Gay Plays
Author: William M. Hoffman
Publisher: Avon Books
Published: 1979
Total Pages: 548
ISBN-13:
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Author: William M. Hoffman
Publisher: Avon Books
Published: 1979
Total Pages: 548
ISBN-13:
DOWNLOAD EBOOKAuthor: Benjamin A. Hodges
Publisher: Hal Leonard Corporation
Published: 2003
Total Pages: 747
ISBN-13: 155783587X
DOWNLOAD EBOOK(Applause Books). Applause Theatre & Cinema Books is proud to announce the publication of the first collected anthology of gay and lesbian plays from the entire span of the twentieth century, sure to find wide acceptance by general readers and to be studied on campuses around the world. Among the ten plays, three are completely out of print. Included are The God of Venegeance (1918) by Sholom Ash, the first play to introduce lesbian characters to an English-language audience; Lillian Hellman's classic The Children's Hour (1933), initially banned in London and passed over for the Pulitzer Prize because of its subject matter; and Oscar Wilde (1938) by Leslie and Sewell Stokes, a major award-winning success that starred Robert Morley. More recent plays include Mart Crowley's The Boys in the Band (1968), the first hit "out" gay play that was the most realistic and groundbreaking portrayal of gays on stage up to that time; Martin Sherman's Bent (1978), which daringly focused on the love between two Nazi concentration camp inmates and starred Richard Gere; William Hoffman's As Is (1985), which was one of the first plays to deal with the AIDS crisis and earned three Tony Award nominations; and Terrence McNally's Love! Valour! Compassion! (1994), which starred Nathan Lane and won the Tony Award for Best Play. The other plays are Edouard Bourdet's The Captive (1926), Ruth and Augustus Goetz's The Immoralist (1954) and Frank Marcus' The Killing of Sister George (1967). Forbidden Acts includes a broad range of theatrical genres: drama, tragedy, romance, comedy and farce. They remain vibrant and relevant today as a testament of art's ability to persevere in the face of oppression.
Author: Benjamin A. Hodges
Publisher: Alyson Books
Published: 2008
Total Pages: 612
ISBN-13: 9781593500443
DOWNLOAD EBOOKWith a foreword by Harvey Fierstein and a new introduction toThe Boys in the Bandby Mart Crowley, twentieth century theatre is seen as a powerful force in bringing gay and lesbian characters and themes out of the closet and into the spotlight. These dramatic selections share themes of oppression countered by love, fear, anger, and humor–not only gay or lesbian, but universally human. Included are Harvey Fierstein'sTorch Song Trilogy, Tererrence McNally'sThe Ritz, Lanford Wilson'sFifth of July, Paula Vogel'sThe Baltimore Waltz, and many more. Ben Hodgesis an actor, director, theatre and independent film producer, and was executive director of Fat Chance Productions and the Ground Floor Theatre. He is editor ofForbidden Acts: Pioneering Gayand Lesbian Plays from the Twentieth Century, and co-editor ofTheCommercial Theater Institute Guide to Producing Plays and Musicals.
Author: Tony Kushner
Publisher:
Published: 2017-04-13
Total Pages: 312
ISBN-13: 9781848426313
DOWNLOAD EBOOKAmerica in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. This edition, published alongside the major revival at the National Theatre in 2017, contains both plays, Part One: Millennium Approaches, and Part Two: Perestroika.
Author: Don Shewey
Publisher: Grove/Atlantic
Published: 1988
Total Pages: 602
ISBN-13:
DOWNLOAD EBOOKAuthor: Mo Gaffney
Publisher: Dramatists Play Service Inc
Published: 2013
Total Pages: 76
ISBN-13: 9780822226543
DOWNLOAD EBOOKTHE STORIES: Two little words, and suddenly your whole world changes. An A-list lineup of writers offers unique takes on the moments before, during and after I do. Witty, warm and occasionally wacky, these plays are vows to the blessings of equality, th
Author: Danish Sheikh
Publisher: Bloomsbury Publishing
Published: 2018-12-10
Total Pages: 384
ISBN-13: 1786825074
DOWNLOAD EBOOKA unique anthology bringing together stories of queer life from international playwrights, these seven plays showcase the dazzling multiplicity of queer narratives across the globe: the absurd, the challenging, and the joyful. From the legacy of colonialism in India to the farcical bureaucracy of marriage law in Kosovo; from a school counsellor in Taiwan coming out as HIV+, to coming of age in an Israel-Palestine coexistence camp, this is a genre-spanning collection of global writing. Contempt by Danish Sheikh (India) 55 Shades of Gay by Jeton Neziraj, translated by Alexandra Channer (Kosovo) No Matter Where I Go by Amahl Khouri (Jordan) Only the End of the World by Jean-Luc Lagarce, translated by Lucie Tiberghien (France) Taste of Love by Zhan Jie, translated by Jeremy Tiang (Taiwan) Peace Camp Org by Mariam Bazeed (Egypt) Winter Animals by Santiago Loza, translated by Samuel Buggeln and Ariel Gurevitch (Argentina) Originally selected and performed as part of the Arcola Queer Collective's Global Queer Plays call-out event.
Author: Goran Stanivukovic
Publisher: Bloomsbury Publishing
Published: 2017-07-13
Total Pages: 420
ISBN-13: 1474295274
DOWNLOAD EBOOKQueer Shakespeare: Desire and Sexuality draws together 13 essays, which offer a major reassessment of the criticism of desire, body and sexuality in Shakespeare's drama and poetry. Bringing together some of the most prominent critics working at the intersection of Shakespeare criticism and queer theory, this collection demonstrates the vibrancy of queer Shakespeare studies. Taken together, these essays explore embodiment, desire, sexuality and gender as key objects of analyses, producing concepts and ideas that draw critical energy from focused studies of time, language and nature. The Afterword extends these inquiries by linking the Anthropocene and queer ecology with Shakespeare criticism. Works from Shakespeare's entire canon feature in essays which explore topics like glass, love, antitheatrical homophobia, size, narrative, sound, female same-sex desire and Petrarchism, weather, usury and sodomy, male femininity and male-to-female crossdressing, contagion, and antisocial procreation.
Author: John M. Clum
Publisher: Cambria Press
Published: 2015-08-10
Total Pages: 578
ISBN-13: 1621967514
DOWNLOAD EBOOKThe plays in this volume, written by men (some of whom are the most celebrated playwrights) who were in their late twenties and early thirties, affirm adolescents as subjects active in same-sex relationships. Sexual identity is important to the young men in their plays, in great part because they must define themselves against the prejudice and sanctions of family and social institutions. In some cases, the experiences dramatized in these plays are examples of the "gay pathos." Some boys, like Benjy in A. Rey Pamatmat's Edith Can Shoot Things and Hit Them, were severely punished by their parents for expressing their sexuality. Others, like Chris in Daniel Talbott's Slipping, are terrified of anyone, particularly his peers, discovering his sexual relationship with another boy. Dennis, in Michael Perlman's From White Plains, has never recovered from the anti-gay bullying he and his best friend endured in high school. At the same time, most of the plays in this book depict joyful expressions of gayness. Much of Edith Can Shoot Things and Hit Them is the story of two teenage boys discovering sex and love on a remote Midwestern farm despite the interventions of parents. On his twelfth birthday, Ricardo Bracho's Sissy discovers and celebrates his inner queen. Yet not all adolescents can feel that joy. Eli, in Slipping, connects sex and desire with cruelty, first suffered at the hands of the conflicted lover Chris, then projected onto the sweet boy with whom he becomes involved in Iowa, and finally inflicted upon himself. The young men in these plays are all unique characters. Affirmation of their sexuality in a time and places where homophobia is still a reality is only one problem each faces. Like many works about adolescence, these plays depict the blurry no man's land between childhood and adulthood. All of these plays have received powerful productions at theatres across America and demonstrate the vitality and variety of contemporary American drama. This is an important book for all collections not only in LGBT studies and theater studies, but also education and sociology because of how it deals with adolescent homosexuality and homophobia, as well as bullying. See http://www.cambriapress.com/books/9781604979084.cfm for more information.
Author: Jacob Juntunen
Publisher: Routledge
Published: 2016-01-29
Total Pages: 203
ISBN-13: 131737651X
DOWNLOAD EBOOKThis book demonstrates the political potential of mainstream theatre in the US at the end of the twentieth century, tracing ideological change over time in the reception of US mainstream plays taking HIV/AIDS as their topic from 1985 to 2000. This is the first study to combine the topics of the politics of performance, LGBT theatre, and mainstream theatre’s political potential, a juxtaposition that shows how radical ideas become mainstream, that is, how the dominant ideology changes. Using materialist semiotics and extensive archival research, Juntunen delineates the cultural history of four pivotal productions from that period—Larry Kramer’s The Normal Heart (1985), Tony Kushner’s Angels in America (1992), Jonathan Larson’s Rent (1996), and Moises Kaufman’s The Laramie Project (2000). Examining the connection between AIDS, mainstream theatre, and the media reveals key systems at work in ideological change over time during a deadly epidemic whose effects changed the nation forever. Employing media theory alongside nationalism studies and utilizing dozens of reviews for each case study, the volume demonstrates that reviews are valuable evidence of how a production was hailed by society’s ideological gatekeepers. Mixing this new use of reviews alongside textual analysis and material study—such as the theaters’ locations, architectures, merchandise, program notes, and advertising—creates an uncommonly rich description of these productions and their ideological effects. This book will be of interest to scholars and students of theatre, politics, media studies, queer theory, and US history, and to those with an interest in gay civil rights, one of the most successful social movements of the late twentieth century.