Gender and the Construction of Hegemonic and Oppositional Femininities analyzes the construction of femininities within the key social institutions of school, work, and the media. The book draws from previous research to demonstrate how femininities are constructed in school and work and analyzes gendered representations in current fictional media.
Gender and the Construction of Hegemonic and Oppositional Femininities analyzes the construction of femininities within the key social institutions of school, work, and the media. The book draws from previous research to demonstrate how femininities are constructed in school and work and analyzes gendered representations in current fictional media.
This book draws on the concepts of hegemonic and nonhegemonic masculinities as well as emphasized and oppositional femininities to chronicle and illuminate the construction of gender in Beverly Hills, 90210. The book argues that not only delegitimized but also legitimated forms of masculinity and femininity require critical scrutiny and interrogation in order to expose the constructed nature of gender identities. Through an analysis of individual characters and specific episodes, the author demonstrates how the series presents certain characters as challenging normalized gender performances and the status quo. The program, however, ultimately reaffirms gender hegemony through portrayals of women and femininity as subordinate to men and masculinity. This book provides a sophisticated analysis of a popular series that established the teen television genre and thus serves as a cultural artifact.
The author of this volume skillfully demonstrates that a vital component to understanding crime is to be able to view it as more than a single activity. James W. Messerschmidt argues that crime operates subtly through a complex series of gender, race and class practices and these interwoven elements must be seen as part of all social existence, not viewed independently.
The corporate salaryman and professional housewife stand as hegemonic archetypes of masculinity and femininity in Japan. However, these rigid gender roles are being challenged by women who are seeking to move beyond the strictly defined confines of their traditional roles as caregivers and homemakers. Through interviews with a range of Japanese women, this book explores how women's gender roles are both reified and undermined in Japan today, and uncovers the prevalent themes, or 'discourses', that are utilized to construct gendered identities. It shows that while dominant discourses formulate notions of femininity within the domestic sphere, these are simultaneously resisted and problematized by contemporary women. To this end, Justin Charlebois traces the construction of different 'oppositional' femininities, such as the single career woman and married working mother, which challenge, destabilize, and potentially reconfigure the traditional gender order. This book makes an important contribution to our understanding of gender roles and femininity in Japan, and as such will be of great interest to students and scholars of Japanese culture and society, gender studies and women's studies.
This book presents a compilation of chapters relating to the socio-cultural experiences of Malaysian Indian women. It includes a historical background covering Indian women’s migration to Malaya, and explores the lived realities of contemporary Indian women who are members of this minority ethnic group in the country. The authors cover a wide range of issues such as gender inequality, poverty, the involvement of women in performing arts, work, inter‐personal relationships, and well-being and happiness, drawing on substantial empirical data through a gendered lens. This book addresses the gap in the intersectional gender studies literature on minority groups of women in Malaysia, while simultaneously highlighting the multiple forms of subordination minority women - particularly Indian women - experience in society, including those that arise from gender‐ethnic intersectionality. In examining the case of Indian women in Malaysia, it also speaks to and enriches existing literature on the lives of minority groups of women in the Global South more broadly This anthology is beneficial to researchers and students in the social sciences, particularly in disciplines related to gender studies and minority studies. In addition, it is also useful for policy makers and social activists working with minority women in the Global South.
Since there was hardly any book written on the concept of ‘New Woman’ compiling the works of Indian English writers, the author had long-felt desire to bring out a compact volume in this field. The present volume is like a dream come true as it prepares the solid ground for the long-cherished desire of the author. The book New Woman in Indian English Literature: From Covert to Overt is an attempt to combining the varied shapes of new emerging trend of womanhood in Indian English Literature into a single whole. The book covers twenty six well explored articles on this recent trend of writing which has been fast growing since last few decades. The contributing authors are very deep, sincere and reflective in the articulation of their original ideas and views. Authors are hopeful that the book will bring into focus many new things and ideas yet to be explored and thus will be useful to critical minds.
"This book draws on the concepts of hegemonic and nonhegemonic masculinities as well as emphasized and oppositional femininities to chronicle and illuminate the construction of gender in Beverly Hills, 90210. The book argues that not only delegitimized but also legitimated forms of masculinity and femininity require critical scrutiny and interrogation in order to expose the constructed nature of gender identities. Through an analysis of individual characters and specific episodes, the author demonstrates how the series presents certain characters as challenging normalized gender performances and the status quo. The program, however, ultimately reaffirms gender hegemony through portrayals of women and femininity as subordinate to men and masculinity. This book provides a sophisticated analysis of a popular series that established the teen television genre and thus serves as a cultural artifact"--Back cover.
In Perogies and Politics, Rhonda Hinther explores the twentieth-century history of the Ukrainian left in Canada from the standpoint of the women, men, and children who formed and fostered it. For twentieth-century leftist Ukrainians, culture and politics were inextricably linked. The interaction of Ukrainian socio-cultural identity with Marxist-Leninism resulted in one of the most dynamic national working-class movements Canada has ever known. The Ukrainian left's success lay in its ability to meet the needs of and speak in meaningful, respectful, and empowering ways to its supporters' experiences and interests as individuals and as members of a distinct immigrant working-class community. This offered to Ukrainians a radical social, cultural, and political alternative to the fledgling Ukrainian churches and right-wing Ukrainian nationalist movements. Hinther's colourful and in-depth work reveals how left-wing Ukrainians were affected by changing social, economic, and political forces and how they in turn responded to and challenged these forces.??
Pain and pleasure are at the heart of human experiences and literary journeys. This book takes the title of Roland Barthes’s text on the pleasure of writing as a starting point for the discussion of other different wor(l)ds and cartographies of pain and pleasure. Set against the Aristotelian delineation of pleasure as the major principle that should govern a literary endeavor, this volume investigates alternative reflections on the themes of pleasure and pain. Thinking about the ways through which expressions of pain and pleasure may affect the writer and the reader as experiences of other pursuits of the human imagination can place or displace, soothe or enrage, and inspire or discourage the individual search for meaning. By engaging with different theories and expressions, it is possible to understand what pain and pleasure have done in the history of humanity, rather than merely looking at them as representations of others’ distant experiences. This volume entails new reflections on the expressions of pain and pleasure to create new meanings for these words in a world vying for expressions of power with and without bliss.
