This is the first full scholarly study since 1902 of the Gilbertine order and its founder, St. Gilbert of Sempringham. The Gilbertines were the only native English monastic order, and highly unusual in their provision for both nuns and canons. Brian Golding provides a detailed and comprehensive account of the history of the order from its mid-twelfth-century origins up to the early fourteenth century. He examines the life of St. Gilbert and sets it within the context of twelfth-century monastic reform. His detailed analysis of the economy of the Gilbertines reveals much about monastic revenue and organization, and about relations with the lay community. Golding shows that by 1300 the Gilbertine experiment was largely dead. The founding ideals of a structure in which men and women could live in harmony and order had given way to male domination and the marginalization of the nuns.
This book explores the origins of the role of the Master or head of the order of Sempringham, the only monastic order to be founded in medieval England, from the foundation of the order to the final drafting of its legislation in the 1230s. The book demonstrates that many previous assumptions about the early development of this important role are flawed, most notably the standard portrait of Gilbert of Sempringham, founder of the order, as a stereotypical charismatic leader, big on ideas but short on the capacity to provide his followers with effective leadership. (Series: Vita regularis - Ordnungen und Deutungen religiosen Lebens im Mittelalter. Abhandlungen - Vol. 46)
In this engaging work, Bruce L. Venarde uncovers a largely unknown story of women's religious lives and puts female monasticism back in the mainstream of medieval ecclesiastical history. To chart the expansion of nunneries in France and England during the central Middle Ages, he presents statistics and narratives to describe growth in broad historical contexts, with special attention to social and economic change. Venarde explains that in the years 1000–1300 the number of nunneries within Europe grew tenfold. In the eleventh and twelfth centuries, religious institutions for women developed in a variety of ways, mostly outside the self-conscious reform movements that have been the traditional focus of monastic history. Not reforming monks but wandering preachers, bishops, and the women and men of local petty aristocracies made possible the foundation of new nunneries. In times of increased agrarian wealth, decentralization of power, and a shortage of potential spouses, many women decided to become nuns and proved especially adept at combining spiritual search with practical acumen. This era of expansion came to an end in the thirteenth century when forces of regulation and new economic realities reduced radically the number of new nunneries. Venarde argues that the factors encouraging and inhibiting monastic foundations for men and women were much more similar than scholars have previously assumed.
The Oxford History of Life-Writing: Volume 1: The Middle Ages explores the richness and variety of life-writing from late Antiquity to the threshold of the Renaissance. During the Middle Ages, writers from Bede to Chaucer were thinking about life and experimenting with ways to translate lives, their own and others', into literature. Their subjects included career religious, saints, celebrities, visionaries, pilgrims, princes, philosophers, poets, and even a few 'ordinary people.' They relay life stories not only in chronological narratives, but also in debates, dialogues, visions, and letters. Many medieval biographers relied on the reader's trust in their authority, but some espoused standards of evidence that seem distinctly modern, drawing on reliable written sources, interviewing eyewitnesses, and cross-checking their facts wherever possible. Others still professed allegiance to evidence but nonetheless freely embellished and invented not only events and dialogue but the sources to support them. The first book devoted to life-writing in medieval England, The Oxford History of Life-Writing: Volume 1: The Middle Ages covers major life stories in Old and Middle English, Latin, and French, along with such Continental classics as the letters of Abelard and Heloise and the autobiographical Vision of Christine de Pizan. In addition to the life stories of historical figures, it treats accounts of fictional heroes, from Beowulf to King Arthur to Queen Katherine of Alexandria, which show medieval authors experimenting with, adapting, and expanding the conventions of life writing. Though Medieval life writings can be challenging to read, we encounter in them the antecedents of many of our own diverse biographical forms-tabloid lives, literary lives, brief lives, revisionist lives; lives of political figures, memoirs, fictional lives, and psychologically-oriented accounts that register the inner lives of their subjects.
This book celebrates the work and contribution of Professor Janet Burton to medieval monastic studies in Britain. Burton has fundamentally changed approaches to the study of religious foundations in regional contexts (Yorkshire and Wales), placing importance on social networks for monastic structures and female Cistercian communities in medieval Britain; moreover, she has pioneered research on the canons and their place in medieval English and Welsh societies. This Festschrift comprises contributions by her colleagues, former students and friends – leading scholars in the field – who engage with and develop themes that are integral to Burton’s work. The rich and diverse collection in the present volume represents original work on religious life in the British Isles from the twelfth to the sixteenth century as homage to the transformative contribution that
Llywelyn ap Gruffudd: Prince of Wales is an outstanding work by an author with a perceptive understanding of the complexities of his subject. It is clearly, sometimes passionately, written and is destined to be the definitive work on this matter for many generations. This is the first full-length English-language study of Llywelyn ap Gruffudd (c. 1225-1282), prince of Wales. In this scholarly and lucid book J. Beverley Smith offers an in-depth assessment not only of Llywelyn, but of the age in which he lived. The author takes thirteenth-century Wales as a backdrop against which he analyses the relationship between a sense of nationhood and the practical realities of creating a structure to embrace a unified principality of Wales held under the aegis of the English Crown. This examination of the triumphs and subsequent reverses of a ruler of exceptional vision and vigour is a substantial contribution to our understanding of the nature of Welsh politics and the complexities of Anglo-Welsh relations.
Challenging the view that England's monasteries and mendicant convents fell into a headlong decline long before Henry VIII set about destroying them at the Dissolution, these essays offer a reassessment of the religious orders on the eve of the Reformation.
Print Culture and the Medieval Author is a book about books. Examining hundreds of early printed books and their late medieval analogues, Alexandra Gillespie writes a bibliographical history of the poet Geoffrey Chaucer and his follower John Lydgate in the century after the arrival of printing in England. Her study is an important new contribution to the emerging 'sociology of the text' in English literary and historical studies. At the centre of this study is a familiar question: what is an author? The idea of the vernacular writer was already contested and unstable in medieval England; Gillespie demonstrates that in the late Middle Ages it was also a way for book producers and readers to mediate the risks - commercial, political, religious, and imaginative - involved in the publication of literary texts. Gillespie's discussion focuses on the changes associated with the shift to print, scribal precedents for these changes, and contemporary understanding of them. The treatment of texts associated with Chaucer and Lydgate is an index to the sometimes flexible, sometimes resistant responses of book printers, copyists, decorators, distributors, patrons, censors, owners, and readers to a gradual but profoundly influential bibliographical transition. The research is conducted across somewhat intractable boundaries. Gillespie writes about medieval and modern history; about manuscript and print; about canonical and marginal authors; about literary works and books as objects. In the process, she finds new meanings for some medieval vernacular texts and a new place for some old books in a history of English culture.
This is the first detailed comparative study of patronage as an instrument of power in the relations between kings and bishops in England and Normandy after the Conquest. Esteemed medievalist Everett U. Crosby considers new perspectives of medieval state-building and the vexed relations between secular and ecclesiastical authority.
