Gil Scott-Heron: Pieces of a Man
Gil Scott-Heron: Pieces of a Man

Author: Marcus Baram

Publisher: St. Martin's Press

Published: 2014-11-11

Total Pages: 318

ISBN-13: 1250012791

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Best known for his 1970 polemic "The Revolution Will Not Be Televised," Gil Scott-Heron was a musical icon who defied characterization. He tantalized audiences with his charismatic stage presence, and his biting, observant lyrics in such singles as "The Bottle" and "Johannesburg" provide a time capsule for a decade marked by turbulence, uncertainty, and racism. While he was exalted by his devoted fans as the "black Bob Dylan" (a term he hated) and widely sampled by the likes of Kanye West, Prince, Common, and Elvis Costello, he never really achieved mainstream success. Yet he maintained a cult following throughout his life, even as he grappled with the personal demons that fueled so many of his lyrics. Scott-Heron performed and occasionally recorded well into his later years, until eventually succumbing to his life-long struggle with addiction. He passed away in 2011, the end to what had become a hermit-like existence. In this biography, Marcus Baram--an acquaintance of Gil Scott-Heron's--will trace the volatile journey of a troubled musical genius. Baram will chart Scott-Heron's musical odyssey, from Chicago to Tennessee to New York: a drug addict's twisted path to redemption and enduring fame. In Gil Scott-Heron: Pieces of a Man, Marcus Baram puts the complicated icon into full focus.

The Last Holiday
The Last Holiday

Author: Gil Scott-Heron

Publisher: Open Road + Grove/Atlantic

Published: 2012-01-03

Total Pages: 275

ISBN-13: 0802194435

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“Engrossing and even at times uplifting, Scott-Heron’s self-portrait grants us insights into one of the most influential African American musicians of his generation.” —Booklist The stunning memoir of Grammy Lifetime Achievement Award winner Gil Scott-Heron, The Last Holiday has been praised for bringing back to life one of the most important voices of the last fifty years. The Last Holiday provides a remarkable glimpse into Scott-Heron’s life and times, from his humble beginnings to becoming one of the most influential artists of his generation. The memoir climaxes with a historic concert tour in which Scott-Heron’s band opened for Stevie Wonder. The Hotter than July tour traveled cross-country from late 1980 through early 1981, drumming up popular support for the creation of Martin Luther King Jr. Day. King’s birthday, January 15, was marked with a massive rally in Washington. A fitting testament to the achievements of an extraordinary man, The Last Holiday provides a moving portrait of Scott-Heron’s relationship with his mother, personal recollections of Stevie Wonder, Bob Marley, John Lennon, Michael Jackson, Clive Davis, and other musical figures, and a compelling narrative vehicle for Scott-Heron’s insights into the music industry, the civil rights movement, governmental hypocrisy, and our wider place in the world. The Last Holiday confirms Scott-Heron as a fearless truth-teller, a powerful artist, and an inspiring observer of his times. “Leave it to Scott-Heron to save some of his best for last. This posthumously published memoir is an elegiac culmination to his musical and literary career. He’s a real writer, a word man, and it is as wriggling and vital in its way as Bob Dylan’s Chronicles: Volume One.” —The New York Times “Even after his death, Scott-Heron continues to mesmerize us in this brilliant and lyrical romp through the fields of his life. . . . [A] captivating memoir.” —Publishers Weekly, starred review

Now and Then--
Now and Then--

Author: Gil Scott-Heron

Publisher: Canongate Books

Published: 2000

Total Pages: 145

ISBN-13: 086241900X

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Chance - taker Emotion voyager Street - strutter Contemporary Spirit Untamed Proud Poet Rough Healer He Is His Miss Gwendolyn Brooks.

The Nigger Factory
The Nigger Factory

Author: Gil Scott-Heron

Publisher: Open Road + Grove/Atlantic

Published: 2012-12-04

Total Pages: 192

ISBN-13: 0802193919

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The scathing second novel by the legendary poet, musician and Godfather of Rap is a work of “biting social satire” (Daily Express). Originally published in 1972, Gil Scott-Heron’s striking novel The Nigger Factory is a powerful parable of the way in which human beings are conditioned to think, drawing inspiration from Scott-Heron’s own experiences as a student in the late 1960’s and early 70’s. Earl Thomas, student body president at Sutton University, is in a difficult position: struggling with the fact that even a historically black college could be part of a system that still privileges whites, he’s also threatened by his fellow students, members of radical activist group MJUMBE. Claiming the time has come for revolution, not reform, the leaders of MJUMBE are poised not only to bring Earl down personally, but also to instigate larger scale acts of violence. An electrifying novel, The Nigger Factory is a penetrating examination of the different forms of resistance and the motivations behind them, and a major document of an era of black thought.

The Borrowed
The Borrowed

Author: Chan Ho-Kei

Publisher: Open Road + Grove/Atlantic

Published: 2017-01-03

Total Pages: 490

ISBN-13: 0802189822

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A legendary detective uncovers Hong Kong’s darkest crimes: “An ambitious narrative brilliantly executed . . . What an achievement!” (John Burdett, author of Bangkok 8). From award-winning author Chan Ho-kei, The Borrowed tells the story of Kwan Chun-dok, a detective who’s worked in Hong Kong fifty years. Across six decades of Hong Kong’s volatile history, the narrative follows Kwan through the Leftist Riot of 1967, when a bombing plot threatens many lives; the conflict between the HK Police and ICAC (Independent Commission Against Corruption) in 1977; the Tiananmen Square Massacre in 1989; the Handover in 1997; and the present day of 2013, when Kwan is called on to solve his final case, the murder of a local billionaire, in a modern Hong Kong that increasingly resembles a police state. Along the way we meet Communist rioters, ultra-violent gangsters, pop singers enmeshed in the high-stakes machinery of star-making, and a people always caught in the shifting balance of political power, whether in London or Beijing. Tracing a broad historical arc, The Borrowed reveals just how closely everything is connected, how history repeats itself, and how we have come full circle to repeat the political upheaval and societal unrest of the past. It is a gripping, brilliantly constructed novel from a talented new voice.

The Vulture
The Vulture

Author: Gil Scott-Heron

Publisher: Canongate Books

Published: 2010-02-04

Total Pages: 252

ISBN-13: 184767898X

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First published in 1970 and digging the rhythms of the street, where the biggest deal life has to offer is getting high, THE VULTURE is a hip and fast-moving thriller. It relates the strange story of the murder of a teenage boy called John Lee - telling it in the words of four men who knew him when he was just another kid working after school, hanging out, waiting for something to happen. Just who did kill John Lee and why?

So Far, So Good
So Far, So Good

Author: Gil Scott-Heron

Publisher:

Published: 1990

Total Pages: 104

ISBN-13:

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These works are very political in nature and comment on the current matters of interest during the period of the 1970s and 1980s.

Watching the World Change
Watching the World Change

Author: David Friend

Publisher: Macmillan

Published: 2011-08-02

Total Pages: 494

ISBN-13: 0312591489

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Relates the stories behind the photographs of 9/11, discusses the controversy over whether the images are exploitative or redemptive, and shows how photographs help us witness, grieve, and understand the unimaginable.

Collaborative Spirit-Writing and Performance in Everyday Black Lives
Collaborative Spirit-Writing and Performance in Everyday Black Lives

Author: Bryant Keith Alexander

Publisher: Routledge

Published: 2021-11-11

Total Pages: 203

ISBN-13: 100047870X

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Collaborative Spirit-Writing and Performance in Everyday Black Lives is about the interconnectedness between collaboration, spirit, and writing. It is also about a dialogic engagement that draws upon shared lived experiences, hopes, and fears of two Black persons: male/female, straight/gay. This book is structured around a series of textual performances, poems, plays, dialogues, calls and responses, and mediations that serve as claim, ground, warrant, qualifier, rebuttal, and backing in an argument about collaborative spirit-writing for social justice. Each entry provides evidence of encounters of possibility, collated between the authors, for ourselves, for readers, and society from a standpoint of individual and collective struggle. The entries in this Black performance diary are at times independent and interdependent, interspliced and interrogative, interanimating and interstitial. They build arguments about collaboration but always emanate from a place of discontent in a caste system, designed through slavery and maintained until today, that positions Black people in relation to white superiority, terror, and perpetual struggle. With particular emphasis on the confluence of Race, Racism, Antiracism, Black Lives Matter, the Trump administration, and the Coronavirus pandemic, this book will appeal to students and scholars in Race studies, performance studies, and those who practice qualitative methods as a new way of seeking Black social justice.