five brilliant screenplays-Die Hard, Thelma & Louise, Tootsie, Sideways, and The Shawshank Redemption. Also included are writing assignments and step-by-step tasks that take writers from rough idea to polished screenplay. Written by Gotham Writers' Workshop expert instructors, Writing Movies offers the same winning style and clarity of presentation that have made a success of Gotham's previous book Writing Fiction, which is now in its 7th printing. Named the "best class for screenwriters" in New York City by MovieMaker Magazine, Gotham Writers' Workshop is America's leading private creative writing school, offering classes in Manhattan and on the Web at www.WritingClasses.com. The school's interactive online classes, selected as "Best of the Web" by Forbes, have attracted thousands of aspiring writers from across the United States and more than sixty countries.
A zoo worker, cautiously washing down Marysue the elephant, considers the strange, grim fragments he's heard of his co-workers' lives. Giraffes demand better living conditions and stage a mock group suicide. A girl escapes her repressive finishing school to find freedom with the monkeys in the African jungle. Snake or dog, buffalo, cat or turkey, each animal in Hannah Tinti's brilliant, darkly comic collection holds up a disturbing mirror to the human beings around it.
From an astonishing new voice on the American literary landscape comes a powerful, haunting novel set against the harsh beauty of rural Vermont. In Mercy Road Dalia Pagani exposes the soul of a wounded family, holding us captive under a spell of unforgettable characters in a mythic place. On a rocky, windswept mountain ridge at the end of Mercy Road lives a family called Summer. Earl and Darlene, trappers born to the ridge, rooted to the land, struggle to find hope and love in an unforgiving place. Butch is their firstborn--with his father's brawn and his mother's tenderness, he would become his brother's keeper. Then Sid, the strange, silent son, willed to live by his mother's fierce love. And Tina, the only daughter, full of promise, but in whose heart beats her family's madness. For the Summers, a difficult life comes apart one fall day when Darlene does the unthinkable, fleeing the ridge for a long, strange winter in New York. In the wake of her flight, each of the Summers is driven, as if by the land itself, to make choices that will shape the rest of their lives. In the hands of a remarkable writer, Mercy Road becomes an epic drama of heroism and redemption, of the forces that bind us to the land that gave us roots, and of what is passed from generation to generation. At once fierce and tender, raw and lyrical, Mercy Road is a riveting portrait of an unseen corner of the American landscape. From the Hardcover edition.
Franklin Furnace is a renowned New York-based artsorganization whose mission is to preserve, document, and present works of avant-garde art by emerging artists--particularly those whose works may be vulnerable due to institutional neglect or politically unpopular content. Over more than thirty years, Franklin Furnace has exhibited works by hundreds of avant-garde artists, some of whom--Laurie Anderson, Vito Acconci, Karen Finley, Guillermo Gomez-Pena, Jenny Holzer, and the Blue Man Group, to name a few--are now established names in contemporary art. Here, for the first time, is a comprehensive history of this remarkable organization from its conception to the present. Organized around the major art genres that emerged in the second half of the twentieth century, this book intersperses first-person narratives with readings by artists and scholars on issues critical to the organization's success as well as Franklin Furnace's many contributions to avant-garde art.
"An iconic creator and savvy businessman, Henson is a model for artists everywhere: without sacrificing his creative vision, Henson built an empire of lovable Muppets that continues to educate and inspire--and a business that was worth $150 million at the time of his death. How did he ever pull it off? And how can other creators follow in his path? Elizabeth Hyde Stevens presents ten principles of Henson's art and business practices that will inspire artists everywhere. Part manifesto, part history, part cultural criticism, part self-help, Make Art Make Money is a new kind of business book for creative professionals: a guide for creating and succeeding thanks to lessons from the Muppet Master himself"-- Goodreads.com
