In this brief but comprehensive book, Father Ayo examines the riches in this prayer: the philological, historical, and theological origins and the profound spiritual implications of the Gloria Patri.
A comprehensive, quick reference for all Episcopalians, both lay and ordained. This thoroughly researched, highly readable resource contains more than 3,000 clearly entries about the history, structure, liturgy, and theology of the Episcopal Church—and the larger Christian church worldwide. The editors have also provided a helpful bibliography of key reference works and additional background materials. “This tool belongs on the shelf of just about anyone who cares for, works in or with, or even wonders about the Episcopal Church.”—The Episcopal New Yorker
A constructive study of Trinitarian theology that aims to clarify our knowledge of the triune God by rightly ordering the theological language we use to praise him. The Triune God reaches its conclusions about how this doctrine should be handled on the basis of the way the Trinity was revealed. As such, theologian Fred Sanders: Invites a doxological invitation to the reader to contemplate the mystery of the Trinity. Establishes the biblical exposition and draws the doctrinal implications from it. Offers dogmatic principles for Trinitarian exegesis. Though Sanders does interact with major voices from the history of doctrine—and his arguments are indebted to and informed by the great tradition of Trinitarianism—he is clear throughout that Trinitarianism is a gift of revelation before it is an achievement of the church. The most patristic way to proceed toward a well-ordered doctrine of the Trinity is, after all, to study Scripture. -ABOUT THE SERIES- New Studies in Dogmatics seeks to retrieve the riches of Christian doctrine for the sake of contemporary theological renewal. Following in the tradition of G. C. Berkouwer's Studies in Dogmatics, this series provides thoughtful, concise, and readable treatments of major theological topics, expressing the biblical, creedal, and confessional shape of Christian doctrine for a contemporary evangelical audience. The editors and contributors share a common conviction that the way forward in constructive systematic theology lies in building upon the foundations laid in the church's historic understanding of the Word of God as professed in its creeds, councils, and confessions, and by its most trusted teachers.
Representing nearly thirty years of research by one of the leading scholars in the field, this series of in-depth studies examines selected aspects of the music of the great Spanish composer in the late Renaissance, Tom Luis de Victoria. Presenting new insights into both the musical style and language and the compositional procedure of this contemporary of Palestrina, Lasso and Byrd, Eugene Cramer illuminates the extent to which Victoria's compositions are musically related. The book reveals that the falsobordone or fabord layed a much larger role in Victoria's music than has previously been thought. Cramer also demonstrates that Victoria's parody or imitation technique, especially in respect to his Masses of 1592, extended the parameters that are generally thought to be characteristic of works of this type. Of special interest is the discussion of thirty-eight works, including thirty-four psalm settings that are attributed to Victoria in extant manuscript sources. Extensively illustrated with over 130 musical examples, these studies will not only interest the serious student of sacred music, but also the performer, both the singer and the conductor alike.