The phases bring the Moon to life and highlight the complex moonscape of hills and ridges and dark and light areas. This book is designed to give you the basics about the craters that are found on the Moon.
This set of 8 tactile images (11" x 11-1/2") created by the National Aeronautics and Space Administration (NASA) is intended for users of all ages with particular support to those who are blind and visually impaired. Images include: The Moon; Tycho Crater; Moltke Crater; Schrodinger Basin; Theophilus Crater; South Pole Aitken (SPA); SPA size with respect to the Moon; and Impact stages. Also includes a CD which contains an audio file and text in PDF format.
A photographic atlas of the moon with descriptions of topographical features; overlays identifying key features in photographs; and a day-to-day guide to observing the moon by eye, binoculars or telescope.
A sixteen-year-old must battle his way across a thousand miles of deadly lunar terrain and face genetically altered super warriors in his quest to recover an astonishing object that will alter the lives of everyone on the moon . . . and beyond. It’s the 22nd Century. A tough, pioneering people mine the moon produce energy for a desperate, war-torn Earth. Sixteen-year-old Crater Trueblood loves his job as a Helium-3 miner. But when he saves a fellow miner, his life changes forever. Impressed by his heroism, the owner of the mine orders Crater to undertake a dangerous mission. Crater doesn’t think he can do it, but he has no choice. He must go. With the help of Maria, the mine owner’s frustrating but gorgeous granddaughter, and his gillie—a sometimes insubordinate clump of slime mold cells—Crater must fight both human and subhuman enemies to complete his mission. New York Times bestselling author Homer Hickman (Rocket Boys) will take you on a hold-your-breath adventure across the moon, and you’ll never look at the night sky the same way again. The first installment of the Helium-3 series Book #1: Crater Book #2: Crescent Book #3: Crater Trueblood and the Lunar Rescue Company Book length: 75,000 words Includes discussion questions for book clubs
On July 20, 1969, at 3:16 p.m., Commander Neil Armstrong brought the lunar module, Eagle , to a safe landing on the Moon. Millions of television viewers on Earth watched breathlessly as he then became the first man to set foot on the Moon. This amazing achievement was years, even centuries, in the making. The Moon and the heavens have intrigued mankind since ancient times. FOOTPRINTS ON THE MOON chronicles the spirit and determination of visionaries from Galileo to John F. Kennedy, whose dream of reaching the Moon was finally and superbly realized through the efforts of the Apollo missions. With a compelling and thoroughly researched text, the great vision of the scientists, engineers, and astronauts who struggled to make the dream a reality is brought into sharp focus. The book brings to light great triumphs and tragedies. Readers will learn about the years of determination, experimentation, and risk that gave rise to many space explorations, including 17 Apollo missions. Today the Moon is less of a mystery than in ancient times, but it is still a wonder. Breathtaking photographs--many from NASA--portray the indescribable beauty of outer space, the Moon, and the wonder of mankind's inspiring vision.
When human exploration of the lunar surface began in 1969, it marked not only an unprecedented technological achievement but also the culmination of scientific efforts to understand lunar geology. Memoirs of the Apollo astronauts have preserved the exploratory aspects of these missions; now a geologist who was an active participant in the lunar program offers a detailed historical view of those events--including the pre-Apollo era--from a heretofore untold scientific perspective. It was the responsibility of the scientific team of which Don Wilhelms was a member to assemble an overall picture of the Moon's structure and history in order to recommend where on the lunar surface fieldwork should be conducted and samples collected. His book relates the site-selection process in detail, and draws in concomitant events concerning mission operations to show how they affected the course of the scientific program. While discussing all six landings in detail, it tells the behind-the-scenes story of telescopic and spacecraft investigations before, during, and after the manned landings. Intended for anyone interested the space program, the history of science, or the application of geology to planetology, To a Rocky Moon will leave all readers with a better idea of what the Moon is really like. In so expertly summarizing this earlier phase of exploration, it stands as an authoritative touchstone for those involved in the next.
The genesis of modern searches for observable meteoritic phenomena on the Moon is the paper by Lincoln La Paz in Popular Astronomy magazine in 1938. In it he argued that the absence of observed fashes of meteoritic impacts on the Moon might be interpreted to mean that these bodies are destroyed as luminous meteors in an extremely rarefed lunar atmosphere. The paper suggested the possibility of systematic searches for such possible lunar meteors. With these concepts in mind, I was surprised to note a transient moving bright speck on the Moon on July 10, 1941. It appeared to behave very much as a lunar meteor would – except that the poorly estimated duration would lead to a strongly hyperbolic heliocentric velocity. Thus, the idea of systematic searches for both p- sible lunar meteors and meteoritic impact fashes was born. It was appreciated that much time might need to be expended to achieve any positive results. Systematic searches were carried out by others and myself chiefy in the years 1945–1965 and became a regular program at the newly founded Association of Lunar and Planetary Observers, or ALPO.
If any scientific object has over the course of human history aroused the fascination of both scientists and artists worldwide, it is beyond doubt the moon. The moon is also by far the most interesting celestial body when it comes to reflecting on the dualistic nature of photography as applied to the study of the universe. Against this background, Selene’s Two Faces sets out to look at the scientific purpose, aesthetic expression, and influence of early lunar drawings, maps and photographs, including spacecraft imaging. In its approach, Selene’s Two Faces is intermedial, intercultural and interdisciplinary. It brings together not only various media (photography, maps, engravings, lithographs, globes, texts), and cultures (from Europe, America and Asia), but also theoretical perspectives. See inside the book.