Bombshell spies, slayers, witches and assassins: kick-ass female stars have taken over blockbuster movies like Charlie's Angels and Kill Bill as well as prime time TV hits such as Buffy the Vampire Slayer and Charmed. These characters kill as quickly as they break down in tears, and beat guys up as easily as they toss them into bed. With very few exceptions, they're young, white, beautiful, straight and skinny. How are young women to respond to these images of women who fight (or bite) back? As the product of corporate media, are these icons of 'female power' merely cons? This one-of-a-kind anthology of new fiction, essays, and comics recognises the seductiveness as well as the limitations of such contemporary pop culture heroines. Contributors -- including Nalo Hopkinson, Larissa Lai, Shary Boyle, Nikki Stafford, Mariko Tamaki, Sonja Ahlers and Sherwin Tjia -- critique constructs of female power and invent alternative role models.
A vampire, a werewolf, and a demon all walk into a bar... Sounds like the start of a bad joke. Want another? Alright, how's this? They bring with them a greater demon and the most powerful vampire in all of NYC. One wants my help, the other wants me dead. Hysterical. Too bad it's not a joke-just a typical Saturday night for me. I guess the upside is having sex with me hasn't sent any of these smexy troublemakers to the hospital... yet... Frackin' fudge fluffers... Contains mm interactions, bi & pansexual characters, lots of humor and sexy scenes.
A female vampire is the ultimate bad girl. The very word 'vampire' invokes images of dark, shadowy liaisons, forbidden desires and sensual blood lust. Whether depicting a traditional blood-drinker seducing a meal, a psychic vampire stealing life-force from an unknowing host, or a real-life sanguinarian seeking a partner to share a ritual bloodletting, the stories in Girls Who Bite are varied and unexpected.
The first Chicagoland Vampires novel from New York Times bestselling author Chloe Neill. Sure, the life of a graduate student wasn't exactly glamorous, but it was Merit's. She was doing fine until a rogue vampire attacked her. But he only got a sip before he was scared away by another bloodsucker and this one decided the best way to save her life was to make her the walking undead. Turns out her savior was the master vampire of Cadogan House. Now she’s traded sweating over her thesis for learning to fit in at a Hyde Park mansion full of vamps loyal to Ethan Lord o the Manor Sullivan. Of course, as a tall, green-eyed, four-hundred-year-old vampire, he has centuries’ worth of charm, but unfortunately he expects her gratitude—and servitude. But an inconvenient sunlight allergy and Ethan’s attitude are the least of Merit's concerns. Someone's still out to get her. Her initiation into Chicago's nightlife may be the first skirmish in a war...and there will be blood.
Throughout history, plucky, indomitable, daring, fearless women and girls have done what they felt they had to and, intentionally or otherwise, upended the social order and common values. This collection remembers ladies who punched their way through life in the past, whilst also recognising today's amazing rebels.
The ubiquitous presence of food and hunger in Caribbean writing—from folktales, fiction, and poetry to political and historical treatises—signals the traumas that have marked the Caribbean from the Middle Passage to the present day. The Tropics Bite Back traces the evolution of the Caribbean response to the colonial gaze (or rather the colonial mouth) from the late nineteenth century to the twenty-first. Unlike previous scholars, Valérie Loichot does not read food simply as a cultural trope. Instead, she is interested in literary cannibalism, which she interprets in parallel with theories of relation and creolization. For Loichot, “the culinary” is an abstract mode of resistance and cultural production. The Francophone and Anglophone authors whose works she interrogates—including Patrick Chamoiseau, Suzanne Césaire, Aimé Césaire, Maryse Condé, Edwidge Danticat, Édouard Glissant, Lafcadio Hearn, and Dany Laferrière—“bite back” at the controlling images of the cannibal, the starved and starving, the cunning cook, and the sexualized octoroon with the ultimate goal of constructing humanity through structural, literal, or allegorical acts of ingesting, cooking, and eating. The Tropics Bite Back employs cross-disciplinary methods to rethink notions of race and literary influence by providing a fresh perspective on forms of consumption both metaphorical and material.
Cut meets Hatchet in this lacerating debut about girls, knives, and redemption. The Frank Church River of No Return Wilderness Area stretches across two million acres in northern Idaho. In its heart sits the Alice Marshall School, where fifty teenage girls come to escape their histories and themselves. Lida Wallace has tried to negate herself in every way possible. At Alice Marshall, she meets Elsa Boone, a fierce native Idahoan; Jules, who seems too healthy to belong at the school; and Gia Longchamps, whose glamour entrances the entire camp. As the girls prepare for a wilderness trek, Lida is both thrilled and terrified to be chosen as Gia's friend. But everyone has their secrets--their "Things" they try to protect; and when those come out, the knives do as well. The Girls of No Return is a bold and powerful debut.
When graduate student Merit is saved from a vampire attack by being turned into a vampire herself, she struggles to figure out her place amongst her new vampire friends while being targeted by an unknown entity.
For fans of Stephen King, American Horror Story and The Walking Dead comes a powerhouse anthology featuring some of the best thriller and horror writers in YA A host of the sharpest young adult authors come together in this collection of terrifying tales and psychological thrillers. Each author draws from a mix of literature, film, television, and music to create something new and fresh and unsettling. Clever readers will love teasing out the references and can satisfy their curiosity at the end of each tale, where the inspiration is revealed. There are no superficial scares here; these are stories that will make you think even as they keep you on the edge of your seat. From blood horror, to the supernatural, to unsettling, all-too-possible realism, this collection has something for anyone looking for an absolute thrill. Stefan Bachmann Leigh Bardugo Kendare Blake A. G. Howard Jay Kristoff Marie Lu Jonathan Maberry Danielle Paige Carrie Ryan Megan Shepherd Nova Ren Suma McCormick Templeman April Genevieve Tucholke Cat Winters
One of the New York Post's Top 10 Career Books of 2012 and a Booklist Top 10 Business Book DO YOU WORK WITH A MEAN GIRL? A woman’s field guide to the new frontier of professional development—working with other women Women-to-women relationships in the workplace are . . . complicated. When they’re good, they’re great. But when they’re bad, they can ruin your day, your week—even your year. Packed with proven advice from two of today’s leading experts in workplace relationships, this one-of-a-kind guide gives women the tools they need to navigate difficult situations unique to women-to-women relationships—whether with a boss, a colleague, a client, or an employee. Have you dealt with a woman in the workplace who: “Accidentally” excludes you from important meetings? Seems intent on taking you down professionally? Gossips about you with other coworkers? Makes you look bad by missing deadlines? Forms a “pack” of mean girls to make your life miserable? Mean Girls at Work isn’t just about surviving difficult situations. It’s about transforming a toxic relationship into one that benefits and supports both of you. This book is also for women who engage in mean behavior . . . but don’t know it. After all, who hasn’t gossiped about a female coworker? Who hasn’t rolled her eyes in the presence of a woman she doesn’t like? Who hasn’t scanned another woman head to toe—which is just a nonverbal way of saying, “You’ve just been judged”? The authors provide invaluable advice to the more subtle ways of being mean—even if they’re not intended. With a workforce composed of a higher percentage of women than ever, workplace dynamics have changed. Crowley and Elster cover every conceivable scenario, providing critical advice on how to rise above the fray and move forward professionally. Mean Girls at Work is your map to dodging the mines and moving forward in today’s transformed workplace. Praise for Mean Girls at Work “An invaluable suit of armor for surviving nine to five!” —Leil Lowndes, bestselling author of How to Talk to Anyone “If you think the emotional cruelty of comedies like Mean Girls and Heathers doesn’t exist in the real world workplace, think again. In Mean Girls at Work, Katherine Crowley and Kathi Elster valuably chronicle female vs. female predators and offer solid defensive strategies.” —Ann Kreamer, author of It’s Always Personal: Navigating Emotion in the New Workplace “Whether you are in your twenties and just starting your professional career, your midcareer forties, when you are supposed to have figured it out already, or a woman in her fifties or sixties who’s seen it all—this book is a must-read. . . . The authors have finally given women the tools and the sound advice necessary to deal with . . . conflicts that keep us all from succeeding. . . . Carry this book with you to work every day!” —Carolyn Cassin, President, Michigan Women’s Foundation “A must-read for women of all ages in today’s workforce. This book offers what we all need to develop the capacities to endure this ever-changing workplace. We know it is all about relationships and you need the skills outlined in this book to survive and thrive when the Mean Girls attack.” —Kim Harrington, Coordinator, Professional Development and Training, Office of Human Resources, California State University, Sacramento
