Illustrated with atmospheric photographs and supported by extracts from original documents, this guide will appeal to anyone with an interest in things that go bump in the night. The sites covered are open to the public.
Author Richard Jones takes you to 100 castles in the British Isles, from romantic ruins on sea-lashed headlands to splendid castles that have been transformed into luxury hotels.
Intrepid ghost-hunter Richard Jones reveals the most haunted houses in Britain and Ireland and uncovers the most spectre-infested dwellings in the land. Packed with spooky photographs this book sends shivers down your spine.
Ireland is known as the Emerald Isle, a land of history and mystery, beauty and enchantment. But there's much more to this jewel of the North Atlantic than meets the eye. Hans Holzer is a renowned ghost hunter who has traveled the world trailing the elusive spirits of souls anxious to be sent beyond the Veil. Here he recounts his fascinating journey across this island in search of its soul...and its spirits. There is an 18th-century swordsman who defends the hidden treasure of Ballyheigue Castle, a proud house now gutted by fire; Princess Orloff, originally known as Angelica Parrott, who returned home to haunt a jealous sister; Lilith, a young inhabitant of eerie Skryne Castle, who was strangled with foxglove fronds in 1740; Mary Masters, a young girl who refuses to forget her horrible death and continues to haunt Dublin's Shelbourne Hotel; the ghost at Number 118 Summerhill, Dublin who sends workmen into a panic; and many more.
What happens when a medium goes on vacation? Can a medium simply switch off their ability at will? Well...not exactly. Rob Gutro is a medium/author/paranormal investigator and a scientist who has written 4 books about his encounters with human and animal ghosts and spirits. In this book, you will read about his experiences on two separate trips to the United Kingdom. England's rich history and many epic battles have caused an over-abundance of residual emotional energy. Everywhere he traveled, he had a paranormal experience. He explored royal palaces and spent the night in haunted castles. He encountered the ghosts of historical figures including a queen, a prince, and a nobleman; and several ghosts even shared their pain of death experience with him. On one occasion, the doppelganger of a loved one provided directions when he became lost while driving in the countryside due to a malfunctioning GPS. But not all of his encounters were of the human variety: there was also a very special visit from a canine ghost. This book is intended to be more than just a collection of personal ghost stories. In addition to relating my ghostly encounters, he has also included a short narrative history of the places where the experiences occurred. After all, knowing the history of a place is key to understanding why a ghost has decided to stay behind. So, join Rob as he relates his encounters with the ghosts of England. Rob has written 4 other books about the paranormal, two about people (Ghosts and Spirits and Lessons Learned From Talking to the Dead) and 2 about pets (Pets and the Afterlife and Pets and the Afterlife 2). The books are available in paperback and e-book on Amazon.com.
An Post Irish Book Awards Nonfiction Book of the Year • A Guardian Best Book of 2020 • Shortlisted for the 2021 Rathbones Folio Prize • Longlisted for the 2021 Republic of Consciousness Prize • Winner of the James Tait Black Biography Prize • A New York Times New & Noteworthy Title • Longlisted for the 2021 Gordon Burn Prize • A Buzzfeed Recommended Summer Read • A Publishers Weekly Best Book of 2021 • A Book Riot Best Book of 2022 • An NPR Best Book of 2021 • A Chicago Public Library Best Book of 2021 • A Globe and Mail Book of the Year • A Winnipeg Free Press Top Read of 2021 • An Entropy Magazine Best of the Year • A LitHub Best Book of 2021 • A New York Times Critics' Top Book of 2021 • A National Book Critics Circle Award Finalist When we first met, I was a child, and she had been dead for centuries. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlín Dubh Ní Chonaill’s poem travels through the centuries, finding its way to a new mother who has narrowly avoided her own fatal tragedy. When she realizes that the literature dedicated to the poem reduces Eibhlín Dubh’s life to flimsy sketches, she wants more: the details of the poet’s girlhood and old age; her unique rages, joys, sorrows, and desires; the shape of her days and site of her final place of rest. What follows is an adventure in which Doireann Ní Ghríofa sets out to discover Eibhlín Dubh’s erased life—and in doing so, discovers her own. Moving fluidly between past and present, quest and elegy, poetry and those who make it, A Ghost in the Throat is a shapeshifting book: a record of literary obsession; a narrative about the erasure of a people, of a language, of women; a meditation on motherhood and on translation; and an unforgettable story about finding your voice by freeing another’s.
A New York Times Notable Book and Winner of The Los Angeles Times Book Prize, Neville's debut remains "a flat-out terror trip" (James Ellroy) and "one of the best Irish novels, in any genre, of recent times" (John Connolly). Northern Ireland’s Troubles may be over, but peace has not erased the crimes of the past. Gerry Fegan, a former paramilitary contract killer, is haunted by the ghosts of the twelve people he slaughtered. Every night, at the point of losing his mind, he drowns their screams in drink. But it’s not enough. In order to appease the ghosts, Fegan is going to have to kill the men who gave him orders. From the greedy politicians to the corrupt security forces, the street thugs to the complacent bystanders who let it happen, all are called to account. But when Fegan’s vendetta threatens to derail a hard-won truce and destabilize the government, old comrades and enemies alike want him dead.
For decades, James Joyce’s modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe’s urban centers has led critics to see him almost exclusively as a cosmopolitan figure. In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis. Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement and its foundations.
Ghost stories are always in conversation with novelistic modes with which they are contemporary. This book examines examples from Sir Walter Scott, Charles Dickens, Henry James and Rudyard Kipling, amongst others, to the end of the twentieth century, looking at how they address empire, class, property, history and trauma.