This text examines New York City's struggle for that vital and basic element - clean water. Drawing on primary sources, personal narratives, and anecdotes, it shows how the project developed up to 1842 when the Croton Aqueduct was secured.
Gotham City may be protected by the Dark Knight, but this major metropolitan destination is also plagued by some of the deadliest, most nefarious villains in the DC Universe! In this oversize anniversary giant, DC Comics proudly presents tales of Batman’s deadliest foes written and drawn by some of the biggest, most exciting names in comics! 2021 marks an anniversary year for the Scarecrow, Poison Ivy, Ra’s al Ghul, Talia al Ghul, the Mad Hatter, Killer Moth, and the original Red Hood, and Gotham City Villains Anniversary Giant #1 brings these baddies to life in some big ways! Also featuring the anniversary celebration of the Penguin, written by none other than the man who brought Oswald Cobblepot to life in Batman Returns, star of the silver screen Danny DeVito!
Written by PAUL DINI, GUILLEM MARCH and MARC ANDREYKO Art and cover by GUILLEM MARCH Collecting issues #8-14 of the hit series! Catwoman, Poison Ivy and Harley Quinn are tired of playing by other people's rules, regardless of which side of the law they're on. As their dangerous alliance with The Riddler continues, the Sirens will do anything to learn which mysterious villain is targeting them all for death. On sale November 24 - 168 pg, FC, $19.99 US
From 1966 to 1968, both on ABC and in theaters, America embraced Batman as a campy cultural icon. But in the ensuing decades, many vilified the show as an embarrassment that needed to be swept under the rug if Batman -- and super-heroes -- were to be taken seriously. Now, we can return to Adam West's Gotham... to the unapologetic fun of colorful, cackling villains hatching bizarre schemes... to phrases like "Atomic batteries to power!" and "Same bat-time, same bat-channel!..". to deadpan heroes climbing walls and defying deathtrap cliffhangers... and find these aspects rich with cultural meanings we may have ignored. GOTHAM CITY 14 MILES offers the series the critical reevaluation it deserves. The book's diverse essays examine Batmania, camp, the role of women, the show and '60s counter-culture, the show's celebrated actors, its lasting cultural effects, and other subjects. From Sequart Research & Literacy Organization. More info at http: //Sequart.org
The television series Gotham gave viewers a unique perspective on the fascinating world of Batman, the legendary comic book character. More than a simple "origin story," the series introduces viewers to a pre-Batman Gotham City, where young hero-cop James Gordon fights a one-man war on crime. In a city where crime is evolving from traditional organized crime to a city plagued by flamboyant and psychotic "super villains," there is a desperate need for a Batman. All of this is witnessed by Bruce Wayne, who was orphaned after his parents were murdered. This book details how characters and story lines throughout the series touch on modern America: our ethics and flaws, our fears and aspirations. Chapters also explore the show's unique twists to classic depictions of the franchise's characters, who have been adored by millions of fans across the decades. Throughout the text, the authors examine Gotham for its insight into 21st-century America, concluding in the exhilarating and frightening conclusion that "We ARE Gotham."
Grant Morrison's THE INVISIBLES has been hailed as an ambitious comics masterpiece, the key to Morrison's entire body of work, and the inspiration for THE MATRIX. But it's also frequently written off as incomprehensible.Using a conversational, accessible style, Patrick Meaney (director of GRANT MORRISON: TALKING WITH GODS) opens up THE INVISIBLES through in-depth analysis that makes sense of the series's complicated ideas, fractured chronology, and delirious blend of fiction and reality. Meaney also explores how the series's fictional conspiracy theories fare in the wake of 9/11 and the War on Terror. The book includes an extensive interview with Grant Morrison and an introduction by Timothy Callahan (author of GRANT MORRISON: THE EARLY YEARS).From Sequart Research & Literacy Organization. More info at http://Sequart.org
This definitive, unauthorized study of Christopher Nolan's landmark 2005 film demonstrates how BATMAN BEGINS adapted and fused a half century of comic books into a single, unified movie. This book also examines past attempts to film Batman's origins, how those origins evolved over time, and where Nolan's realism falls on a spectrum with past Batman movies and even the 1960s TV show. Dr. Julian Darius manages to reveal secrets to even the most hardcore Batman fan, while remaining fully accessible to those new to the character. From Sequart Research & Literacy Organization. More info at http: //Sequart.org
The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to provide one go-to reference for the study of the most popular and iconic villains in American popular culture. Since the 1980s, pop culture has focused on what makes a villain a villain. The Joker, Darth Vader, and Hannibal Lecter have all been placed under the microscope to get to the origins of their villainy. Additionally, such bad guys as Angelus from Buffy the Vampire Slayer and Barnabas Collins from Dark Shadows have emphasized the desire for redemption—in even the darkest of villains. Various incarnations of Lucifer/Satan have even gone so far as to explore the very foundations of what we consider "evil." The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to collect all of those stories into one comprehensive volume. The volume opens with essays about villains in popular culture, followed by 100 A–Z entries on the most notorious bad guys in film, comics, and more. Sidebars highlight ancillary points of interest, such as authors, creators, and tropes that illuminate the motives of various villains. A glossary of key terms and a bibliography provide students with resources to continue their study of what makes the "baddest" among us so bad.
Offers a fresh understanding of the persistent popularity and ongoing value of the original Batmanseries. ABC's action-comedy series Batman(1966–68) famously offered a dual address in its wildly popular portayal of a comic book hero in a live action format. Children uncritically accepted the show's plots and characters, who were guided by lofty ideals and social values, while adults reacted to the clear parody of the values on display. In Batman,author Matt Yockey argues that the series served as a safe space for viewers to engage with changing attitudes about consumerism, politics, the Vietnam war, celebrity, race, and gender during a period when social meaning was increasingly contested in America. Yockey examines Batman's boundary pushing in four chapters. In "Bat-Civics," he analyzes the superhero as a conflicted symbol of American identity and considers the ways in which the Batman character parodied that status. Yockey then looks at the show's experimentation with the superhero genre's conservative gender and racial politics in "Bat-Difference" and investigates the significance of the show's choices of stars and guest stars in "Bat-Casting." Finally, he considers how the series' dual identity as straightforward crime serial and subversive mass culture text set it up for extratextual production in "Bat-Being." The superhero is a conflicted symbol of American identity—representing both excessive individualism and the status quo—making it an especially useful figure for the kind of cultural work that Batman undertook. Batman fans, from popular culture enthusiasts to television history scholars, will enjoy this volume.
"This Island Hedgehog": In an adaption of Sonic The Hedgehog 3 for Genesis, Sonic and Tails meet Knuckles The Echidna! Knuckles has been tricked by Robotnik into thinking Sonic and Tails are after the islands Chaos Emeralds. And while he's busy interoggating the heroes, Robotniks up to his old dirty tricks...