The first book of a new paranormal series by the bestselling author of The Taming of the Dru follows a girl, stuck in the middle of Hungary with her mother, who meets Benedikt--a vampire with a cool motorcycle. Original.
A New York Times bestselling love story between a vampire and a werewolf by Sarah Andersen, the creator of the enormously popular Sarah's Scribbles comics. Elsie the vampire is three hundred years old, but in all that time, she has never met her match. This all changes one night in a bar when she meets Jimmy, a charming werewolf with a wry sense of humor and a fondness for running wild during the full moon. Together they enjoy horror films and scary novels, shady strolls, fine dining (though never with garlic), and a genuine fondness for each other’s unusual habits, macabre lifestyles, and monstrous appetites. First featured as a webcomic series on Tapas, Fangs chronicles the humor, sweetness, and awkwardness of meeting someone perfectly suited to you but also vastly different. This edition of Fangs features 25 exclusive comics not previously seen online. Filled with Sarah Andersen’s beautiful gothic illustrations and relatable relationship humor, Fangs has all the makings of a cult classic.
Soft Child, a poor gentle snake, is worried about getting stepped on as he moves on his belly across the desert. The other animals, especially Jackrabbit, are relentless in their pursuit of this defenseless creature, until Sky God comes up with a lasting solution to the problem--and Soft Child becomes known as "Rattlesnake".
The first in the Half-Moon Hollow series is “wry, delicious fun” (Susan Andersen, New York Times bestselling author) as it follows a librarian whose life is turned upside down by a tempestuous and sexy vampire. Maybe it was the Shenanigans gift certificate that put her over the edge. When children’s librarian and self-professed nice girl Jane Jameson is fired by her beastly boss and handed twenty-five dollars in potato skins instead of a severance check, she goes on a bender that’s sure to become Half Moon Hollow legend. On her way home, she’s mistaken for a deer, shot, and left for dead. And thanks to the mysterious stranger she met while chugging neon-colored cocktails, she wakes up with a decidedly unladylike thirst for blood. Jane is now the latest recipient of a gift basket from the Newly Undead Welcoming Committee, and her life-after-lifestyle is taking some getting used to. Her recently deceased favorite aunt is now her ghostly roommate. She has to fake breathing and endure daytime hours to avoid coming out of the coffin to her family. She’s forced to forgo her favorite down-home Southern cooking for bags of O negative. Her relationship with her sexy, mercurial vampire sire keeps running hot and cold. And if all that wasn’t enough, it looks like someone in Half Moon Hollow is trying to frame her for a series of vampire murders. What’s a nice undead girl to do?
Is a vampire still a vampire if his fang is all wobbly? Find out in this funny and endearing spin on the classic first lost tooth story. Young Dracula loves his fangs. They are pointy. They are sharp! They are a cherished family trait. So one day, when a fang wiggles…and jiggles…and falls loose, Dracula doesn’t know what to do. He tries pushing it back in. Then taping it. Then sticking it. Because a vampire can’t have only one fang!…Right?
A black farmer takes his sons on an adventure to see a silent horror film showing at the new theater on Halloween night in 1930, in central Texas. There were nearly 500 black people lynched in Texas that year, so a movie about a vampire hardly seemed frightening except to the youngest son, Lijah, who consoles himself with his father's assurance that in the silent film, "they just be killing white folks."
Tired of running the vampire coven, Nigel Mullet surrenders the leadership to newcomer Viktor in exchange for some small favors, but soon Viktor proves to be evil, even by vampire standards, and Nigel must step in.
The international publishing phenomenon Ice Planet Barbarians, now in a special print edition! Fall in love with the out-of-this-world romance between Georgie Carruthers, a human woman, and Vektal, an alien from another planet, in this expanded edition with bonus materials and an exclusive epilogue—in print only! You’d think being abducted by aliens would be the worst thing that could happen to me. And you’d be wrong. Because now the aliens are having ship trouble, and they’ve left their cargo of human women—including me—on an ice planet. We’re not equipped for life in this desolate winter wasteland. Since I’m the unofficial leader, I head out into the snow to look for help. I find help all right. A big blue horned alien introduces himself in a rather . . . startling way. Vektal says that I'm his mate, his chosen female—and that the reason his chest is purring is because of my presence. He’ll help me and my people survive, but this poses a new problem. If Vektal helps us survive, I’m not sure he’s going to want to let me go.
This world is full of coincidence... I said it was full of pervs with a boner for pubescent kids, murderers lurking in the shadows, and God-awful things I didn't care to think about. God. I didn't know if I qualified to say that anymore. How did things get so out of control, so messy? I was normal, once. Put on my bra one arms strap at a time, laced my Converses from bottom to top just like everyone else. Granted it was a slightly different version of normal--a little too far left of kosher, maybe? But before all of this twistedness happened, I was me. I was a little ignorant, a little naïve. I was whatever my social network profile said. But I hadn't updated it in, like, three months, so... Three months ago, I was the girl who wore her hair in a saggy ponytail, the girl with the stutter. I despised my mom's cooking, gamed too much, and laughed at all my dad's jokes even when they were corny as hell. I'd never been kissed or gotten into trouble. I was Mikayla Blake, human, prone to fuckups and mishaps. No more, no less. Three months ago, my new life started. And nothing's been coincidence since.
This volume develops a new multimodal semiotic approach to the study of communication, examining how multimodal discourse is construed transmedially and interculturally and how new technologies and cultural stances inform communicative contexts across the world. It contributes to current theoretical debates in the disciplines of semiotics, linguistics, multimodality, and pragmatics, as well as those aspects of pedagogy and film studies that engage with the notions of text and narrative by addressing questions such as: How do we study multimedia communication? How do we incorporate the impact of new media technologies into the study of Linguistics and Semiotics? How do we construe culture in modern communication? How useful are the current multidisciplinary approaches to multimodal communication? Through the analysis of specific case studies that are developed within diverse academic disciplines and which draw on a range of theoretical frameworks, the goal of this book is to provide a basis for an overarching framework that can be applied by scholars and students with different academic and cultural backgrounds.