Ghost, The (Der Doppelganger).
Author: Franz Peter Schubert
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Author: Franz Peter Schubert
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DOWNLOAD EBOOKAuthor: Erica Carter
Publisher: Bloomsbury Publishing
Published: 2019-07-25
Total Pages: 272
ISBN-13: 1838715290
DOWNLOAD EBOOKThis text looks at the star system under the Third Reich. Following the experiments of Weimar, much of cinema after 1933 became part of a wider Nazi backlash against modernism in all its forms. This study contributes to contemporary debates concerning the historical study of film spectatorship.
Author: Y. Tajiri
Publisher: Springer
Published: 2006-11-22
Total Pages: 208
ISBN-13: 0230624960
DOWNLOAD EBOOKThis book studies the representation of the body in Beckett's work, focusing on the 'prosthetic' aspect of the organs and senses. While making use of the theoretical potential of the concept of 'prosthesis', it aims to resituate Beckett in the broad cultural context of modernism in which the impact of new media and technologies was registered.
Author: Mark Everist
Publisher: Oxford University Press
Published: 2013-06-11
Total Pages:
ISBN-13: 0199344221
DOWNLOAD EBOOKMozart's Ghosts traces the many lives of this great composer that emerged following his early death in 1791. Crossing national boundaries and traversing two hundred years-worth of interpretation and reception, author Mark Everist investigates how Mozart's past status can be understood as part of today's veneration. Everist forges new paths to reach the composer, examining a number of ways in which Western culture has absorbed the idea of Mozart, how various cultural agents have appropriated, deployed, and exploited Mozart toward both authoritarian and subversive ends, and how the figure of Mozart and his impact illuminate the cultural history of the last two centuries in Europe, England, and America. Modern reverence for the composer is conditioned by earlier responses to his music, and Everist argues that such earlier responses are more complex than allowed by a simple "reception studies" model. Closely linking nine case studies in an innovative cultural and theoretical framework, the book approaches the developing reputation of the composer from death to the present day along three paths: "Phantoms of the Opera" deals with stage music, "Holy Spirits" addresses the trope of the sacred, and "Specters at the Feast" considers the impact of Mozart's music in literature and film. Mozart's Ghosts adeptly moves the study of Mozart reception away from hagiography and closer to cultural and historical criticism, and will be avidly read by Mozart scholars and students of eighteenth-century music history, as well as literary critics, historians of philosophy and aesthetics, and cultural historians in general.
Author: Andrew J. Webber
Publisher: Clarendon Press
Published: 1996-06-27
Total Pages: 393
ISBN-13: 0191583936
DOWNLOAD EBOOKEver since its literary coinage in Jean Paul's novel, Siebenkäs (1796), the concept of Doppelgänger has had significant influence upon representations of the self in German literature. This study charts the development of the double from its origins in the Romantic period, through its more marginal - but nonetheless significant - manifestations in the post-Romantic culture, to its revival at the fin-de-siècle and transfer to the silent screen. The book features an introduction to the practice and theory underlying the use of the Doppelgänger, with particular reference to psychoanalysis, followed by chapters on Jean Paul, Hoffmann, Kleist, poetic realism (Droste-Hülshoff, Keller, Storm) and modernism (Kafka, Rilke, Hoffmannsthal, Schnitzler, Meyrink, Werfal). This study shows that the often underestimated figure of the double may provide a key to the epistomological, aesthetic and psychosexual structures of the texts it visits and revisits, with a particular focus on its effects in the fields of vision and language.
Author: Robert Philip
Publisher: Yale University Press
Published: 2023-04-11
Total Pages: 309
ISBN-13: 0300271727
DOWNLOAD EBOOKA lively, engaging guide to music around the world, from prehistory to the present Human beings have always made music. Music can move us and tell stories of faith, struggle, or love. It is common to all cultures across the world. But how has it changed over the millennia? Robert Philip explores the extraordinary history of music in all its forms, from our earliest ancestors to today’s mass-produced songs. This is a truly global story. Looking to Europe, South America, Asia, Africa, and beyond, Philip reveals how musicians have been brought together by trade and migration and examines the vast impact of colonialism. From Hildegard von Bingen and Clara Schumann to Bob Dylan and Aretha Franklin, great performers and composers have profoundly shaped music as we know it. Covering a remarkable range of genres, including medieval chant, classical opera, jazz, and hip hop, this Little History shines a light on the wonder of music—and why it is treasured across the world.
Author: Mary Ellen Snodgrass
Publisher: Infobase Publishing
Published: 2014-05-14
Total Pages: 497
ISBN-13: 1438109113
DOWNLOAD EBOOKPresents an alphabetical reference guide detailing the lives and works of authors associated with Gothic literature.
Author: Daniel Albright
Publisher: University Rochester Press
Published: 2009
Total Pages: 240
ISBN-13: 158046324X
DOWNLOAD EBOOKExplores the meaning(s) of music, the most intricate and significant language invented by our culture.
Author: Lorraine Byrne Bodley
Publisher: Cambridge University Press
Published: 2016-04-07
Total Pages: 489
ISBN-13: 1316453758
DOWNLOAD EBOOKSchubert's late music has proved pivotal for the development of diverse fields of musical scholarship, from biography and music history to the theory of harmony. This collection addresses current issues in Schubert studies including compositional technique, the topical issue of 'late' style, tonal strategy and form in the composer's instrumental music, and musical readings of the 'postmodern' Schubert. Offering fresh approaches to Schubert's instrumental and vocal works and their reception, this book argues that the music that the composer produced from 1822–8 is central to a paradigm shift in the history of music during the nineteenth century. The contributors provide a timely reassessment of Schubert's legacy, assembling a portrait of the composer that is very different from the sentimental Schubert permeating nineteenth-century culture and the postmodern Schubert of more recent literature.