For the fourth year, generous authors have graciously contributed their time, efforts and creativity to raise money for a very worthy effort-making children happy. This year, nineteen talented authors and one very talented editor have put their skills together and produced a very remarkable book. Wolfmont's 2008 anthology for Toys for Tots was an Independent Mystery Booksellers Association Top Ten Bestseller for 2008, and the only small press title in the list. Praise for past Toys for Tots anthologies: "You'll find yourself surrounded this Christmas by thieves, thugs, murderers, and adulterers - and loving every minute of it!" -- P.M. Terrell, acclaimed author of RICOCHET, KICKBACK, and THE CHINA CONSPIRACY "(A) delightful collection for all types of mystery fans." -- Mary Saums, author of the Thistle and Twigg mystery series "Each story is a tantalizing present waiting to be unwrapped." -- Peggy Ehrhart, author of SWEET MAN IS GONE
Art imitates life. Or does it? One sleepy Sunday morning in Buenos Aires, the protagonist of Martinez's brilliant new mystery finds himself unexpectedly tangled up in the story of Luciana, a former authors' assistant whom he has not seen for at least ten years, and Kloster, a rival writer - only far more successful; bestselling, in fact. What he discovers will make him question everything he had always believed - taken for granted - about chance and calculation, cause and effect. Luciana is desperate. In the decade since she last had anything to do with either of the writers, nearly all her close family have died, in highly unusual circumstances. And Luciana or her sister could be next. Luciana's convinced that her one-time employer Kloster is behind the deaths, punishing her for her part in the break-up of his marriage in a murderous frenzy of revenge worthy of one of his own prodigiously successful crime novels. But which comes first, murder or novel? Clever and gripping, THE BOOK OF MURDER is a chilling crime story in which the line between fact and fiction suddenly seems blurred.
Relieved to hear of the death of best-selling author Cameron Harris, and with him the death of his poison pen, the members of the Tower Writer's Collective soon become suspects in his murder.
The instant #1 New York Times and USA Today best seller by Karen Kilgariff and Georgia Hardstark, the voices behind the hit podcast My Favorite Murder! Sharing never-before-heard stories ranging from their struggles with depression, eating disorders, and addiction, Karen and Georgia irreverently recount their biggest mistakes and deepest fears, reflecting on the formative life events that shaped them into two of the most followed voices in the nation. In Stay Sexy & Don’t Get Murdered, Karen and Georgia focus on the importance of self-advocating and valuing personal safety over being ‘nice’ or ‘helpful.’ They delve into their own pasts, true crime stories, and beyond to discuss meaningful cultural and societal issues with fierce empathy and unapologetic frankness. “In many respects, Stay Sexy & Don’t Get Murdered distills the My Favorite Murder podcast into its most essential elements: Georgia and Karen. They lay themselves bare on the page, in all of their neuroses, triumphs, failures, and struggles. From eating disorders to substance abuse and kleptomania to the wonders of therapy, Kilgariff and Hardstark recount their lives with honesty, humor, and compassion, offering their best unqualified life-advice along the way.” —Entertainment Weekly “Like the podcast, the book offers funny, feminist advice for survival—both in the sense of not getting killed and just, like, getting a job and working through your personal shit so you can pay your bills and have friends.” —Rolling Stone At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A former FBI agent gets entangled in a financial mogul’s murder in this “superior” whodunit series (Publishers Weekly). Once one of Wall Street’s most powerful forces, Donald McAdam’s life changed when he found himself in a tight spot with the SEC. Either give up everything, they told him, or inform on your friends. Never one for loyalty, McAdam chose the wire, and sent half the stockbrokers in New York to prison. Now he’s filthy rich, isolated, and so paranoid that he buys his cocaine laced with strychnine, in hopes of building up a tolerance for the poison. His caution doesn’t help him, however, when he tumbles off his high-rise balcony and falls headfirst back down to Wall Street. Soon afterward, one of the men McAdam put away invites ex–FBI investigator Gregor Demarkian on a very peculiar cruise—onboard a cramped precise replica of the Mayflower. But when the behavior of the passengers proves rather un-Puritan, Demarkian discovers something that would have shocked Columbus: a New World murder.
Once more we meet the inimitable Inspector Albert V. Tretheway and his colleague, Constable Jonathan (Jake) Small, in the Canadian city of Fort York in 1939. Pranks begin when Tretheway's beloved bowler hat disappears. Three weeks later Tretheway and Jake investigate a nervous neighbor's report about an anonymous phone tip that her long-dead husband is in her garage. They find instead a live horse wearing Tretheway's missing bowler. The pranks escalate, and only Tretheway connects them and surmises they are movie-inspired. The guessing game begins. Which movie is next? When the fourth prank involves a pre-dug grave, the Hindu Goddess Kali and the murder of a popular Bugle-Major, Tretheway spearheads a chase, cerebral and physical, through more movie murder adventures to a fiery spectacular finale.
FRAMED? Jessica’s art-viewing Italian vacation is interrupted by a pair of gunmen who steal a painting and kill a retired police officer in the process. Agreeing to help identify the crooks should they be caught, Jessica returns to Cabot Cove and puts the shocking experience behind her. Months later, Wayne Simsbury, the stepson of an old friend, comes to her for help. Wayne’s father has been shot to death. Not only has Wayne’s stepmother, Marlise, been charged with the murder, but Wayne himself claims to have witnessed the crime. Unsure what to do, he has sought out Jessica—the one person his stepmother had always claimed could help with any problem. Now, on top of a seemingly open-and-shut murder case to crack in Chicago, Jessica finds herself back in Italy helping the police make their case against the art thieves—and she faces a looming danger that may connect the Italian killers to the fate of her old friend....
Discover the science of forensics through Agatha Christie's novels in the ultimate true crime investigation Agatha Christie is the bestselling novelist of all time, and nearly every story she ever wrote involves one—or, more commonly, several—dead bodies. And the cause of death, the motives behind violent crimes, the clues that inevitably are left behind, and the people who put the pieces together to solve the mystery invite the reader to analyze the evidence and race to find the answer before the detective does. Nearly every step of the way, Christie outlines the nuts and bolts of early 20th-century crime detection, relying on physical evidence to tell the real story behind the facades humans erect to escape detection. Christie wouldn't have talked of "forensics" as it is understood today—most of her work predates the modern developments of forensics science—but in each tale she harnesses the power of human observation, ingenuity, and scientific developments of the era. A fascinating, science-based deep dive, The Science of Murder examines the use of fingerprints, firearms, handwriting, blood spatter analysis, toxicology, and more in Christie's beloved works. What readers are saying: "Highly entertaining with many fascinating snippets of insider information about real life criminal cases. This is a must for Christie fans." "Thoroughly researched and a delight to read!" "A wealth of information and knowledge to help give an insight to the golden age of crime fiction." "Absolutely brilliant book that looks at how Agatha Christie made use of developments in forensic science in her novels and upgraded her understanding over time." "Agatha Christie is one of my favorite authors, unparalleled in her clever plots and twisting tales. She was also a forensic expert, weaving into her novels human observation, ingenuity and genuine science of the era. This book illuminates all of Agatha's incredible knowledge, showing how she stayed at the cutting edge of forensic knowledge, as seen through her much loved characters."
THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES—COMING SOON TO NETFLIX! • This is the story about an investigation turned obsession, full of twists and turns and with an ending you'll never expect. Everyone in Fairview knows the story. Pretty and popular high school senior Andie Bell was murdered by her boyfriend, Sal Singh, who then killed himself. It was all anyone could talk about. And five years later, Pip sees how the tragedy still haunts her town. But she can't shake the feeling that there was more to what happened that day. She knew Sal when she was a child, and he was always so kind to her. How could he possibly have been a killer? Now a senior herself, Pip decides to reexamine the closed case for her final project, at first just to cast doubt on the original investigation. But soon she discovers a trail of dark secrets that might actually prove Sal innocent . . . and the line between past and present begins to blur. Someone in Fairview doesn't want Pip digging around for answers, and now her own life might be in danger. And don't miss the sequel, Good Girl, Bad Blood! "The perfect nail-biting mystery." —Natasha Preston, #1 New York Times bestselling author
This book is the first full-length study to focus on the various film adaptations of Patricia Highsmith’s novels, which have been a popular source for adaptation since Alfred Hitchcock’s Strangers on a Train (1952). The collection of essays examines films such as The Talented Mr. Ripley, The Two Faces of January, and Carol, includes interviews with Highsmith adaptors and provides a comprehensive filmography of all existing Highsmith adaptations. Particular attention is paid to queer subtexts, mythological underpinnings, philosophical questioning, contrasting media environments and formal conventions in diverse generic contexts. Produced over the space of seventy years, these adaptations reflect broad cultural and material shifts in film production and critical approaches to film studies. The book is thus not only of interest to Highsmith admirers but to anyone interested in adaptation and transatlantic film history.
