A villainously fresh new perspective on the dead–and from the dead–as the antagonist finally materializes. What compels Shane to communicate with so many spirits... and what does he plan to do with them if they align with his ill intentions? Meanwhile, Harmony will witness Lucas commit the unthinkable, which will create a rift between them that may never be prepared, changing their journeys forever.
"Alan Brown has done an excellent job of collecting ghostlore from throughout Alabama ... his book is the most important volume published to date on alabama ghost traditions". -- W.K. McNeil The Ozark Folk Center
Why do so many American college students tell stories about encounters with ghosts? In Haunted Halls, the first book-length interpretive study of college ghostlore, Elizabeth Tucker takes the reader back to school to get acquainted with a wide range of college spirits. Some of the best-known ghosts that she discusses are Emory University's Dooley, who can disband classes by shooting professors with his water pistol; Mansfield University's Sara, who threw herself down a flight of stairs after being rejected by her boyfriend; and Huntingdon College's Red Lady, who slit her wrists while dressed in a red robe. Gettysburg College students have collided with ghosts of soldiers, while students at St. Mary-of-the-Woods College have reported frightening glimpses of the Faceless Nun. Tucker presents campus ghostlore from the mid-1960s to 2006, with special attention to stories told by twenty-first-century students through e-mail and instant messages. Her approach combines social, psychological, and cultural analysis, with close attention to students' own explanations of the significance of spectral phenomena. As metaphors of disorder, insanity, and school spirit, college ghosts convey multiple meanings. Their colorful stories warn students about the dangers of overindulgence, as well as the pitfalls of potentially horrifying relationships. Besides offering insight into students' initiation into campus life, college ghost stories make important statements about injustices suffered by Native Americans, African Americans, and others.
A fascinating collection of ghost stories, tales of the supernatural, death beliefs and death sayings that remain as a vestige of the part in south central Kentucky's "Pennyrile" region. "This unique and extremely valuable book adds considerably to the area of folklore studies in the United States. The material which Montell obtained in his field work is superb." --Don Yoder. "This book is to be recommended to both folklorists and those non-folklorists who read folklore for enjoyment alone. It makes an important contribution to the study of deathlore and, it is to be hoped, will draw added attention to this multi-generic subject area." --David J. Hufford, Tennessee Folklore Society Bulletin. "Professor Montell's book can well be viewed as a standard of excellence: a direct, articulate and cataloged approach for future study and implementation in the fields of folklore and oral history." --Joan Perkal, Oral History Association Newsletter. "The book gives fascinating accounts of death beliefs, death omens, folk beliefs associated with the dead, and in the major section, ghosts narratives. A fine combination of scholarship and chilling narration to be relished by firelight in an old deserted house in the hills." --Book Forum. "Professor Montell has arranged beliefs and experiences about death of a particular group of people in such a way that a whole new aspect of the people's lives comes to focus." --Loyal Jones, The Filson Club HIstory Quarterly.
Reveals changing perceptions of ghosts at different social levels from the Reformation through to the twentieth century in Britain and America. This five-volume set focuses on the key published debates that emerged in each century, and illustrates the range of literary formats that reported or discussed ghosts.
As a worldwide storm gathers and Shane finally catches up with the Family and Harmony, but his goals have changed... Harmony finds herself in a series of terrifying situations and can find no escape, even after she is pursued a second time by someone familiar.
From that cheerful puff of smoke known as Casper to the hunkiest potter living or dead, Sam Wheat, there is probably no more iconic entity in supernatural history than the ghost. And these are just recent examples. From the earliest writings such as the Epic of Gilgamesh to today’s ghost-hunting reality TV shows, ghosts have chilled the air of nearly every era and every culture in human history. In this book, Lisa Morton uses her scholarly prowess—more powerful than any proton pack—to wrangle together history’s most enduring ghosts into an entertaining and comprehensive look at what otherwise seems to always evade our eyes. Tracing the ghost’s constantly shifting contours, Morton asks the most direct question—What exactly is a ghost?—and examines related entities such as poltergeists, wraiths, and revenants. She asks how a ghost is related to a soul, and she outlines all the different kinds of ghosts there are. To do so, she visits the spirits of the classical world, including the five-part Egyptian soul and the first haunted-house, conceived in the Roman playwright Plautus’s comedy, Mostellaria. She confronts us with the frightening phantoms of the Middle Ages—who could incinerate priests and devour children—and reminds us of the nineteenth-century rise of Spiritualism, a religion essentially devoted to ghosts. She visits with the Indian bhuta and goes to the Hungry Ghost Festival in China, and of course she spends time in Mexico, where ghosts have a particularly strong grip on belief and culture. Along the way she gathers the ectoplasmic residues seeping from books and film reels, from the Gothic novel The Castle of Otranto to the 2007 blockbuster Paranormal Activity, from the stories of Ann Radcliffe to those of Stephen King. Wide-ranging, informative, and slicked with over fifty unearthly images, Ghosts is an entertaining read of a cultural phenomenon that will delight anyone, whether they believe in ghosts or not.
First published in 1997, this volume takes a dive into methods of teenage storytelling, including questions of believability, fashionability, rebellious spirit, the supernatural, personal narratives and riddles, along with an archive of texts collected by the author intended to illuminate and inform the analysis. It builds on the extensive work of Peter and Iona Opie on the same subject involving children of all ages and explores connections to folklore and narrative variations from a performative perspective. Michael Wilson shares their findings that children continue to cherish their traditional lore in the face of modern technological entertainment. His study is similar in responding to the poor status and even denial of a teenage narrative tradition, inspired by both short and extended narratives which he experienced daily. Wilson hoped to give academic depth and breadth to the storytelling renaissance and giving teenage storytellers their rightful place in our ongoing oral narrative tradition.
