Markets for Art, 1400-1800

Markets for Art, 1400-1800

Author: Clara Eugenia Núñez

Publisher: Universidad de Sevilla

Published: 1998

Total Pages: 196

ISBN-13: 9788447204403

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Analiza aspectos económicos del Arte: mercados, relación con la producción, barómetro del bienestar, precios, comercio, ventas públicas, demandas de Cortes, etc.


Flemish Art and Architecture, 1585-1700

Flemish Art and Architecture, 1585-1700

Author: Hans Vlieghe

Publisher: Yale University Press

Published: 1998-01-01

Total Pages: 356

ISBN-13: 9780300104691

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02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.


Seventeenth-Century Flemish Garland Paintings

Seventeenth-Century Flemish Garland Paintings

Author: Susan Merriam

Publisher: Routledge

Published: 2017-07-05

Total Pages: 223

ISBN-13: 1351549065

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Focusing on three celebrated northern European still life painters?Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem?this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.


Ibss: Anthropology: 1995

Ibss: Anthropology: 1995

Author:

Publisher: Psychology Press

Published: 1997-02

Total Pages: 424

ISBN-13: 9780415152143

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This bibliography lists the most important works published in anthropology in 1995. Renowned for its international coverage and rigorous selection procedures, IBSS provides researchers and librarians with the most comprehensive and scholarly bibliographic service available in the social sciences. IBSS is compiled by the British Library of Political and Economic Science at the London School of Economics, one of the world's leading social science institutions. Published annually, IBSS is available in four subject areas: anthropology, economics, political science and sociology.


Mortuary and Bioarchaeological Perspectives on Bronze Age Arabia

Mortuary and Bioarchaeological Perspectives on Bronze Age Arabia

Author: Kimberly D. Williams

Publisher: University Press of Florida

Published: 2019-05-27

Total Pages: 271

ISBN-13: 1683400933

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This volume brings together expert s in archaeology and bioarchaeology to examine continuity and change in ancient Arabian mortuary practices. While most previous investigations have been limited geographically to Egypt and the Levant, this volume focuses on the lesser-studied southeastern Arabian Peninsula, showing what death and burial can reveal about the lifestyles of the region’s prehistoric communities. In case studies from Oman, the United Arab Emirates, Qatar, and Bahrain, contributors explore the transition from the earliest to the most complex mortuary monuments in the Bronze Age and beyond. They consider sociopolitical and environmental factors that may have influenced mortuary practices and what skeletal biogeochemistry can reveal about changing mobility and access to food resources. They also discuss sites that illustrate more nuanced shifts in burial traditions that took place during the evolution of the Hafit to the Umm an-Nar cultures, a period of transformation often neglected because the semi-nomadic lifestyle of this intermediary culture left behind a limited archaeological record. Burial patterns reveal a shift from cairns to communal tombs that offers new insight into the relationship between the mortuary landscape and the living, while the presence of animal bones interred with human remains embodies the significance of herd management as symbols of both territoriality and reproduction. By using skeletal remains as a rich source of scientific data that complements studies of burial context, this volume represents an important turning point for mortuary research in the region. Its novel interdisciplinary and international perspective provides a synthesis of new ideas and interpretations that will guide future archaeological research in Arabia and beyond. A volume in the series Bioarchaeological Interpretations of the Human Past: Local, Regional, and Global Perspectives, edited by Clark Spencer Larsen Contributors: Eugenio Bortolini | Charlotte Marie Cable | Guillaume Gernez | Jessica Giraud | Richard Thorburn Howard Cuttler | Aurea Izquierdo Zamora | Olivia Munoz | Jill A. Weber | Benjamin W. Porter | Alexis Boutin | Debra L. Martin | Kathryn M. Baustian | Anna J. Osterholz | Peter Magee


The City Rehearsed

The City Rehearsed

Author: Christopher Heuer

Publisher: Routledge

Published: 2009-06-02

Total Pages: 659

ISBN-13: 1135232628

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The City Rehearsed offers an entirely new perspective on printed architecture in early modern Europe through the lens of Hans Vredeman de Vries. It probes the geographical encounters of dozens of engravings with contemporary texts on architecture, theatre, urbanism, art collecting, even ethnography. The Netherlandish polymath Hans Vredeman de Vries (1526-1609) devoted his entire career to the production of imaginary architecture. Painter, architect, rhetorician, perspective theorist, festival designer, and draughtsman, Vredeman was active in Antwerp, Amsterdam, and Prague, where he designed a mysterious body of architectural prints, works which by the seventeenth century had influenced buildings from Tallinn to Peru. Including Scenographiae (1560), and Perspective (1604-5), Vredeman’s strange publications were among the most widely-distributed "Renaissance" books on building and vision, shipped to England, Spain and even Mexico by 1600. This book, the first sustained study of Vredeman in English, shifts the focus of inquiry to look at the active role his prints played in the life of urban readers outside of a narrowly-defined "Flemish" architectural history. This is a study with clear interest for historians of art and the built environment, and one with broader contemporary resonances for changing definitions of "European" culture and identity in the present day.