In the first issue of Ghost Encounters Magazine we cover the journey of India's most prolific horror author Neil D'Silva as he talks about his methods, things he is scared off, his upcoming projects and more about his life. We also had a lovely chat with Ms. Alisha 'Priti' Kirpalani, progeny of the famed Ramsays and Author of 'Ghosts In Our Backyard' Know from a Paranormal Investigator's point of view, what they think about the Conjuring Universe, a Metaphysicians take on Near Death Experience, the uncanny resemblance between Witches and Metaphysicians, difference between Psychics and Psychos, the PAIRS team investigation at the cursed village and other topics from the Paranormal and Horror world.
Ghost stories tap into our most primal emotions as they encourage us to confront the timeless question: What comes after death? Here, in tales that are by turn scary, funny, philosophic, and touching, you’ll find that question sharpened, split, reconsidered—and met with a multitude of answers. A spirit who is fated to spend eternity reliving the exact moment she lost her chance at love, ghostly trees that haunt the occupant of a wooden house, specters that snatch anyone who steps into the shadows, and parakeets that serve as mouthpieces for the dead: these are just a few of the characters in this extraordinary compendium of one hundred ghost stories. Kevin Brockmeier’s fiction has always explored the space between the fantastical and the everyday with profundity and poignancy. As in his previous books, The Ghost Variations discovers new ways of looking at who we are and what matters to us, exploring how mysterious, sad, strange, and comical it is to be alive—or, as it happens, not to be.
"With topics ranging from slavery to space travel, the impressive breadth of this anthology makes for a well-rounded survey. Readers, writers, and scholars alike will find great value here." — Publishers Weekly Starred Review A deluxe edition of new writing and neglected perspectives. Dystopia, apocalypse, gene-splicing, cloning and colonization are explored here by new authors and combined with proto-sci-fi and speculative writing of an older tradition (by W.E.B. Du Bois, Martin R. Delany, Sutton E. Griggs, Pauline Hopkins and Edward Johnson) whose first-hand experience of slavery and denial created their living dystopia. With a foreword by Alex Award-winning novelist Temi Oh, an introduction by Dr. Sandra M. Grayson, author of Visions of the Third Millennium: Black Science Fiction Novelists Write the Future (2003), and invaluable promotion and editorial support from Tia Ross and the Black Writers Collective and more, this latest offering in the Flame Tree Gothic fantasy series focuses on an area of science fiction which has not received the attention it deserves. Many of the themes in Sci-fi reveal the world as it is to others, show us how to improve it, and give voice to the many different expressions of a future for humankind. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure. Table of Contents: An Empty, Hollow Interview by James Beamon The Comet by W.E.B. Du Bois Élan Vital by K. Tempest Bradford The Orb by Tara Campbell Blake, or The Huts of America by Martin R. Delany The Floating City of Pengimbang by Michelle F. Goddard The New Colossuses by Harambee K. Grey-Sun Imperium in Imperio by Sutton E. Griggs Seven Thieves by Emmalia Harrington Of One Blood: Or, The Hidden Self by Pauline Hopkins Space Traitors by Walidah Imarisha The Line of Demarcation by Patty Nicole Johnson Light Ahead for the Negro by Edward Johnson e-race by Russell Nichols Giant Steps by Russell Nichols Almost Too Good to Be True by Temi Oh You May Run On by Megan Pindling Suffering Inside, But Still I Soar by Sylvie Soul The Pox Party by Lyle Stiles The Regression Test by Wole Talabi
Hauntings lurk and spirits linger in the heart of America Reader, beware! Turn these pages and enter the world of the paranormal, where ghosts and ghouls alike creep just out of sight. Author James A. Willis shines a light in the dark corners of Ohio and scares those spirits out of hiding in this thrilling collection. From ghostly soldiers that still haunt Fort Meigs to the eerie Franklin Castle, there’s no shortage of bone-chilling tales to keep you up at night. There’s even a carved tombstone of an infant at Cedar Hill cemetery, whose ghostly eyes keep watch over those wander too close. Around the campfire or tucked away on a dark and stormy night, this big book of ghost stories is a hauntingly good read.
Literary novel with a New York setting and a dash of speculative fiction, for fans of Colum McCann, Colm Toibin, and Dana Spiotta. Ghosts of New York is a novel in which the laws of time and space have been subtly suspended. It interweaves four strands: a photographer newly returned to the neighborhood where she grew up, after years spent living overseas; a foundling raised on 14th Street; a graduate student, his romantic partner, and his best friend entangled in a set of relationships with far-reaching personal and political repercussions; and a shopkeeper suffering from first love late in life. Mixing prophecy, history, and a hint of speculative fiction, its stories are bound together even as they are propelled into stranger territory. And undergirding it all is a song, which appears, disappears, and then resurfaces. Ghosts of New York explores complex lives through indelible renderings of settings-a bar, a night market, a recording studio-that alternate between familiar and unsettling. The work of a celebrated novelist and veteran of the art, film, and music scenes in New York and Austin (described as "a rare talent" by the New York Times and "a powerful literary voice" by Jeffrey Eugenides), this novel will immediately absorb readers intrigued by creative people and the places that sustain and challenge them.
"From horse thieves to hurricanes, from shattered Southern myths to fractured family ties, from Nashville to Myrtle Beach to Miami, Low Country is a lyrical, devastating, fiercely original memoir" of one family's changing fortunes in the Low Country of South Carolina (Justin Taylor, author of Riding with the Ghost). J. Nicole Jones is the only daughter of a prominent South Carolina family, a family that grew rich building the hotels and seafood restaurants that draw tourists to Myrtle Beach. But at home, she is surrounded by violence and capriciousness: a grandfather who beats his wife, a barman father who dreams of being a country music star. At one time, Jones's parents can barely afford groceries; at another, her volatile grandfather presents her with a fur coat. After a girlhood of extreme wealth and deep debt, of ghosts and folklore, of cruel men and unwanted spectacle, Jones finds herself face to face with an explosive possibility concerning her long-abused grandmother that she can neither speak nor shake. And through the lens of her own family's catastrophes and triumphs, Jones pays homage to the landscapes and legends of her childhood home, a region haunted by its history: Eliza Pinckney cultivates indigo, Blackbeard ransacks the coast, and the Gray Man paces the beach, warning of Hurricane Hazel.
From Kevin Brockmeier, one of this generation's most inventive young writers, comes a striking new novel about death, life, and the mysterious place in between. The City is inhabited by those who have departed Earth but are still remembered by the living. They will reside in this afterlife until they are completely forgotten. But the City is shrinking, and the residents clearing out. Some of the holdouts, like Luka Sims, who produces the City’s only newspaper, are wondering what exactly is going on. Others, like Coleman Kinzler, believe it is the beginning of the end. Meanwhile, Laura Byrd is trapped in an Antarctic research station, her supplies are running low, her radio finds only static, and the power is failing. With little choice, Laura sets out across the ice to look for help, but time is running out. Kevin Brockmeier alternates these two storylines to create a lyrical and haunting story about love, loss and the power of memory.
Saved at the Seawall is the definitive history of the largest ever waterborne evacuation. Jessica DuLong reveals the dramatic story of how the New York Harbor maritime community heroically delivered stranded commuters, residents, and visitors out of harm's way. Even before the US Coast Guard called for "all available boats," tugs, ferries, dinner boats, and other vessels had sped to the rescue from points all across New York Harbor. In less than nine hours, captains and crews transported nearly half a million people from Manhattan. Anchored in eyewitness accounts and written by a mariner who served at Ground Zero, Saved at the Seawall weaves together the personal stories of people rescued that day with those of the mariners who saved them. DuLong describes the inner workings of New York Harbor and reveals the collaborative power of its close-knit community. Her chronicle of those crucial hours, when hundreds of thousands of lives were at risk, highlights how resourcefulness and basic human goodness triumphed over turmoil on one of America's darkest days. Initially published as Dust to Deliverance, this edition, released in time for the twentieth anniversary, contains new updates: a preface by DuLong and a foreword by Mitchell Zuckoff.
Digital fiction has long been perceived as an experimental niche of electronic literature. Yet born-digital narratives thrive in mainstream culture, as communities of practice create and share digital fiction, filling in the gaps between the media they are given and the stories they seek. Neverending Stories explores the influences of literature and computing on digital fiction and how the practices and cultures of each have impacted who makes and plays digital fiction. Popular creativity emerges from subordinated groups often excluded from producing cultural resources, accepting the materials of capitalism and inverting them for their own carnivalesque uses. Popular digital fiction goes by many different names: webnovels, adventure games, visual novels, Twitter fiction, webcomics, Twine games, walking sims, alternate reality games, virtual reality films, interactive movies, enhanced books, transmedia universes, and many more. The book establishes digital fiction in a foundation of innovation, tracing its emergence in various guises around the world. It examines Infocom, whose commercial success with interactive fiction crumbled, in no small part, because of its failure to consider women as creators or consumers. It takes note of the brief flourish of commercial book apps and literary games. It connects practices of cognitive and conceptual interactivity, and textual multiplicity-dating to the origins of the print novel-to the feminine. It pushes into the technological future of narrative in immersive and mixed realities. It posits the transmedia franchises and the practices of fanfiction as examples of digital fiction that will continue indefinitely, regardless of academic notice or approval.
