Published to accompany a major exhibition at The Queen's Galleries in London and Edinburgh, this book provides new insights into George IV as a collector. Although George led a life bounded by convention, he was a genuine connoisseur who was able to form an unrivalled collection of paintings, porcelain and furniture. These he presented and displayed in a series of architecturally adventurous spaces. His acquisitions continue to form the backdrop to royal ceremony, a legacy that is one of the principal pillars of today's magnificent Royal Collection.
This biography aims to present George IV against the cultural background of his age, showing how his behaviour affected the contemporary view of both the monarch and the monarchy. It analyses the personal gifts of a man whose style defined an age.
“One of the most satisfying biographies of an English king: it is ample, convincing and well written”—from the acclaimed author of The House of Medici (The Times Literary Supplement). Christopher Hibbert delivers a superbly detailed picture of the life and times of George IV including his exorbitant spending on his homes, his clothes, and his women; his patronage of the arts; his “illegal” marriage to Catholic Mrs. Fitzherbert, and lesser known facts such as his generous charity donations and his witty one-liners, including one he uttered when he met his bride-to-be (Caroline of Brunswick) for the first time: “Harris, I am not well, fetch me a brandy.” George IV was the son of George III (who went insane and inspired The Madness of King George) and was the founder of the prestigious King’s College in London. “A delight to read . . . an enormously enjoyable and skillful portrait.” —Philip Ziegler, The Spectator “Christopher Hibbert’s George IV is at once soundly based on research in the Royal Archives at Windsor and a rollicking good read. I found it invaluable when I was researching The Unruly Queen, my life of George IV’s wife, Queen Caroline, and I recommend it to anyone interested by George IV’s flamboyant and outrageous personality.” —Flora Fraser, author of Flora Macdonald: “Pretty Young Rebel”
The story of George IV's relationships with five women - the actress Mary Robinson, the Catholic Maria Fitzherbert, Lady Jersey, the arch-Tory Lady Hertford, and Lady Conyngham, the companion of his final years
This engrossing biography of George IV, king of England from 1820 to 1830, gives a full and objective reassessment of the monarch’s character, reputation, and achievement. Previous writers have tended to accept the unfavorable verdicts of the king’s contemporaries that he was a dissolute, pleasure-loving dilettante and a feeble and ineffective ruler who was responsible for the decline of the power and reputation of the monarchy in the early nineteenth century. Now E.A. Smith offers a new view of George IV, one that does not minimize the king’s faults but focuses on the positive qualities of his achievement in politics and in the patronage of the arts. Smith explores the roots of the king’s character and personality, stressing the importance of his relationship with his parents and twelve surviving siblings. He examines the king’s important contributions to the cultural enhancement of his capital and his encouragement of the major artistic, literary, and scholarly figures of his time. He reassesses the king’s role as constitutional monarch, contending that it was he, rather than Victoria and Albert, who created the constitutional monarchy of nineteenth-century Britain and began the revival of its popularity. Smith’s biography not only illuminates the character of one of the most colorful of Britain’s rulers but also contributes to the history of the British monarchy and its role in the nation’s life.
From the first biography of George IV in 1831 to the last in 2001, Mad King George’s son has commonly been held up to ridicule as a weak, selfish, and incompetent spendthrift, barely tolerated by his ministers, loathed by most of his family, and dependent on the emotional support of grasping mistresses. However, acclaimed historian Tom Ambrose--author of Godfather of the Revolution: The Life of Phillipe Egalit�, Duc D’Orl�ans--has uncovered new details on "Prinny" that suggests that, for all his faults, George IV just may have been the most humane and amusing of all British monarchs, notwithstanding his love of the high life. Central to the story is the vast array of friends that populate a remarkable reign as Prince Regent and King. If Prinny, as they knew him, was so grotesquely foolish, how did he amass such a fascinating (and loyal) group of friends? Could any other British ruler count among his friends the country’s most brilliant playwright (Richard Sheridan), or the wiliest statesman (Charles Fox), or the greatest political philosopher (Edmund Burke), not to mention perhaps the biggest loveable rogues’ gallery London ever saw? The truth was that Prinny’s occasional buffoonery and imposing girth made him the perfect target for political satirists and cartoonists--at their zenith during his reign--and his high qualities have been consistently overlooked. This warm, funny, and affectionate portrait displays George at his very best: delighting some of the finest minds of his generation, easily winning over his subjects and his family as well as treating his lovers with care and concern--and roistering with all his pals.
Described by the Duke of Wellington as 'the most extraordinary compound of talent, wit, buffoonery, obstinacy and good feeling that I ever saw in one character in my life', George Augustus Frederick, Prince of Wales, later George IV, was a highly controversial figure. He courted both Whigs and Tories in his attempts to establish the Regency during the 'madness' of his father, George III. Scandalous liaisons with prostitutes and duchesses, and his 'secret' marriage to the Catholic Mrs Fitzherbert, tested his duty - to nation and to family. Yet his support for overseas campaigns against Napoleon, culminating in such historic victories as Trafalgar and Waterloo, consolidated Britain's status as the pre-eminent world power amid the great social and economic upheavals of the Industrial Revolution. Drawing on a wealth of original accounts of life in Georgian Britain, Saul David has created a masterly portrait - of a flamboyant, opportunistic and influential figure, and of a nation in a time of great change.
Master Sergeant (Ret.) George E. "Chik" Hand IV, better known as geo to the public. geo served for 10 years with the 1st Special Forces Operational Detachment-Delta, colloquially known as Delta Force. As the U.S. Army's premier counterterrorism, hostage rescue, and direct action Special Missions Unit (SMU), Delta Force has been at the tip of the spear of the American military ever since the Iranian hostage crisis in 1979. To serve there, a man has to climb physical and mental mountains; to remain there, a man has to show remarkable consistency and professionalism. Before his assignment to Delta, geo served in the 7th and 1st Special Forces Groups as a Green Beret.A rare wordsmith, geo is a master of the English language. But, it takes more than that to create a compelling memoir, especially one so heavily focused on others. Indeed, it takes empathy and emotional intellect. By empathizing with his subjects, geo puts you right next to them. You can see them breaching a door; you can smell their sweat after an operation; you can hear the radio chatter and the Little Bird helicopters whooping above; you can sense the joke that's about to crack and send everyone rolling; you can feel the pain of loss and the emptiness that death carves. That's why readers of all ages and walks of life rally around his stories.
