In her new earth-shattering poetry collection, Kimberly boldly confronts identity, history, politics, and language at the intersections of colonialism, intergenerational trauma, and conflict. The poems are both visually stunning and form-defying, breathing life into language that is delightfully haunting and becomes the "ghosts in the stalks". The poems' etymological focus and brave willingness to return to the source of trauma redefines and re-appropriates what it means to return to one's roots and forces the dead past into a painful present.
Winner of the Cave Canem Poetry Prize, selected by Major Jackson The stub of your left leg dangles as I hold you up, my hands inserted under your arms like a child. You are complaining about the itch, the burn; scratch the ghost of your calf and heel. —from "Scratching the Ghost" Dexter L. Booth's ruminations on loss in this award-winning debut are rooted in a time past but one still palpable and persistent. Here are memories of love lost, family mourned, a father absent, ghosts of hometowns and childhood. Here too is a "Short Letter to the Twentieth Century" and, finally, a "Long Letter to the Twentieth Century," as if across this collection the poet is mustering up the force to speak back to history. "In Dexter Booth's Scratching the Ghost, a cracked egg means the universe is splitting, the slap of a double-dutch rope is a broken-throated hymn, and splitting a squealing hog is akin to lovemaking. These are poems loyal to their own intrepid logic and reckless plausibility. Yet, lest the reader get too giddy in a fun house of mirrors, here, too, are the melodic laments and remarkable lyric passages of a poet who acknowledges the infinite current of melancholy that underlines his journey." —Major Jackson
1926. New York. The Roaring Twenties. Jazz. Flappers. Prohibition. Coal-powered cars. A cold war with a British Empire that still covers half of the globe. Yet things have developed differently from established history. America is in the midst of a cold war with a British Empire that has only just buried Queen Victoria, her life artificially preserved to the age of 107. Coal-powered cars roar along roads thick with pedestrians, biplanes take off from standing with primitive rocket boosters, and monsters lurk behind closed doors and around every corner. This is a time in need of heroes. It is a time for The Ghost. A series of targeted murders are occurring all over the city, the victims found with ancient Roman coins placed on their eyelids after death. The trail appears to lead to a group of Italian-American gangsters and their boss, who the mobsters have dubbed 'The Roman'. However, as The Ghost soon discovers, there is more to The Roman than at first appears, and more bizarre happenings that he soon links to the man, including moss-golems posing as mobsters and a plot to bring an ancient pagan god into the physical world in a cavern beneath the city. As The Ghost draws nearer to The Roman and the center of his dangerous web, he must battle with foes both physical and supernatural and call on help from the most unexpected of quarters if he is to stop The Roman and halt the imminent destruction of the city. From the Trade Paperback edition.
· What unspeakable horror glimpsed in the basement of a private library in West Yorkshire drove a man to madness and an early grave? · What led to an underground echo chamber in a Manchester recording studio being sealed up for good? · What creature walks the endless sands of Lancashire's Fleetwood Bay, and what connects it to an unmanned craft washed ashore in Port Elizabeth, nearly six thousand miles away? In 2009 Jeremy Dyson was contacted by a journalist wanting help bringing together accounts of true life ghost stories from across the British Isles. The Haunted Book chronicles the journey Dyson, formerly a hardened sceptic, went on to uncover the truth behind these tales.
A New York Times Notable Book and Winner of The Los Angeles Times Book Prize, Neville's debut remains "a flat-out terror trip" (James Ellroy) and "one of the best Irish novels, in any genre, of recent times" (John Connolly). Northern Ireland’s Troubles may be over, but peace has not erased the crimes of the past. Gerry Fegan, a former paramilitary contract killer, is haunted by the ghosts of the twelve people he slaughtered. Every night, at the point of losing his mind, he drowns their screams in drink. But it’s not enough. In order to appease the ghosts, Fegan is going to have to kill the men who gave him orders. From the greedy politicians to the corrupt security forces, the street thugs to the complacent bystanders who let it happen, all are called to account. But when Fegan’s vendetta threatens to derail a hard-won truce and destabilize the government, old comrades and enemies alike want him dead.
Rain of the Ghosts is the first in Greg Weisman's series about an adventurous young girl, Rain Cacique, who discovers she has a mystery to solve, a mission to complete and, oh, yes, the ability to see ghosts. Welcome to the Prospero Keys (or as the locals call them: the Ghost Keys), a beautiful chain of tropical islands on the edge of the Bermuda Triangle. Rain Cacique is water-skiing with her two best friends Charlie and Miranda when Rain sees her father waiting for her at the dock. Sebastian Bohique, her maternal grandfather, has passed away. He was the only person who ever made Rain feel special. The only one who believed she could do something important with her life. The only thing she has left to remember him by is the armband he used to wear: two gold snakes intertwined, clasping each other's tails in their mouths. Only the armband . . . and the gift it brings: Rain can see dead people. Starting with the Dark Man: a ghost determined to reveal the Ghost Keys' hidden world of mystery and mysticism, intrigue and adventure.
The dead and their secrets refuse to stay buried in this thrilling sequel to M. Dressler’s award-winning The Last to See Me, for fans of Lauren Oliver and Kazuo Ishiguro Emma Rose Finnis has never made peace with her death . . . or with her ghostly afterlife. Finally free from the mansion she haunted for more than a hundred years, she takes on a new, daring form, one that allows her to pass for living among the citizens of the remote Sierra Nevada town of White Bar. But the town is hiding its own deadly truth, buried in its Gold Rush past. As the sleepy town’s secrets come to life, they inevitably bring Emma Rose’s past back to haunt her. In this second book in M Dressler's Last Ghost Series, Emma Rose must unlock the secrets of the living, the dead, and even of time itself, if she hopes to be more than an endless fugitive and outlast the ghost hunter who relentlessly stalks her.
Presents fifty Texas ghost stories, featuring tales that predate the state, with a focus on those with Hispanic roots; stories of the pioneers; and urban myths and contemporary tales; and includes advice on how to tell ghost stories, as well as notes on story sources.
The anticipated American debut of one of Granta’s Best Young Spanish-Language Novelists: a daring, deeply affecting novel about the secrets buried in the past of an Argentine family. A young writer, living abroad, makes the journey home to South America to say good-bye to his dying father. In his parents’ house, he finds a cache of documents—articles, maps, photographs—and unwittingly begins to unearth his father’s obsession with the disappearance of a local man. Suddenly he comes face-to-face with the ghosts of Argentina’s dark political past and with the long-hidden memories of his family’s underground resistance against an oppressive military regime. As the fragments of the narrator’s investigation fall into place—revealing not only a part of his father’s life he had tried to forget but also the legacy of an entire generation—this audacious novel tells a completely original story of corruption and responsibility, history and remembrance.
