How Little Jacket would go to sea -- His good and his bad luck at sea -- How he fared on shore -- How Huggermugger came along -- What happened to Little Jacket in the Giant's boot -- How Little Jacket escabed from Kobboltozo's shop -- How he made use of Huggermugger in travelling -- How Little Jacket and his friends left the Giant's island -- Mr. Nabbum -- Zebedee an Jacky put their heads together -- They sail for Huggermugger's island -- Huggermugger hall -- Kobboltozo astonishes Mr. Scrawler -- Mrs. Huggermugger grows thin and fades away -- The sorrows of Huggermugger -- Huggermugger leaves his island -- The last of Huggermugger.
An introduction to and advice on book collecting with a glossary of terms and tips on how to identify first editions and estimated values for over 20,000 collectible books published in English (including translations) over the last three centuries-about half are literary titles in the broadest sense (novels, poetry, plays, mysteries, science fiction, and children's books); and the other half are non-fiction (Americana, travel and exploration, finance, cookbooks, color plate, medicine, science, photography, Mormonism, sports, et al).
In his day, Christopher Pearse Cranch (1813-1892) was a well-known figure in American arts and letters, with close ties to the New England Transcendentalists. Though Cranch made his mark in fields ranging from poetry and journalism to caricature and oil painting, his most enduring achievements are his novels for children. Collected here for the first time in one volume, these three works - The Last of the Huggermuggers, Kobboltozo: A Sequel to the Last of the Huggermuggers, and The Legend of Dr. Theophilus; or, The Enchanted Clothes - establish Cranch as a pioneer in American fantasy fiction. Until now, these texts have been largely inaccessible. Huggermuggers (1866) and Kobboltozo (1867) went through several printings during the last half of the nineteenth century but have not been reissued since 1901. The manuscript of Cranch's third and last novel, The Legend of Dr. Theophilus, disappeared around 1870 and did not resurface until the 1980s. It has never before been published. As the editors explain in their introduction, Cranch was the first American author to write novel-length works solely for children, and to fuse elements of fantasy and adventure. In an era when most juvenile books emphasized moral rectitude and acquiescence to adult authority, Cranch put a higher premium on humor and the imaginative aspects of storytelling. Huggermuggers and Kobboltozo relate the still-entertaining escapades of a shipwrecked American boy, Jacky Cable, and the gentle giants and evil dwarfs who inhabit the unknown island on which he is marooned. In Dr. Theophilus Cranch takes children to a faraway place where the sun cannot penetrate the fog and where a suit of enchanted clothes can cause mayhem and grief. True to the novel's closing lines - "For the young, a magic story. For the old, an allegory" - Cranch also satirizes the medical profession and his society's stunting reverence for the past. The editors note superficial parallels between Cranch's novels and Robinson Crusoe, Gulliver's Travels, and the English "Jack Tales," but they believe that Cranch's stories actually belong more to the tradition of Hans Christian Andersen and the Brothers Grimm, earlier masters at combining elements of fantasy and adventure. They also detect in Cranch's heroes a thoroughly American self-reliance and resourcefulness. Written during an important transition in the history of American children's literature, these three novels are of special interest to scholars of American Romanticism. Perhaps most important of all they have not lost their attraction for young readers. The presence in this volume of eleven of Cranch's original illustrations for Huggermuggers and Kobboltozo only enhances the stories' imaginative appeal.
This Festschrift volume is published in Honor of Yaacov Choueka on the occasion of this 75th birthday. The present three-volumes liber amicorum, several years in gestation, honours this outstanding Israeli computer scientist and is dedicated to him and to his scientific endeavours. Yaacov's research has had a major impact not only within the walls of academia, but also in the daily life of lay users of such technology that originated from his research. An especially amazing aspect of the temporal span of his scholarly work is that half a century after his influential research from the early 1960s, a project in which he is currently involved is proving to be a sensation, as will become apparent from what follows. Yaacov Choueka began his research career in the theory of computer science, dealing with basic questions regarding the relation between mathematical logic and automata theory. From formal languages, Yaacov moved to natural languages. He was a founder of natural-language processing in Israel, developing numerous tools for Hebrew. He is best known for his primary role, together with Aviezri Fraenkel, in the development of the Responsa Project, one of the earliest fulltext retrieval systems in the world. More recently, he has headed the Friedberg Genizah Project, which is bringing the treasures of the Cairo Genizah into the Digital Age. This third part of the three-volume set covers a range of topics related to language, ranging from linguistics to applications of computation to language, using linguistic tools. The papers are grouped in topical sections on: natural language processing; representing the lexicon; and neologisation.
Contains biographical sketches of authors who wrote or began publishing their major works during the American Renaissance in New England (between 1830 and 1860). Wide scope of authors includes: novelists, poets, essayists, editors, humorists, translators, compilers, journalists, reformers, abolitionists, scientists, lexicographers; special attention is given to the Transcendental authors - headed by Emerson and Thoreau.
