The Girl from Avignon is a compelling story of a dystopian world where some of the most tragically flawed characters you will ever meet become engaged in a fight for love, power, and equality. This novel is an important work that raises serious questions about the ethics of modern science and the irrepressible power of human desire.
A Jewish family and other fascinating characters deal with prejudice and the Black Death in 14th-century Avignon'--until then the most prosperous and vibrant city in medieval France
One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.
From the olive trees of southern France to Gnostic cults in Egypt, a man and his lovers are invented and reinvented in this first volume of a great literary adventure. For British doctor Bruce Drexel, a return to Provence is bittersweet. Here, at a rustic chateau, he once fell in love with Sylvie, the Frenchwoman who would become his wife, and befriended her brother, Piers. The three made up a peculiar, potent ménage for years until Sylvie’s descent into madness and Piers’s suicide. As Drexel attends to Piers’s affairs, he becomes steeped in the memories of a spiritually transformational trip to Egypt; the band of intellectual confederates who used to be his intimate friends; and a three-sided love that became his reason for being. So begins Monsieur, the masterful first entry of Durrell’s Avignon Quintet, an infinite regress of memory and imagination that challenges the formal conventions of fiction.
Richly engaging historical adventure in the vein of The Winter Palace and The Malice of Fortune. Muse is the story of the charismatic woman who was the inspiration behind Petrarch's sublime love poetry. Solange Le Blanc begins life in the tempestuous streets of 14th century Avignon, a city of men dominated by the Pope and his palace. When her mother, a harlot, dies in childbirth, Solange is raised by Benedictines who believe she has the gift of clairvoyance. Trained as a scribe, but troubled by disturbing visions and tempted by a more carnal life, she escapes to Avignon, where she becomes entangled in a love triangle with the poet Petrarch, becoming not only his muse but also his lover. Later, when her gift for prophecy catches the Pope's ear, Solange becomes Pope Clement VI's mistress and confidante in the most celebrated court in Europe. When the plague kills a third of Avignon's population, Solange is accused of sorcery and is forced once again to reinvent herself and fight against a final, mortal conspiracy. Muse is a sweeping historical epic that magically evokes the Renaissance, capturing a time and place caught between the shadows of the past and the promise of a new cultural awakening.
'FANS OF ... JACQUELINE HARVEY WILL LOVE THIS BOOK' -- Kids' Book Review on The Girl, the Dog and the Writer in Rome When Freja and Tobias arrive in Claviers, Provence, it feels like home. The hilltop village is surrounded by olive groves, lavender fields and drifts of red poppies. The market square hides a world-famous pâtisserie and an antique merry-go-round. Pippin, their precocious young neighbour, and Vivi, the beautiful chef, fill their lives with chatter and laughter and love. For a moment, the girl, the dog and the writer are happy. But a spate of criminal activity casts a cloud over the village. Freja is determined to solve the mystery and uncover the villain, but the closer she gets, the more impossible things seem to become ... Award-winning Australian author Katrina Nannestad is back with the much-anticipated sequel to the bestselling novel The Girl, the Dog and the Writer in Rome. PRAISE FOR THE GIRL, THE DOG AND THE WRITER SERIES 'sure to be treasured' -- Children's Book Council of Australia's Reading Time 'Fans of the Clementine Rose and Alice-Miranda series by Jacqueline Harvey will love this book' -- Kids' Book Review 'Children from eight up will really warm to this funny, sad, happy book, and many adults will be charmed too' -- The Book Bubble 'The mini world that author Katrina Nannestad has created is every child's dream. 8+ readers will love this book' -- Better Reading 2018 Australian Book Industry Awards -- Longlisted 2018 CBCA Book of the Year Awards -- Notable
"Picasso and Truth" offers a breathtaking and original new look at the most significant artist of the modern era. From Pablo Picasso's early "The Blue Room" to the later "Guernica", eminent art historian T. J. Clark offers a striking reassessment of the artist's paintings from the 1920s and 1930s. Why was the space of a room so basic to Picasso's worldview? And what happened to his art when he began to feel that room-space become too confined--too little exposed to the catastrophes of the twentieth century? Clark explores the role of space and the interior, and the battle between intimacy and monstrosity, in Picasso's art. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, this lavishly illustrated volume remedies the biographical and idolatrous tendencies of most studies on Picasso, reasserting the structure and substance of the artist's work. With compelling insight, Clark focuses on three central works--the large-scale "Guitar and Mandolin on a Table" (1924), "The Three Dancers" (1925), and "The Painter and His Model" (1927)--and explores Picasso's answer to Nietzsche's belief that the age-old commitment to truth was imploding in modern European culture. Masterful in its historical contextualization, "Picasso and Truth" rescues Picasso from the celebrity culture that trivializes his accomplishments and returns us to the tragic vision of his art--humane and appalling, naive and difficult, in mourning for a lost nineteenth century, yet utterly exposed to the hell of Europe between the wars.
In the Vampire Stratocracy of Cain, human blood is scarce. For centuries, councils have enslaved and bred humans, turning them into profitable supply units. Wavorly is bound to serve her blood willingly to her master for the rest of her life, but as one of only a few humans not bred in Cain, she knows freedom and is determined to escape.