God Speed the Plough

God Speed the Plough

Author: Andrew McRae

Publisher: Cambridge University Press

Published: 2002-09-12

Total Pages: 356

ISBN-13: 9780521524667

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An interdisciplinary analysis of the history and literature of the land in early modern England.


Speed-the-plow

Speed-the-plow

Author: David Mamet

Publisher: Samuel French, Inc.

Published: 1989

Total Pages: 84

ISBN-13: 9780573690815

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Charlie Fox has a terrific vehicle for a hot male movie star, and he has brought it to his friend Bobby Gould, head of production for a major film company. Both see the script as a ticket to the really big table where the power is. The star wants to do it; all they have to do is pitch it to their boss in the morning. Meanwhile, Bobby bets Charlie that he can seduce the secretary temp. As a ruse, he has given her a novel "by some Eastern sissy writer" that he is supposed to read before saying "thanks but no thanks." She is determined that the novel, not the trite vehicle, should be the company's next project. When she does sleep with Bobby, he finds the experience is so transmogrifying that Charlie must plead with Bobby not to pitch the sissy film. - Publisher's note.


Gainsborough's Vision

Gainsborough's Vision

Author: Amal Asfour

Publisher: Liverpool University Press

Published: 1999-01-01

Total Pages: 360

ISBN-13: 9780853238744

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Thomas Gainsborough, one of the most popular British painters, has been celebrated as a landscapist, a portrait painter, and a man of feeling whose impetuous character is revealed in his art, life and letters. This book reveals that the style, themes and ideas of Gainsborough’s paintings constitute purposeful expressions of an intellectual and visual culture whose importance in the development of eighteenth-century British art has gone unrecognized. "Amal Asfour and Paul Williamson have set out to make us look more knowledgeably at the paintings of Gainsborough... their treatment is richly informative."—George Steiner, The Observer "Asfour and Williamson display a profound knowledge of 18th-century aesthetics... a highly stimulating book."—The British Art Journal


In Every Corner Sing

In Every Corner Sing

Author: Malcolm Guite

Publisher: Canterbury Press

Published: 2018-10-09

Total Pages: 155

ISBN-13: 1786220970

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Succeeding Ronald Blythe's Word From Wormingford, one of the most beloved columns in contemporary journalism, was always going to be a formidable challenge for any writer. Yet the new occupier of the back page slot of the Church Times, the priest-poet Malcolm Guite, immediately gained the affections and loyalty of a discerning audience accustomed to literary excellence. His lucid, perceptive and imaginative musings follow a similar pattern to the sonnets for which he is so renowned. In his own words, he treats these 500 word essays 'a little in the spirit of the sonnet, with a sense of development, of a 'turn' or volta part way through, and a sense that the end revisits and re-reads the opening'. These draw together everyday events and encounters, landscape, journeys, poetry, stories, memory and a sense of the sacred, and fuses them to create richly satisfying portraits of the familiar that at the same time opens a doorway in to a new and enchanted world.


Early modern women and the poem

Early modern women and the poem

Author: Susan Wiseman

Publisher: Manchester University Press

Published: 2016-05-16

Total Pages: 386

ISBN-13: 152611089X

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Viewing the poem as a social agent and product in women’s lives, the essays in this collection examine factors influencing the relationships between writers and readers of poetry in seventeenth-century England and Scotland. The archival and theoretical research on literary authorship, textual transmission and socio-literary networks invites a re-examination of the production and reception of poetry, and alters our understanding of the way poetry participated in social, literary and political life. The volume takes account of the expansion and changes to the canon of women’s poetry and emerging research on key aspects of literary production and reception. It builds on and responds to both recent critical emphasis on literary form and on archival scholarship in women’s writing, understanding the two emphases to be mutually informative. This book explores the way women understood the poem, examines how the poem was shared, circulated and rewritten, and traces its path through wider social relations. It will appeal to any scholar of literature and gender working in Renaissance and seventeenth century studies.