Joshua Harris's first book, written when he was only 21, turned the Christian singles scene upside down...and people are still talking. More than 800,000 copies later, I Kissed Dating Goodbye, with its inspiring call to sincere love, real purity, and purposeful singleness, remains the benchmark for books on Christian dating. Now, for the first time since its release, the national #1 bestseller has been expanded with new content and updated for new readers. Honest and practical, it challenges cultural assumptions about relationships and provides solid, biblical alternatives to society's norm.Clear, stylish typeset, with user-friendly links to referenced Scripture.
Tim Sledge pulls back the curtain on Southern Baptist life as he chronicles nearly four decades of ministry in this highly personal, sometimes painful, and frequently provocative spiritual autobiography. Part memoir, part expos , part polemic-this is an account of failures as well as accomplishments-and very nearly a case study in how faith may begin, how it evolves, and how it can fall apart. Sledge traces the childhood origins of his sincere faith, his efforts at spiritual obedience, his theological education, his climb up the ladder in ministry, his insights into the challenges of growth-oriented leadership, and his pioneering work in faith-based recovery ministries that ultimately guided participants in 20,000 support groups across the U.S. A recurring theme in his story is coming to grips with the significance of being an adult child of an alcoholic. After a fall from grace and a growing awareness that faith no longer worked for him, his journey took a new direction that required examining alternatives to his former belief system including Deism, agnosticism, humanism, and atheism. Ultimately, he found new ways to live a positive, value-driven life and emerged as a new version of the same person he had always been, still interested in creating avenues for personal growth in the lives of others. Goodbye Jesus is a relatable and thoughtful read for those seeking to better understand the evangelical mindset, for Christians who are questioning their faith, for ministers trying to decide whether to stay or go, and for those who have left their faith and are dealing with its loss.
"Martin's fluid movement among various frames of reference- from astrophysics to musicology to botany to etymology-creates a structure of sheer imaginative play, which frames his utterly humane eye. His poetry explores the lyrical, intellectual, affective forces of language, while staying rooted in sensitive subjectivity. Martin is a joyous craftsman!" Matthew Kirshman, author of The Magic Flower & Other Sonnets "Stepping into Martin Elster's work, I'm taken by its rhythms and musicality. These are poems to read aloud, savor their sounds, and enjoy a meandering walk through the world around us." Frank Watson, editor of Poetry Nook and author of The Dollhouse Mirror, Seas to Mulberries, and One Hundred Leaves Through ballades and ballads, acrostics and ghazals, sonnets and Sapphics-both lighthearted and ruminative-the evocative poems in this collection portray the sights and sounds of our natural and manmade environments, the plants and animals everywhere around us and our relationship with them, sometimes pleasant and beautiful, often harmful and ominous. There are poems about terrestrial musicians and interstellar musicians, the songs of spring peepers and katydids, the plight of spiders and polar bears, humans in love and at war, songbirds vying with urban cacophony, lonely dogs and ghostly dogs, and very serious musings about the huge and mysterious cosmos that we are all a part of and how we click with it.
Despite the proliferation of criticism on the cultural work of the Harlem Renaissance over the course of the past two decades, surprisingly few critics have focused on the ways in which religious contexts shaped the works of New Negro writers and artists during that time. In Goodbye Christ? Christianity, Masculinity, and the New Negro Renaissance, Peter Kerry Powers fills this scholarly void, exploring how the intersection of race, religion, and gender during the Harlem Renaissance impacted the rhetoric and imagination of prominent African American writers of the early twentieth century. In order to best understand the secular academic thought that arose during the Harlem Renaissance period, Powers argues that readers must first understand the religious contexts from which it grew. By illustrating how religion informed the New Negro movement, and through his analysis of a range of texts, Powers delineates the ways in which New Negro writers of the early twentieth century sought to loosen the grip of Christianity on the racial imagination, there-by clearing a space for their own cultural work-and for the development of a secular African American intelligentsai generally. In addition to his examination of well-known authors, including W. E. B. Du Bois, Langston Hughes, and Zora Neale Hurston, Powers also offers an illuminating perspective on lesser-known figures, including Reverdy Ransom and Frederick Cullen. In his exploration of the role of race and religion at the time, Powers employs an intersectional approach to religion and gender, and especially masculinity, that sets the discussion on fertile ground. Goodbye Christ? Answers the call for a body of work that considers religion as a relevant precursor to the secular intelligentsia that grew during the Harlem Renaissance in the early 1900s. By offering a complete look at the tensions that arose between churches and Harlem Renaissance writers and artists, readers can gain a better understanding of the work that Harlem Renaissance writers undertook during the early decades of the twentieth Century.
Shares uplifting advice about the virtues of forgiveness, offering strategic and biblically based advice on how to achieve peace and personal fulfillment by letting go of past wrongs.
For more than twenty years, Charles Templeton was a major figure in the church in Canada and the United States. During the 1950s, he and Billy Graham were the two most successful exponents of mass evangelism in North America. Templeton spoke nightly to stadium crowds of up to thirty thousand people. However, increasing doubts about the validity of the Old Testament and the teachings of the Christian church finally brought about a crisis in his faith and in 1957 he resigned from the ministry. In Farewell to God, Templeton speaks out about his reasons for the abandonment of his faith. In straightforward language, Templeton deals with such subjects as the Creation fable, racial prejudice in the Bible, the identity of Jesus of Nazareth, Jesus’ alienation from his family, the second-class status of women in the church, the mystery of evil, the illusion that prayer works, why there is suffering and death, and the loss of faith in God. He concludes with a positive personal statement: “I Believe.”
Through personal anecdotes and careful examination of Scripture, Carolyn McCulley challenges single women to regard their singleness not as a burden, but as a gift from God that allows them to perform a unique role in the body of Christ.
Winner of the 2018 Award for Excellence in the Study of Religion in Textual Studies, presented by the American Academy of Religion 2018 Outstanding Academic Title, given by Choice Magazine A new perspective on the role of religion in the work of Langston Hughes Langston's Salvation offers a fascinating exploration into the religious thought of Langston Hughes. Known for his poetry, plays, and social activism, the importance of religion in Hughes’ work has historically been ignored or dismissed. This book puts this aspect of Hughes work front and center, placing it into the wider context of twentieth-century American and African American religious cultures. Best brings to life the religious orientation of Hughes work, illuminating how this powerful figure helped to expand the definition of African American religion during this time. Best argues that contrary to popular perception, Hughes was neither an avowed atheist nor unconcerned with religious matters. He demonstrates that Hughes’ religious writing helps to situate him and other black writers as important participants in a broader national discussion about race and religion in America. Through a rigorous analysis that includes attention to Hughes’s unpublished religious poems, Langston’s Salvation reveals new insights into Hughes’s body of work, and demonstrates that while Hughes is seen as one of the most important voices of the Harlem Renaissance, his writing also needs to be understood within the context of twentieth-century American religious liberalism and of the larger modernist movement. Combining historical and literary analyses with biographical explorations of Langston Hughes as a writer and individual, Langston’s Salvation opens a space to read Langston Hughes’ writing religiously, in order to fully understand the writer and the world he inhabited.
The Book of Martyrs by John Foxe written in the 16th century has long been the go-to source for studying the lives and martyrdom of the apostles. Whilst other scholars have written individual treatments on the more prominent apostles such as Peter, Paul, John, and James, there is little published information on the other apostles. In The Fate of the Apostles, Sean McDowell offers a comprehensive, reasoned, historical analysis of the fate of the twelve disciples of Jesus along with the apostles Paul, and James. McDowell assesses the evidence for each apostle’s martyrdom as well as determining its significance to the reliability of their testimony. The question of the fate of the apostles also gets to the heart of the reliability of the kerygma: did the apostles really believe Jesus appeared to them after his death, or did they fabricate the entire story? How reliable are the resurrection accounts? The willingness of the apostles to die for their faith is a popular argument in resurrection studies and McDowell offers insightful scholarly analysis of this argument to break new ground within the spheres of New Testament studies, Church History, and apologetics.
