Slave Songs of the United States

Slave Songs of the United States

Author: William Francis Allen

Publisher: Applewood Books

Published: 1996

Total Pages: 170

ISBN-13: 1557094349

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Originally published in 1867, this book is a collection of songs of African-American slaves. A few of the songs were written after the emancipation, but all were inspired by slavery. The wild, sad strains tell, as the sufferers themselves could, of crushed hopes, keen sorrow, and a dull, daily misery, which covered them as hopelessly as the fog from the rice swamps. On the other hand, the words breathe a trusting faith in the life after, to which their eyes seem constantly turned.


Reprints

Reprints

Author: Clarendon Historical Society

Publisher:

Published: 1884

Total Pages: 562

ISBN-13:

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Under the editorship of Edmund Goldschmid, the Clarendon Historical Society reprinted a series of miscellaneous pamphlets, mainly dating originally from the Civil War period (1639-1650). Each pamphlet bears its original, individual title, e.g. : 'A declaration of the vile and wicked wayes of the cruell Cavaliers (1644)'. Each pamphlet is paginated individually at the top of each page, and also the whole sequence is assigned a continuous run of page numbers at the bottom of each page.


The Ladies of Garrison Gardens

The Ladies of Garrison Gardens

Author: Louise Shaffer

Publisher: Ballantine Books

Published: 2005-05-31

Total Pages: 318

ISBN-13: 0345484339

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Charles Valley’s legendary dowagers, the three Miss Margarets, have lost one of their own: Peggy Garrison, who married into a huge fortune but was constantly overshadowed by the legacy her husband’s first wife, the great Myrtis Garrison. When Peggy’s will is read, the news of who will take over the Garrison fortune shakes the town to its core. To everyone’s shock, Peggy has left all of the Garrison holdings–the world-famous botanical gardens, the massive resort, and the lovely Garrison “Cottage,” where FDR once visited–to the town’s down-and-out wild child, Laurel Selene McCready. Laurel was like a daughter to Miss Peggy, but the last thing she wants to do is step into Miss Peggy’s shoes as the wealthiest, most powerful person in town, especially since the Garrison fortune never bought Peggy any happiness. On top of that, when Laurel reluctantly explores her hew home, the storied Garrison Cottage, she discovers that mysteries abound when it comes to the great Miss Myrtis. What clues are hidden in an old suitcase containing a child’s dress and sheet music dating back to the Southern Vaudeville circuit? Who is the elderly woman outside Atlanta who has been keeping track of the Garrison estate’s every development via the Charles Valley Gazette? And how will Laurel avoid the fate of her two predecessors whose secrets have far greater implications than Laurel could ever have imagined? Culminating in an unforgettable sleight of hand, proving that behind every great fortune there is a great crime, The Ladies of Garrison Gardens is as page-turning and irresistible as its predecessor.


Good Poems

Good Poems

Author: Various

Publisher: Penguin

Published: 2003-08-26

Total Pages: 507

ISBN-13: 1101174978

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Every day people tune in to The Writer's Almanac on public radio and hear Garrison Keillor read them a poem. And here, for the first time, is an anthology of poems from the show, chosen by the narrator for their wit, their frankness, their passion, their "utter clarity in the face of everything else a person has to deal with at 7 a.m." The title Good Poems comes from common literary parlance. For writers, it's enough to refer to somebody having written a good poem. Somebody else can worry about greatness. Mary Oliver's "Wild Geese" is a good poem, and so is James Wright's "A Blessing." Regular people love those poems. People read them aloud at weddings, people send them by e-mail. Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.


The Second Child

The Second Child

Author: Deborah Garrison

Publisher: Random House

Published: 2008-04-01

Total Pages: 98

ISBN-13: 1588367274

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Nine years after the stunning debut of her critically acclaimed poetry collection A Working Girl Can’t Win, which chronicled the progress and predicaments of a young woman, Deborah Garrison now moves into another stage of adulthood–starting a family and saying good-bye to a more carefree self. In The Second Child, Garrison explores every facet of motherhood–the ambivalence, the trepidation, and the joy (“Sharp bliss in proximity to the roundness, / The globe already set aspin, particular / Of a whole new life”)– and comes to terms with the seismic shift in her outlook and in the world around her. She lays out her post-9/11 fears as she commutes daily to the city, continues to seek passion in her marriage, and wrestles with her feelings about faith and the mysterious gift of happiness. Sometimes sensual, sometimes succinct, always candid, The Second Child is a meditation on the extraordinariness resident in the everyday–nursing babies, missing the past, knowing when to lead a child and knowing when to let go. With a voice sound and wise, Garrison examines a life fully lived.


The Strangers Book

The Strangers Book

Author: Lloyd Pratt

Publisher: University of Pennsylvania Press

Published: 2016

Total Pages: 200

ISBN-13: 081224768X

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The Strangers Book explores how various nineteenth-century African American writers radically reframed the terms of humanism by redefining what it meant to be a stranger. Rejecting the idea that humans have easy access to a common reserve of experiences and emotions, they countered the notion that a person can use a supposed knowledge of human nature to claim full understanding of any other person's life. Instead they posited that being a stranger, unknown and unknowable, was an essential part of the human condition. Affirming the unknown and unknowable differences between people, as individuals and in groups, laid the groundwork for an ethical and democratic society in which all persons could find a place. If everyone is a stranger, then no individual or class can lay claim to the characteristics that define who gets to be a human in political and public arenas. Lloyd Pratt focuses on nineteenth-century African American writing and publishing venues and practices such as the Colored National Convention movement and literary societies in Nantucket and New Orleans. Examining the writing of Frederick Douglass in tandem with that of the francophone free men of color who published the first anthology of African American poetry in 1845, he contends these authors were never interested in petitioning whites for sympathy or for recognition of their humanity. Instead, they presented a moral imperative to develop practices of stranger humanism in order to forge personal and political connections based on mutually acknowledged and always evolving differences.