Consisting of five books, this masterpiece is Rabelais' magnum opus. It chronicles different events in the life of Gargantua and his son Pantagruel. Using his learned wit and biting satire as a facade, Rabelais discusses several serious issues. The apparent humour and brilliant use of language offers pure reading pleasure. Entertaining and profound!
Consisting of five books, this masterpiece is Rabelais' magnum opus. It chronicles different events in the life of Gargantua and his son Pantagruel. Using his learned wit and biting satire as a facade, Rabelais discusses several serious issues. The apparent humour and brilliant use of language offers pure reading pleasure. Entertaining and profound!
The 1977 lectures of the International School for the History of Science at Erice in Sicily were devoted to that vexing but inexorable problem, the nature of scientific discovery. With all that has been written, by scientists themselves, by historians and philosophers and social theorists, by psycholo gists and psychiatrists, by logicians and novelists, the problem remains elusive. Happily we are able to bring the penetrating lectures from Erice that summer to a wider audience in this volume of theoretical investigations and detailed case studies. The ancient and lovely town of Erice in Northwest Sicily, 750 m above the sea, was famous throughout the Mediterranean for its temple of the goddess of nature, Venus Erycina, said to have been built by Daedalus. As philosophers and historians of the natural sciences, we hope that the stimulating atmo sphere of Erice will to some extent be transmitted by these pages. We are especially grateful to that generous and humane physician and historian of science, Dr. Vincenzo Cappelletti, himself a creative scientist, for his collaboration in bringing this work to completion. We admire his intelligent devotion to fostering creative interaction between scientists and historians of science as Director of the School of History of Science within the great Ettore Majorana Centre for Scientific Culture at Erice, as well as for his imaginative leadership of the Istituto della Encic10pedia Italiana.
This book collects revised versions of papers first delivered at the “Understanding Different Geographies Symposium” held in Puchberg am Schneeberg, Austria in 2011. The Symposium focussed on “Communicating Meaning with [Geo]Graphic Artefacts”. The general topics of the chapters cover: - Exploring geographic knowledge - Maps in exhibition spaces - Information and exhibition design with (geo)graphic artefacts - Extracting meaning from visualisations of different geographies - Deconstructing maps of information - and other spaces
The geography of the book is as old as the history of the book, though far less thoroughly explored. Yet research has increasingly pointed to the spatial dimensions of book history, to the transformation of texts as they are made and moved from place to place, from authors to readers and within different communities and cultures of reception. Widespread recognition of the significance of place, of the effects of movement over space and of the importance of location to the making and reception of print culture has been a feature of recent book history work, and draws in many instances upon studies within the history of science as well as geography. 'Geographies of the Book' explores the complex relationships between the making of books in certain geographical contexts, the movement of books (epistemologically as well as geographically) and the ways in which they are received.
The "spatial turn" in literary studies is transforming the way we think of the field. The Routledge Handbook of Literature and Space maps the key areas of spatiality within literary studies, offering a comprehensive overview but also pointing towards new and exciting directions of study. The interdisciplinary and global approach provides a thorough introduction and includes thirty-two essays on topics such as: Spatial theory and practice Critical methodologies Work sites Cities and the geography of urban experience Maps, territories, readings. The contributors to this volume demonstrate how a variety of romantic, realist, modernist, and postmodernist narratives represent the changing social spaces of their world, and of our own world system today.
"Gargantua and Pantagruel, Illustrated, Book 5" by François Rabelais is the final volume in Rabelais' satirical series. This book concludes the epic adventures of Pantagruel and his companions, as they continue their quest and confront various allegorical and absurd scenarios. In this final installment, Rabelais wraps up the various threads of the narrative, blending fantastical elements with biting satire. The illustrations in this edition enhance the reader's experience of Rabelais' imaginative and often outrageous world, capturing the humor and complexity of the text. Book 5 maintains the series' characteristic wit and satire, offering a conclusion that reflects Rabelais’ views on society, knowledge, and human nature.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
