Well-chosen stories give children good role models and increase their empathy for others. Simplistic moral precepts in simple language; each story comes with a caricature type illustration to retain interest of young readers. The moral at the end of the story summaries precisely what the child is supposed to learn! These stories educate children about a family, tradition, ethos, social mores or share cultural insight or a combination of all these. Thoughtful stories not only provide enjoyment, they also shape and influence lives of children.
Well-chosen stories give children good role models and increase their empathy for others. Simplistic moral precepts in simple language; each story comes with a caricature type illustration to retain interest of young readers. The moral at the end of the story summaries precisely what the child is supposed to learn! These stories educate children about a family, tradition, ethos, social mores or share cultural insight or a combination of all these. Thoughtful stories not only provide enjoyment, they also shape and influence lives of children.
Grandly uninvolved in the bustle of Malgudi, Nagaraj enjoys a purposeless but orderly life of prayer, gossip and a little book-keeping at Coomar's Boeing Sari Centre. Fulfilment, however, eludes him. And even in his desultory determination to write his magnum opus, something always seems to prevent him getting started.Then crisis visits Nagaraj in the person of Tim, his tearaway young nephew, whose escapades not only serve to expose his weaknesses, but also to give him a hundred and one excuses for delay .
Following the spectacular success of Horrid Henry's Big Bad Book, here is a new hardback collection of favourite stories, with colour pictures and brand new material to tell you more about Horrid Henry. The ten stories all focus on Horrid Henry's home life, and how he vies with his little brother Perfect Peter and drives his well-meaning parents to distraction. They are: Horrid Henry's Holiday, Horrid Henry's Birthday Party, Horrid Henry Tricks the Tooth Fairy, Horrid Henry and the Fangmangler, Horrid Henry Gets Rich Quick, Horrid Henry and the Comfy Black Chair, Horrid Henry Tricks and Treats, Horrid Henry and the Mummy's Curse, Horrid Henry's Thank You Letter and Horrid Henry's Chores Further insights into Henry's family life include Home Fact File, a list of Horrid Henry's Prized Possessions, Mum's shopping lists and menus as amended by Henry, and more.
This volume makes available for the first time in English the work of a significant Indian nationalist author, Pandey Bechan Sharma, better known in India as “Ugra,” meaning “extreme.” His book Chocolate, a 1927 collection of eight stories, was the first work of Hindi fiction to focus on male same-sex relations, and its publication sparked India’s first public debates about homosexuality. Many prominent figures, including Gandhi, weighed in on the debates, which lasted into the 1950s. This edition, translated and with an introduction by Ruth Vanita, includes the full text of Chocolate along with an excerpt from Ugra’s novel Letters of Some Beautiful Ones (also published in 1927). In her introduction, Vanita situates Ugra and his writings in relation to Indian nationalist struggles and Hindi literary movements and feuds, and she analyzes the controversies that surrounded Chocolate. Those outraged by its titillating portrayal of homosexuality labeled the collection obscene. On the other side, although no one explicitly defended homosexuality in public, some justified Ugra’s work by arguing that it was the artist’s job to educate through provocation. The stories depict male homoeroticism in quotidian situations: a man brings a lover to his disapproving friend’s house; a good-looking young man becomes the object of desire at his school. The love never ends well, but the depictions are not always unsympathetic. Although Ugra claimed that the stories were aimed at suppressing homosexuality by exposing it, Vanita highlights the ambivalence of his characterizations. Cosmopolitan, educated, and hedonistic, the Hindu and Muslim men he portrayed quote Hindi and Urdu poetry to express their love, and they justify same-sex desire by drawing on literature, philosophy, and world history. Vanita’s introduction includes anecdotal evidence that Chocolate was enthusiastically received by India’s homosexual communities.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A follow-up to Rockport Publishers' best-selling Universal Principles of Design, a new volume will present one hundred principles, fundamental ideas and approaches to making art, that will guide, challenge and inspire any artist to make better, more focused art.Universal Principles of Art serves as a wealth of prompts, hints, insights and roadmaps that will open a world of possibilities and provide invaluable keys to both understanding art works and generating new ones. Respected artist John A. Parks will explore principles that involve both techniques and concepts in art-making, covering everything from the idea of beauty to glazing techniques to geometric ideas in composition to minimalist ideology. Techniques are simple, direct and easily followed by any artist at any level. This incredibly detailed reference book is the standard for artists, historians, educators, professionals and students who seek to broaden and improve their art expertise.
Carbon Transfer Printing is a book about one of the earliest photographic processes that provided the first permanent printing methods, available in one form or another for over 150 years. This book reviews the extensive history of carbon transfer and related pigment processes in both monochrome and color, to serve as point source for a new carbon printer to begin to master the craft of carbon printing, as well as provide new material for experienced carbon printers so they can expand their techniques. The book includes never-before-published information on pre-sensitizing carbon tissue with newly identified compounds, information on the safe use and disposal of hexavalent chromium compounds, and simplified methods of producing 3-color carbon prints. Carbon Transfer Printing is divided into two parts, illustrated with 175 photographs. Part One is a complete how-to on the carbon transfer process, from simple to complex, with a troubleshooting guide and an extensive chapter on digital negatives. Part Two is devoted to contemporary carbon printers who share their methods and secrets to creating their beautiful carbon prints. Topics that the book covers are: Key events in carbon’s history How to organize the carbon workplace Sections on necessary supplies and equipment A step-by-step digital method of making high quality digital negatives Simple and advanced methods of carbon printing How to make carbon tissue, including several methods of pre-sensitizing How to choose UV light sources for printing in carbon Step-by-step processing directions How to prepare final support papers Troubleshooting carbon Multi-layer printing to add tone, or make a full color carbon print Finishing and final presentation of carbon prints A gallery of images and advice from contemporary carbon printers Carbon Transfer Printing is designed for both the beginning carbon enthusiast as well as for the advanced practitioner. Backed with extensive research on carbon printing from books, journals, and magazine articles from the 1800s to present day, and the extensive personal experience in carbon printing of the authors, there is enough information in this book to provide inspiration and proof of both the glorious past of carbon printmaking and its enduring importance to a new generation of image makers who value the handmade print.
