Behind the facade of the sedate sorority house, unutterable horrors seethe while tumid desires rise. Ann White must become pervert-fodder if she hopes to pass Pledge Week. All too soon, she finds that no act of lewdness is deemed too demeaning, no manner of sexual degradation too foul for there is a secret festering in the bowels of Alpha House, an ancient carnal evil.
In April 2004, the Abu Ghraib photographs set off an international scandal. Yet until now, the full story has never been told. Tara McKelvey -- the first U.S. journalist to speak with female prisoners from Abu Ghraib -- traveled to the Middle East and across the United States to seek out victims and perpetrators. McKelvey tells how soldiers, acting in an atmosphere that encouraged abuse and sadism, were unleashed on a prison population of which the vast majority, according to army documents, were innocent civilians. Drawing upon critical sources, she discloses a series of explosive revelations: An exclusive jailhouse interview with Lynndie England connects the Abu Ghraib pictures to lewd vacation photos taken by England's boyfriend Charles Graner; formerly undisclosed videotapes show soldiers "Robotripping" on cocktails of over-the-counter drugs while pretending to stab detainees; new material sheds light on accusations against an American suspected of raping an Iraqi child; and first-hand accounts suggest the use of high-voltage devises, sexual humiliation and pharmaceutical drugs on Iraqi prisoners. She also provides an inside look at Justice Department theories of presidential power to show how the many abuses were licensed by the government.
"Throughout history, the religious imagination has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed-or, more commonly, how they must be hidden. Religious belief and mandate affect how our bodies are used in ritual practice, as well as how we use them to identify and marginalize threatening religious Others. This book examines how horror culture treats religious bodies that have stepped (or been pushed) out of their 'proper' place. Unlike most books on religion and horror, This book explores the dark spaces where sex, sexual representation, and the sexual body come together with religious belief and scary stories. Because these intersections of sex, horror, and the religious imagination force us to question the nature of consensus reality, supernatural horror, especially as it concerns the body, often shows us the religious imagination at work in real time. It is important to note that the discussion in this book is not limited either to horror cinema or to popular fiction, but considers a wide range of material, including literary horror, weird fiction, graphic storytelling, visual arts, participative culture, and aspects of real-world religious fear. It is less concerned with horror as a genre (which is mainly a function of marketing) and more with the horror mode, a way of storytelling that finds expression across a number of genres, a variety of media, and even blurs the boundary between fiction and non-fiction. This expanded focus not only deepens the pool of potential examples, but invites a much broader readership in for a swim"--
Fifty years after the Moors Murders and 15 years since Myra Hindley died in prison, after one of the longest sentences served by a woman, this book raises some delicate and searching questions. They include: “Why was Hindley treated differently?”, “Why do we need to create demons?” and “What impact does this have on our whole notion of crime, punishment and justice?” Set against the political backlash of one of the most notorious cases in English criminal history, The Monstering of Myra Hindley is a perceptive, first-hand portrayal of the most talked-about and maligned of women. Nina Wilde invites readers to hold back any adverse preconceptions as she seeks to show how the media selected Hindley as a monster and the politics at play around her de-humanising captivity. She compares how things are done in some other European countries and how the UK itself routinely releases others equally bad (arguably worse) quietly and away from the public gaze. Everyone, the author included, recognises the plight of the victims but this should not be allowed to mask other wrongs that, with hindsight, become increasingly apparent in Hindley’s case. Reviews 'The book has two main arguments. Hindley was treated as she was first because she was a woman and consequently what she did was worse because she was a woman. Second the unfairness she experienced was because the press would not leave her alone and continually brought up the story and the evil nature of her character... I think Wilde is right on both counts... the book is written well and makes the above arguments well. It thus serves as a reminder that tariff decisions on life imprisonment should be decided upon by the judiciary and that they should be carried out without political bias or influence.'-- Prison Service Journal; 'I think she became a national scapegoat for that part of the social mind that is cruel and has contempt for vulnerability'— Dr Gwen Adshead
Far from bitter or self-pitying, Rock Monster is an honest account of one woman's life-changing experience in a relationship with rock legend Joe Walsh. At once envious, glamorous, debauched and disturbing, it's her long and winding journey from life in the fast lane to sobriety and redemption. Set in the late-eighties and nineties, these are some of Walsh's darkest years, from spiraling addiction to a stunning comeback with the Eagles' Hell Freezes Over tour. Loaded with true stories never before heard, Rock Monster is essential reading for classic rock fans and anyone touched by addiction. Kristin Casey pulls no punches, sharing gritty details with self-awareness, humor, and affection. Sharply written, bold and incisive, it's the worldly-wise tome only an ex-addict, ex-stripper, and ex-rock-chick could give us. In the tradition of women-in-rock survivor tales--by Marianne Faithfull, Crystal Zevon, or Mackenzie Phillips--Kristin Casey pulls a veil on the enduring myth of the lifestyle's glamorous decadence. Rock Monster is a sexy, crazy, cautionary tale of two addicts in love without a single relationship skill.
The Kabbala, the oldest religion, first taught to the angels by God Himself, and with these holy teachings the Ten Secrets. The angels then whispered these secrets to Adam in Paradise, but they didn’t know...someone was listening: Samael, the Arch-Devil of Genesis.... Seth and Judy need to flee from the demons of their past–addiction–and that’s why they’ve just moved into renovated 150-year-old Lowen Mansion on Maryland’s sedate eastern shore. Tranquility and solitude is what they expect, and that what they get until the excavator’s discover the long-buried secret. GHOSTS? MONSTERS? OR SOMETHING FAR WORSE?
From the New York Times–bestselling Goosebumps series, a tween girl witnesses the librarian turning into a monster and everyone thinks she’s lying. She’s telling the truth . . . but no one believes her. Lucy likes to tell monster stories. She’s told so many that her friends and family are sick of it. Then one day Lucy discovers a real live monster: the librarian in charge of the summer reading program. Too bad Lucy’s told so many monster tall tales. Too bad no one believes a word she says. Too bad the monster knows who she is . . . and is coming after her next.
SO SPAKE THE MAGISTRATE, “EVANORE WRAXALL, WHO SO OF THINE OWN FREE WILL HAST EMBRACED SATAN AND HIS IMPS, AND HATH WITH GLEE FORNICATED WITH DIVELLS IN NO HUMANE SHAPE...” Welcome to Haver-Towne. The sedate colonial resort is the perfect place where Stew Fanshawe can get away from it all for a while. But instead finding tranquility and self-reflection, Stew finds something much more unique: a town that was once steeped in a quagmire of witchcraft, satanic debauchery, and centuries-old occult science. Indeed, Haver-Towne has a most colorful history: “...AND DIDST ON MANY A TYME PERPETRATE DEVILTRY, BLACK MAGICK, INFERNALL PROPHESIE, AND MURTHER MOST UNHOLY...” A warlock who sires children with his own daughter, children to be used for something far worse than sacrifice. A witch whose carnal abandon and sheer diabolism stagger even the most demented imaginations. And a 300-year-old mansion in whose walls are embalmed the infernal secret of...Witch-Water. “...AND HATH DIS-ENTRENCHED YE DEAD FROM THEIR GRAVES AND WATCH’D MAIDENS BE RAPED AND HATH SLAUGHTER’D BABES IN THEIR CRIBS, AND REVELLED IN CRIMES UNSPEAKABLE UNTO SCRIPTURE...” “What the hell is witch-water?” Fanshawe asks himself that first day he’d heard the macabre word, but when he finds out, he’ll wish he never had. His curiosity unlocks one morbid secret after another, and reveals a history of erotopathic witches, depraved covens, sick-in-the-head sexuality, and the most grotesque method of execution ever devised. “...I HEREBY CONDEMN THEE. AND MAY THY DEATH BE AS ABOMINABLE AS THINE HEART.” Join Edward Lee in his over-the-top modern-day tribute to classic horror scribe M.R. James, a novel of immemorial curses, demonic lust, and absolutely unmitigated evil.
