Reynolds offers a guided tour of rave culture and techno music in this first critical history of the genre--and the drug culture that accompanies it. 40-page discography. of illustrations.
In Generation Ecstasy, Simon Reynolds takes the reader on a guided tour of this end-of-the-millenium phenomenon, telling the story of rave culture and techno music as an insider who has dosed up and blissed out. A celebration of rave's quest for the perfect beat definitive chronicle of rave culture and electronic dance music.
This book about ecstacy users' lives is based on one of the biggest government-funded projects ever undertaken and gives voice to the chemical generation for the first time. In the UK, where the study was conducted, over fifty per cent of young people use drugs, a quarter of them regularly. The people in this book are ordinary, decent, family-loving people, with normal lives, normal problems and normal aspirations. Through their own words we hear how they first started using ecstasy, how they use it in different ways, why clubbing and raving are so important, how good sex is on ecstasy, how they chill out, how they come down, what problems they encountered and why they quit. This path-breaking book ends by trying to answer the questions on the lips of every member of the chemical generation: what are the long-term effects of ecstasy? Because we can't answer them, the authors claim, we are failing in our duty to our children: telling them not to take ecstasy is alienating and pointless.
From its first publication in 1997, Altered State established itself as the definitive text on Ecstasy and dance culture. This new edition sees Matthew Collin cast a fresh eye on the heady events of the acid house 'Summer of Love' and the rave scene's euphoric escalation into commercial excess as MDMA became a mass-market narcotic. Altered State is the best-selling book on Ecstasy culture, using a cast of memorable characters to track the origins of the scene and its drug through psychedelic subcults, underground gay discos and the Balearic paradise of Ibiza, to the point where Tony Blair was using an Ecstasy anthem as an election campaign song. Altered State critically examines the ideologies and myths of the scene, documenting the criminal underside to the blissed-out image, shedding new light on the social history of the most spectacular youth movement of the twentieth century.
Ecstasy did for house music what LSD did for psychedelic rock. Now, in Energy Flash, journalist Simon Reynolds offers a revved-up and passionate inside chronicle of how MDMA (“ecstasy”) and MIDI (the basis for electronica) together spawned the unique rave culture of the 1990s. England, Germany, and Holland began tinkering with imported Detroit techno and Chicago house music in the late 1980s, and when ecstasy was added to the mix in British clubs, a new music subculture was born. A longtime writer on the music beat, Reynolds started watching—and partaking in—the rave scene early on, observing firsthand ecstasy’s sense-heightening and serotonin-surging effects on the music and the scene. In telling the story, Reynolds goes way beyond straight music history, mixing social history, interviews with participants and scene-makers, and his own analysis of the sounds with the names of key places, tracks, groups, scenes, and artists. He delves deep into the panoply of rave-worthy drugs and proper rave attitude and etiquette, exposing a nuanced musical phenomenon. Read on, and learn why is nitrous oxide is called “hippy crack.”
Ecstasy, or extasis, is the Greek term for trance, and is linked with a pleasurable, God-given state of out-of-body experience recorded throughout the New Testament and the church age. Starting with the apostles ecstatic experiences on Pentecost, the Book of Acts further records trances in the lives of Peter and Paul. From the early church to the Christian mystics of the Middle Ages and the famous revivalists of centuries present, God s movements on the earth have always been marked by these supernatural experiences. In this book, John Crowder takes us on a journey from Old Testament ecstatic prophets such as Samuel and Elijah, to the future ecstatics who will usher in a massive wave of harvest Glory to the streets in these last days. God has always wanted a people who live in the Heavens, even as they walk on the Earth. And the world is hungry for the demonstration of a gospel of supernatural power that flows from a life of divine pleasure. More than a state of mind, you will see how the nature of God s ecstasy is found in the joy, bliss and inner raptures of His presence. In this book, you will be encouraged to drink from the river of His pleasure! (Ps. 36:8)
In The Black Body in Ecstasy, Jennifer C. Nash rewrites black feminism's theory of representation. Her analysis moves beyond black feminism's preoccupation with injury and recovery to consider how racial fictions can create a space of agency and even pleasure for black female subjects. Nash's innovative readings of hardcore pornographic films from the 1970s and 1980s develop a new method of analyzing racialized pornography that focuses on black women's pleasures in blackness: delights in toying with and subverting blackness, moments of racialized excitement, deliberate enactments of hyperbolic blackness, and humorous performances of blackness that poke fun at the fantastical project of race. Drawing on feminist and queer theory, critical race theory, and media studies, Nash creates a new black feminist interpretative practice, one attentive to the messy contradictions—between delight and discomfort, between desire and degradation—at the heart of black pleasures.
A personal narrative and guide to the safe, responsible use of MDMA for personal healing and social transformation • Details the author’s 50 years of responsible experimentation with mind-altering substances and how Ecstasy has helped him become a better therapist • Explains how he and his wife found Ecstasy to be the key to renewing and enriching their lives and marriage as they entered their senior years • Describes what the experience actually feels like and provides protocols for the safe, responsible, recreational, and celebrational use of MDMA for individuals and groups In a world that keeps us separate from each other, MDMA is the chemical of connection. Aptly known in popular culture as “Ecstasy,” MDMA helps us rediscover our own true loving nature, often obscured by the traumas of life. On its way to becoming a prescription medication due to groundbreaking research on its use to treat PTSD, Ecstasy can offer benefits for all adult life stages, from 20-somethings to seniors. In this memoir and guide to safe use, Charles Wininger, a licensed psychoanalyst and mental health counselor, details the countless ways that Ecstasy has helped him become a better therapist and husband. He recounts his coming of age in the 1960s counterculture, his 50 years of responsible experimentation with mind-altering substances, and his immersion in the new psychedelic renaissance. He explains how he and his wife found Ecstasy to be the key to renewing and enriching their lives as they entered their senior years. It also strengthened the bonds of their marriage. Countering the fearful propaganda that surrounds this drug, Wininger describes what the experience actually feels like and explores the value of Ecstasy and similar substances for helping psychologically healthy individuals live a more “optimal” life. He provides protocols for the responsible, recreational, and celebrational use of MDMA, including how to perfect the experience, maximize the benefits and minimize the risks, and how it may not be for everyone. He reveals how MDMA has revitalized his marriage, both erotically and emotionally, and describes how pleasure, fun, and joy can be profound bonding and transformative experiences. Revealing MDMA’s versatility when it comes to bringing lasting renewal, pleasure, and inspiration to one’s life, Wininger shows that recognizing the transformative power of happiness-inducing experiences can be the first step on the path to healing.
A landmark history of post-punk, the basis of the documentary film directed by Nikolaos Katranis Renowned music journalist Simon Reynolds celebrates the futurist spirit of such bands as Joy Division, Gang of Four, Talking Heads, and Devo, which resulted in endless innovations in music, lyrics, performance, and style and continued into the early eighties with the video-savvy synth-pop of groups such as Human League, Depeche Mode, and Soft Cell, whose success coincided with the rise of MTV. Full of insight and anecdotes and populated by charismatic characters, Rip It Up and Start Again re-creates the idealism, urgency, and excitement of one of the most important and challenging periods in the history of popular music.
This book about ecstacy users' lives is based on one of the biggest government-funded projects ever undertaken and gives voice to the chemical generation for the first time. In the UK, where the study was conducted, over fifty per cent of young people use drugs, a quarter of them regularly. The people in this book are ordinary, decent, family-loving people, with normal lives, normal problems and normal aspirations. Through their own words we hear how they first started using ecstasy, how they use it in different ways, why clubbing and raving are so important, how good sex is on ecstasy, how they chill out, how they come down, what problems they encountered and why they quit. This path-breaking book ends by trying to answer the questions on the lips of every member of the chemical generation: what are the long-term effects of ecstasy? Because we can't answer them, the authors claim, we are failing in our duty to our children: telling them not to take ecstasy is alienating and pointless.