Giacomo Torelli and Baroque Stage Design
Author: Per Bjurström
Publisher: Stockholm : Almqvist & Wiksell
Published: 1961
Total Pages: 284
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: Per Bjurström
Publisher: Stockholm : Almqvist & Wiksell
Published: 1961
Total Pages: 284
ISBN-13:
DOWNLOAD EBOOKAuthor: Per Bjurström
Publisher:
Published: 1961
Total Pages: 284
ISBN-13:
DOWNLOAD EBOOKAuthor: Mark A. Radice
Publisher: Hal Leonard Corporation
Published: 1998
Total Pages: 417
ISBN-13: 1574670328
DOWNLOAD EBOOKThese essays by respected scholars examine representative operatic productions from diverse national schools and periods, together forming a comprehensive history of the staging techniques of opera over the centuries.
Author: Susan Crabtree
Publisher: Taylor & Francis
Published: 2005
Total Pages: 466
ISBN-13: 0240804627
DOWNLOAD EBOOKWith plenty of hints and tips, 'Scenic Art for the Theatre' is an easily understood textbook for students and professionals alike who want to know more about set design and the history of scenic artistry.
Author: Deborah Payne Fisk
Publisher: Cambridge University Press
Published: 2000-05-11
Total Pages: 326
ISBN-13: 9780521588126
DOWNLOAD EBOOKFourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.
Author: Ellen Rosand
Publisher: Univ of California Press
Published: 2007-10-09
Total Pages: 712
ISBN-13: 0520254260
DOWNLOAD EBOOK"In this elegantly constructed study of the early decades of public opera, the conflicts and cooperation of poets, composers, managers, designers, and singers—producing the art form that was soon to sweep the world and that has been dominant ever since—are revealed in their first freshness."—Andrew Porter "This will be a standard work on the subject of the rise of Venetian opera for decades. Rosand has provided a decisive contribution to the reshaping of the entire subject. . . . She offers a profoundly new view of baroque opera based on a solid documentary and historical-critical foundation. The treatment of the artistic self-consciousness and professional activities of the librettists, impresarios, singers, and composers is exemplary, as is the examination of their reciprocal relations. This work will have a positive effect not only on studies of 17th-century, but on the history of opera in general."—Lorenzo Bianconi
Author: Wendy Hilton
Publisher: Pendragon Press
Published: 1997
Total Pages: 478
ISBN-13: 9780945193982
DOWNLOAD EBOOKThis collection of selected writings of Ms. Hilton includes a complete facsimile of her 1981 book Dance of Court & Theater (no longer available) as well as two significant articles, and a notated triple-meter danse � deux by LouisP�cour. Book One (the facsimile) provides in-depth analysis of primary sources on dance of the baroque period.The main body of the text is devoted to mastery of the Beauchamp-Feuillet notation system,which includes the relationships of steps to music in such dance types as the menuet,gavotte, bourr�e, sarabande, passacaille, loure, gigue, and entr�e grave. Instruction is also given on style, bows and courtesies, the use of the hat, and the ballroom menuet ordinaire as given by Pierre Rameau.Book Two adds theslow Seventeenth-Century French Courante; A survey of the 56 dances extant to music by J.B. Lully with their airs and some of the more virtuosic, theatrical step-units in notation; Louis P�cour's ballroom dance Aimable Vainqueur (1701 in six pages of dance notation with a five-part score of Andr� Campra's music from Hesione (1700)and an updated bibliography.
Author: John D. Lyons
Publisher: Oxford University Press
Published: 2019-08-08
Total Pages: 907
ISBN-13: 019067847X
DOWNLOAD EBOOKFew periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.
Author: Per Bjurström
Publisher:
Published: 1961
Total Pages: 270
ISBN-13:
DOWNLOAD EBOOKAuthor: Lorenzo Bianconi
Publisher: University of Chicago Press
Published: 2002-07
Total Pages: 449
ISBN-13: 0226045919
DOWNLOAD EBOOKThe History of Italian Opera marks the first time a team of expert scholars has worked together to investigate the Italian operatic tradition in its entirety, rather than limiting its focus to individual eras or major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon-resulting in the sort of panoramic view critical to a deep and fruitful understanding of the art. Opera on Stage, the second book of this multi-volume work to be published in English-in an expanded and updated version-focuses on staging and viewing Italian opera, from the court spectacles of the late sixteenth century to modern-day commercial productions. Mercedes Viale Ferrero describes the history of theater and stage design, detailing the evolution of the art well into the twentieth century. Gerardo Guccini does the same for stage and opera direction and the development of the director's role as an autonomous creative force. Kathleen Kuzmick Hansell discusses the interrelationships between theatrical ballet and Italian opera, from the age of Venetian opera to the early twentieth century. The visual emphasis of all three contributions is supplemented by over one hundred illustrations, and because much of this material-on the more "spectacular" visual aspects of Italian opera-has never before appeared in English, Opera on Stage will be welcomed by scholars and opera enthusiasts alike.