"Currently termed a "Graphic Novel" this book is a compilation of Jackson's former works, fully illustrated in pen and ink. Oddly enough half of the work deals with early Texas history, "Old Tejas," and the second part is set in contemporary settings, titled " Modern Times." It is nonetheless, a good example of the art, artistry, and genius of the author. Seven of the stories are Texas history and nine are set in moderm times."--Borderland Books
Violent rabbis, lovelorn wives, a busy Grim Reaper, shame-filled simians, and one seriously angry deity populate this humorous and disquieting collection. Shalom Auslander's stories in Beware of God have the mysterious punch of a dream. They are wide ranging and inventive: A young Jewish man's inexplicable transformation into a very large, blond, tattooed goy ends with a Talmudic argument over whether or not his father can beat his unclean son with a copy of the Talmud. A pious man having a near-death experience discovers that God is actually a chicken, and he's forced to reconsider his life -- and his diet. At God's insistence, Leo Schwartzman searches Home Depot for supplies for an ark. And a young boy mistakes Holocaust Remembrance Day as emergency preparedness training for the future. Auslander draws upon his upbringing in an Orthodox Jewish community in New York State to craft stories that are filled with shame, sex, God, and death, but also manage to be wickedly funny and poignant.
Read the Old Testament for the first time. Again. Experience it as an actual story for the first time. This unique book takes the reader inside the biblical narrative for a fresh encounter with God's Word. Often we read the Old Testament looking for how each event anticipates the Christ, which is a bit like reading a detective novel knowing "who done it" all along. Here, each succeeding episode is allowed to speak on its own terms only, building upon what has already happened just like any other story. Along the way it will be demonstrated how each part of the biblical narrative embodies the three covenantal promises that God made to Abraham: Land, Many Descendants, and a Blessing to All Nations. In so doing, the inherent narrative framework of the "old, old, story" is more fully exposed and the reader is rewarded with a new sense of its profound unity and divine inspiration.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Quick. What do these characters all have in common? An anguished ghost whose interest in measuring mountains led to his premature death. A retired educator who takes a part-time job inside the cozy confines of Wrigley Field's manual scoreboard. An obsessive orthodontist known to evangelize his prone patients. A bipolar father whose zany day includes an encounter with the police. And a victim of identity theft, reconsidering his vocation. They're all pastors, of course. Join storyteller Frank Honeycutt on a roller coaster ride inside the flawed lives and vivid imaginations of sixteen ministers struggling to keep and make sense of their faith. At times humorous, surprising, sad, and even warped, this fictional peek into the private lives of clergy sheds angular light upon the complicated theological motives guiding those called to lead God's people.
In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.
Tales from Northland. THE GOD OF HIS FATHERS (excerpt) On every hand stretched the forest primeval, -the home of noisy comedy and silent tragedy. Here the struggle for survival continued to wage with all its ancient brutality. Briton and Russian were still to overlap in the Land of the Rainbow's End-and this was the very heart of it-nor had Yankee gold yet purchased its vast domain. The wolf-pack still clung to the flank of the cariboo-herd, singling out the weak and the big with calf, and pulling them down as remorselessly as were it a thousand, thousand generations into the past. The sparse aborigines still acknowledged the rule of their chiefs and medicine men, drove out bad spirits, burned their witches, fought their neighbors, and ate their enemies with a relish which spoke well of their bellies. But it was at the moment when the stone age was drawing to a close. Already, over unknown trails and chartless wildernesses, were the harbingers of the steel arriving, ...
