This four-volume collective project by a team of leading scholars offers a vivid portrait of Jewish history in German-speaking countries over nearly four centuries. This series is sponsored by the Leo Baeck Institute, established in 1955 in Jerusalem, London, and New York for the purpose of advancing scholarship on the Jews in German-speaking lands.
This four-volume collective project by a team of leading scholars offers a vivid portrait of Jewish history in German-speaking countries over nearly four centuries. This series is sponsored by the Leo Baeck Institute, established in 1955 in Jerusalem, London, and New York for the purpose of advancing scholarship on the Jews in German-speaking lands.
A comprehensive historical survey of the Jewish presence in Central Europe from the seventeenth century to the Holocaust, German-Jewish History in Modern Times is a four-volume collective project by a team of leading scholars, offering a vivid portrait of Jewish History. The series is sponsored by the Leo Baeck Institute, established in 1955 in Jerusalem, London, and New York for the purpose of advancing scholarship on the Jews in German-speaking lands. Integration in Dispute 1871-1918 comprises the third volume and focuses on a period of political, economic, and social change that fundamentally transformed German Jewry. Eminent scholars consider a broad range of topics: religious and cultural life, demographics, political, legal, and socioeconomic status, relations between Jews and non-Jews, and Jewish participation in the larger context of European history. Volume 3 begins with the establishment of civil equality for Jews in Germany and Austria-Hungary and describes the complexities of their economic and social integration. The contributors explore the challenges that confronted Jews as they encountered both unprecedented opportunities and continued resistance to their full emancipation and participation in public life. The book discusses their standing as a minority group within German political and professional life and as a differentiated portion of the German middle class; how they coped with successive waves of political antisemitism; how they continued to adapt traditional religious practices to modernity; and how urban middle-class life transformed Jewish families as well as the role of Jewish women in the domestic and public spheres. The forces of social change, coupled with the persistence of antisemitism formed the context for the emergence of Zionism, which posed a powerful challenge to the dominant principle of integration. This volume also seeks to understand the nature and timing of the exceptional contributions of German Jews to the thriving modern culture of such cities as late imperial Vienna and Berlin as well as to the specific religious culture of Judaism. Each volume includes a bibliographical essay referring readers to the most important secondary literature, a chronology covering the major events discussed, and a series of maps and illustrations. Encompassing the most up-to-date research on the topic, German Jewish History in Modern Times is an achievement to be valued by historians, educators, and any reader seeking to understand the singular heritage of the Jewish people in Central Europe.
In Jewish Integration in the German Army in the First World War David J. Fine offers a surprising portrayal of Jewish officers in the German army as integrated and comfortably identified as both Jews and Germans. Fine explores how both Judaism and Christianity were experienced by Jewish soldiers at the front, making an important contribution to the study of the experience of religion in war. Fine shows how the encounter of German Jewish soldiers with the old world of the shtetl on the eastern front tested both their German and Jewish identities. Finally, utilizing published and unpublished sources including letters, diaries, memoirs, military service records, press accounts, photographs, drawings and tomb stone inscriptions, the author argues that antisemitism was not a primary factor in the war experience of Jewish soldiers.
While it is common knowledge that Jews were prominent in literature, music, cinema, and science in pre-1933 Germany, the fascinating story of Jewish co-creation of modern German theatre is less often discussed. Yet for a brief time, during the Second Reich and the Weimar Republic, Jewish artists and intellectuals moved away from a segregated Jewish theatre to work within canonic German theatre and performance venues, claiming the right to be part of the very fabric of German culture. Their involvement, especially in the theatre capital of Berlin, was of a major magnitude both numerically and in terms of power and influence. The essays in this stimulating collection etch onto the conventional view of modern German theatre the history and conflicts of its Jewish participants in the last third of the nineteenth and first third of the twentieth centuries and illuminate the influence of Jewish ethnicity in the creation of the modernist German theatre. The nontraditional forms and themes known as modernism date roughly from German unification in 1871 to the end of the Weimar Republic in 1933. This is also the period when Jews acquired full legal and trade equality, which enabled their ownership and directorship of theatre and performance venues. The extraordinary artistic innovations that Germans and Jews co-created during the relatively short period of this era of creativity reached across the old assumptions, traditions, and prejudices that had separated people as the modern arts sought to reformulate human relations from the foundations to the pinnacles of society. The essayists, writing from a variety of perspectives, carve out historical overviews of the role of theatre in the constitution of Jewish identity in Germany, the position of Jewish theatre artists in the cultural vortex of imperial Berlin, the role played by theatre in German Jewish cultural education, and the impact of Yiddish theatre on German and Austrian Jews and on German theatre. They view German Jewish theatre activity through Jewish philosophical and critical perspectives and examine two important genres within which Jewish artists were particularly prominent: the Cabaret and Expressionist theatre. Finally, they provide close-ups of the Jewish artists Alexander Granach, Shimon Finkel, Max Reinhardt, and Leopold Jessner. By probing the interplay between “Jewish” and “German” cultural and cognitive identities based in the field of theatre and performance and querying the effect of theatre on Jewish self-understanding, they add to the richness of intercultural understanding as well as to the complex history of theatre and performance in Germany.
Since the Enlightenment period, German-Jewish intellectuals have been prominent voices in the multi-facetted discourse on the reinterpretation of Jewish tradition in light of modern thinking. Paul Mendes-Flohr, one of the towering figures of current scholarship on German-Jewish intellectual history, has made invaluable contributions to a better understanding of the religious, cultural and political dimensions of these thinkers’ encounter with German and European culture, including the tension between their loyalty to Judaism and the often competing claims of non-Jewish society and culture. This volume assembles essays by internationally acknowledged scholars in the field who intend to honor Mendes-Flohr’s work by portraying the abundance of religious, philosophical, aesthetical and political aspects dominating the thinking of those famous thinkers populating German Jewry's rich and complex intellectual world in the modern period. It also provides a fresh theoretical outlook on trends in Jewish intellectual history, raising new questions concerning the dialectics of assimilation. In addition to that, the volume sheds light on thinkers and debates that hitherto have not been accorded full scholarly attention.
An international team of twelve expert contributors provides both an introduction to and an interpretation of the key themes in German history from the foundation of the Reich in 1871 to the end of the First World War in 1918.
