Cameron Foster is consistently bullied at school. He finds solace with his battered guitar. He is as skilled with it as Harry Potter is with a wand. Into his life enters a mysterious woman, clad in black leather like a reincarnated Joan Jett. She observes him, soon rocking his world. But tragedy strikes and Cameron winds up under the influence of a reclusive billionaire. Has he landed in a deadly secret cult? He struggles to find out before it’s too late.
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
Accessible, challenging, funny, and one of the best reads on how to love others in any situation. Love and hospitality can change the way you see the world and others. That's exactly what modern-day theologian, Richard Beck, experienced when he first led a Bible study at a local maximum security prison. Beck believed the promise of Matthew 25 that states when we visit the prisoner, we encounter Jesus. Sure enough, God met Beck in prison. With his signature combination of biblical reflection, theological reasoning, and psychological insight, Beck shows how God always meets us when we entertain the marginalized, the oppressed, and the refugee. Stories from Beck's own life illustrate this truth -- God comes to him in the poor, the crippled, the smelly. Psychological experiments show how we are predisposed to appreciate those who are similar to us and avoid those who are unlike us. The call of the gospel, however, is to override those impulses with compassion, to "widen the circle of our affection." In the end, Beck turns to the Little Way of St. Thérèse of Lisieux for guidance in doing even the smallest acts with kindness, and he lays out a path that any of us can follow.
The tyranny of the gods is absolute, and they are capricious, malevolent and almost all-powerful, playing cruel games with the fates of mortals for their own ends . . . A vibrant and powerful epic set against an alternate Bronze Age, this tale of gods, men and monsters, conspiracy and war, is a rich, compelling and original read from a master of the historical and fantasy genres. The people caught up in toils of the gods are merely trying to survive. Victims of vicious whims, trapped by their circumstances or pushed beyond what the mortal frame can bear, a handful of god-touched mortals - a scribe, a warlord, a dancer and a child - are about to be brought together in a conspiracy of their own. A conspiracy to reach the heavens, and take down the corrupt and aging gods . . . who are already facing troubles of their own . . . An epic which draws on the Greek mythology of gods and heroes, this new trilogy is a must read for fans of Dan Simmons and Madeline Miller alike. Praise for Miles Cameron: 'Utterly, utterly brilliant. A masterclass in how to write modern fantasy - world building, characters, plot and pacing, all perfectly blended. Miles Cameron is at the top of his game' John Gwynne, author of The Faithful and the Fallen series 'Cold Iron is fantastic. It shimmers like a well-honed sword blade' Anna Smith Spark, author of The Court of Broken Knives 'Promising historical fantasy debut featuring an expansive cast, an engaging plot, and a detailed eye for combat' The Ranting Dragon on The Red Knight 'Literate, intelligent, and well-throughout . . . a pleasingly complex and greatly satisfying novel' SFF World on The Red Knight
NOW A MAJOR MOTION PICTURE, STARRING JASON SEGAL AND JESSE EISENBERG, DIRECTED BY JAMES PONSOLDT An indelible portrait of David Foster Wallace, by turns funny and inspiring, based on a five-day trip with award-winning writer David Lipsky during Wallace’s Infinite Jest tour In David Lipsky’s view, David Foster Wallace was the best young writer in America. Wallace’s pieces for Harper’s magazine in the ’90s were, according to Lipsky, “like hearing for the first time the brain voice of everybody I knew: Here was how we all talked, experienced, thought. It was like smelling the damp in the air, seeing the first flash from a storm a mile away. You knew something gigantic was coming.” Then Rolling Stone sent Lipsky to join Wallace on the last leg of his book tour for Infinite Jest, the novel that made him internationally famous. They lose to each other at chess. They get iced-in at an airport. They dash to Chicago to catch a make-up flight. They endure a terrible reader’s escort in Minneapolis. Wallace does a reading, a signing, an NPR appearance. Wallace gives in and imbibes titanic amounts of hotel television (what he calls an “orgy of spectation”). They fly back to Illinois, drive home, walk Wallace’s dogs. Amid these everyday events, Wallace tells Lipsky remarkable things—everything he can about his life, how he feels, what he thinks, what terrifies and fascinates and confounds him—in the writing voice Lipsky had come to love. Lipsky took notes, stopped envying him, and came to feel about him—that grateful, awake feeling—the same way he felt about Infinite Jest. Then Lipsky heads to the airport, and Wallace goes to a dance at a Baptist church. A biography in five days, Although Of Course You End Up Becoming Yourself is David Foster Wallace as few experienced this great American writer. Told in his own words, here is Wallace’s own story, and his astonishing, humane, alert way of looking at the world; here are stories of being a young writer—of being young generally—trying to knit together your ideas of who you should be and who other people expect you to be, and of being young in March of 1996. And of what it was like to be with and—as he tells it—what it was like to become David Foster Wallace. "If you can think of times in your life that you’ve treated people with extraordinary decency and love, and pure uninterested concern, just because they were valuable as human beings. The ability to do that with ourselves. To treat ourselves the way we would treat a really good, precious friend. Or a tiny child of ours that we absolutely loved more than life itself. And I think it’s probably possible to achieve that. I think part of the job we’re here for is to learn how to do it. I know that sounds a little pious." —David Foster Wallace
Craig S. Keener presents fascinating, wonderfully useful information on the historical and cultural backgrounds of nearly every verse in the New Testament.
Everything can change in a heartbeat ... The pulse-pounding new thriller from the bestselling author of You Don’t Know Me Lainey’s friend Ellis is missing. And she’s not the only one. It’s been six months since the first case of a sudden epidemic—when a healthy baby wouldn’t take a breath at birth—and the country has been thrown into turmoil. The government has passed sweeping new laws to monitor all citizens. And several young pregnant women have vanished without trace. As a midwife, Lainey’s mum, Emma, is determined to be there for those who need her. But when seventeen-year-old Lainey finds herself in trouble, this dangerous new world becomes very real. The one person who might help is Emma’s estranged mother, but reaching out to her will put them all in jeopardy ... The Hush is a new breed of thriller, an unflinching look at a society close to tipping point and a story for our times, highlighting the power of female friendship through a dynamic group of women determined to triumph against the odds. Book discussion questions are available here: https://s3.us-west-2.amazonaws.com/www.blackstoneaudio.com/The_Hush_Discussion_Questions.pdf
Eurik was found adrift by the san and raised by them. Though he had read much about the outside world, he'd never considered leaving home. Not until his teacher revealed what he had inherited from his parents: a living sword, a sentient blade of rare power . . . and with it, the names of his father and mother. Reluctant to go, yet curious, Eurik sets out to discover who they were, and what happened to them. But is he ready for all the attention his heritage will earn him? Can he survive in a world he has only read about?
WHAT SECRETS RESIDE IN ENOYA'S ARTIFICIAL MIND? From the acclaimed author of AKIN, Robin Murarka's Rone Isa traverses that border between science and literary fiction, weaving a futuristic dystopian world seeped in technology and wonder. "Leaves behind a properly haunting set of afterimages ... gracefully and poetically rendered." - Kirkus Reviews "Robin Murarka has delivered a tour-de-force in the provocative, daring Rone Isa." - San Francisco Book Review Garbled noise, quickly becoming coherent, strange messages, and soon, she is revealed, calling herself 'Enoya'. The engineer, Dargaud, locked in his small, decrepit loft, marvels over his creation, unaware that she is observing him as much as he is observing her. Set in the futuristic metropolis of Agnus Sistra IV, Rone Isa follows the newly birthed artificial intelligence, 'Enoya', as she learns about the world of man, trying to comprehend abstraction and violence, much as a child would. Dargaud, the engineer that created her, also explores the newfound equity in her abilities, and basks in the carnality afforded to him through her achievements. Reminiscent of 2001: A Space Odyssey and Blade Runner (Do Androids Dream of Electric Sheep?), Rone Isa delves into the depths of artificial intelligence and its relationship with humans. What secrets reside in her artificial mind? And will Dargaud's excess destroy him?
